 If your favorite color is blue, like it is mine, then you'll enjoy the exhibit at the Brooklyn Museum called, "Infinite Blue." The exhibition's title hints at the connection between the color blue and the idea of spirituality as written by Russian artist Vasily Kandinsky, "On the Spiritual in Art." Blue is often associated with the heavens and the spiritual because blue is the color of the sky. The artwork featured in "Infinite Blue" feature every variety of the color blue from ancient times to the present. The exhibit includes a wide range of artwork from the museum's permanent collection of Asian, African, Egyptian, American, Native American, and European art: paintings, sculpture, prints, drawings, etc. My understanding is that this exhibit will expand to other areas of the first floor of the museum over time. My favorite blue is Cobalt Blue. On display were a variety of blue and white ceramics from the Middle East. The use of Cobalt in the Middle East likely inspired the Chinese to use the pigment. In the artwork below and the detailed close-up, artist Arlene Schechet has created handmade papers from abaca, a plant native to the Phillippines. The Flow Blue series, from which this work derives, is named after a British transfer pottery from the early 19th century. For more more information on the exhibit, use the hashtag #infinitebluebkm.
The museum also had a number of wonderful pieces from Alex Katz, Georgia O'Keeffe, Diego Rivera, Claude Monet, Henri Matisse, Edgar Degas, and Auguste Rodin. Here are a few paintings on exhibit. Having walked from Manhattan to Brooklyn over the Brookyn Bridge earlier that day, I really appreciated Georgia O'Keefe's painting of the Brooklyn Bridge. I had always thought that most of her artwork was in the same genre of the Ram's Head painting below. Georgia O'Keefe's painting of the Brooklyn Bridge emphasizes the abstract elements of the composition. This painting was one of her last works of art painted in New York before relocating to New Mexico in 1949.
Luce Center for American Art: Visible Storage Study Center: One of the many wonderful surprises at the Brooklyn Museum was discovering the Visible Storage Study Center. The beautiful display gives you an inside look at how museums work and provides you with a glimpse of the breadth and scope of the Brooklyn Museum's collections. The Visible Storage Study Center contains artwork organized and identified by the accession number assigned by the museum's registrar. Visitors can learn more information about the object by entering an item's identification number on a special web site at computers located throughout the space. 
I had the opportunity to see the Marilyn Minter "Pretty/Dirty" exhibit that was on display at the Brooklyn Museum from November 4, 2016 to April 2, 2017. The exhibit featured many over-sized paintings showing seductive and sexual visual statements. The artwork included paintings and videos mostly sexual in nature. The photographs, paints, and videos in one gallery focus on licking, dripping, and devouring mouths. I believe it is a commentary on American culture's inexhaustible appetite for glamour and stimulation. I've included a few photos from the exhibit below.    Marilyn Minter "Pop Rocks" Enamel on Metal, 2009  Marilyn Minter "Drizzle (Wangechi Mutu)" Enamel on Metal, 2010 The Dinner Party by Judy Chicago is the most significant icon of 1970s American feminist art. It took Judy Chicago 5 years to complete the project from 1974 to 1979 with the help of hundreds of collaborators. The Dinner Party represents 1,038 important mythical and historical women, most of whom had been neglected by history. The Dinner Party consists of a series of Entry Banners, Heritage Panels, a Heritage Floor, and a huge ceremonial triangular banquet table measuring 48 feet on each side with a total of 39 place settings. The Dinner Party is housed a the Brooklyn Museum as the central installation of the Elizabeth A. Sackler Center for Feminist Art. The Table is in the shape of an open equilateral triangle, a symbol of equality. Each place setting represents a woman of great historical significance, either real of mythical. The Heritage Floor beneath the table is comprised of 2,300 porcelain tiles. 
The Brooklyn Museum was a fascinating experience. Check out the Museum in you are in the vicinity. You won't be disappointed! 
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Just recently, on February 14th, I came across an editorial article on Artsy.net by Isaac Kaplan entitled, "Do Francis Picabia's Anti-Semitic Remarks Tarnish his MoMA Retrospective?" After reading the article I learned about Picabia's anti-Jewish feelings (and womanizing behaviors). MoMA's exhibit apparently does address this part of Picabia's character; however, I must have missed this as I walked through the gallery. To answer Kaplan's question personally. I think it does, in fact, tarnish his reputation. I really enjoyed his artwork during my visit to the MoMA. But after learning more about the artist, I can't say that I can admire him. Famous artists are people that I want to look up to and admire. They are people that I want the next generation of artists to look up to. And so, while I can appreciate his artwork at face value and his artistic technique, learning about his anti-Semitic behavior does take him down several notches in my book. Similarly, just like we want our kids to admire our professional sports players, it's hard to have our kids look up to them if they do drugs, treat women badly, are anti-gay, or are anti-Jewish, or discriminate in any way. So, I'm kind of let down after my great experience viewing his work in the gallery. But for this blog article, I will continue to proceed sharing my thoughts on the exhibit as if I hadn't learned of his anti-Semitic feelings and behavior. Here is the link to the article for your information: https://www.artsy.net/article/artsy-editorial-francis-picabias-anti-semitic-remarks-tarnish-moma-retrospective As I walked though the gallery rooms, the one thing that struck me the most was how his artistic style changed throughout his lifetime. Picabia was an artist of many genres, and his body of work lacks consistency and categorization. He shifted styles over time. The exhibit highlights his impressionist landscapes, abstract works, paintings, photo-based nudes, etc. Here are some photos from the exhibit.
These two Picabia paintings shown below reminded me of one of my own paintings that I painted earlier this past year, "Woof Woof! Gotta Get My Bone." All three works utilize black lines in a similar fashion. I should note that my painting was created without ever seeing Picabia's work; I am just noting the coincidence in how we both used these lines in the same fashion.
 Woof Woof! Gotta Get My Bone, 10" x 20", Acrylic on Canvas by Eddie Bruckner "Revolutionary Impulse: the Rise of the Russian Avant-Garde" was another wonderful temporary exhibit at the Museum of Modern Art that runs through March 12, 2017. The fact that all the artwork on display comes directly from MOMA's permanent collection, demonstrates how wonderful MOMA is and how impressive their permanent collection is. Of all the artwork on view, there were two artists whose work caught my eye. The two photos below are from the Russian artist Alexandra Exter. The oil on canvas painting on the left, called "Theatrical Composition" was very intriguing to me. I loved the colors, shapes, and overall composition of the painting. The other smaller works, pictured to the right are six designs from various stage sets like The Merchant of Venice, Othello, and others.
To photograph all the well-know paintings from all the famous artists would be a huge undertaking. So I'm including a small selection of some of my favorite pieces along with some detailed close-up photos from the following artists: Georges Seurat, Vincent van Gogh, Pablo Picasso, Jasper Johns, Henri Matisse, Fernand Leger, Jim Dine, Andy Warhol, Edward Ruscha, Josef Albers, James Rosenquist, Robert Rauschenberg, and Sol LeWitt. I have the close-up photos to show the brushstrokes, the detailed use of color, and a glimpse into what the artist was focused on while painting their masterpiece.
Pablo Picasso's Guitar Sculpture (3 views), and below, "Vase of Flowers" & "Les Demoiselles d'Avignon
 James Rosenquist, "F-111" Oil on Canvas with aluminum, 23 Sections on 4 walls. I highly recommend visiting the Museum of Modern Art in New York City. More information about the museum can be found on their website: www.moma.org. PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine Los Angeles, California New York City Street Art Napa Valley, California Park City, Utah Barcelona, Spain Caribbean Art
Part of the Museum's focus is dedicated to the subject of the Jewish Journey, Jewish culture, and Jewish continuity. The main exhibition is about the Jewish experience as it has evolved from ancient times to the present day. The exhibit highlights the question of how Judaism has been able to thrive for thousands of years across the globe, even in challenging times, through Jewish texts and objects. Jewish texts have been the central factor in the survival and evolution of Jewish continuity. The objects on exhibit such as Torah scrolls, other religious scrolls, and Jewish ritual objects, all reflect the different ways Jews have expressed their sense of what it means to be Jewish throughout history, in various countries, cultures, and religious contexts. The Culture and Continuity exhibit is located on two floors of the museum. There is so much to say about the exhibit, but most of what I will blog about will focus on the visual arts. After the destruction of the Second Temple, and beginning in the 3rd Century CE, synagogues were often decorated with beautiful mosaic floors and wall frescoes. Jewish symbols included biblical figures, Hebrew writing, the menorah, and the shofar. Below are some photos of one of these mosaic floors, including a detailed/close-up photo. These mosaics reminded me of my signature style of my personal artwork, creating the illusion of mosaic tile using acrylic paint for my paintings.
I was particularly interested in the paintings at the museum, many of which I will highlight in this blog article. Max Weber, who lived from 1881 to 1961, is perhaps one of the most notable artists who portrayed Jewish life in his artwork. Max Weber was born in Russia and emigrated to the the US. Below on the left is a photo of Weber's famous oil on canvas painting, "The Talmudists," painted in New York in 1934. In his early years, he was a great admirer of the artist, Paul Cezanne, and studied art in Paris from 1905-1908. Cezanne's influence can be seen in his earlier works, including the painting, "Still Life with Challah" exhibited at the Jewish Museum. Most of his early works were still lifes and focused on Jewish ritual objects for Shabbat. By 1919, Weber abandoned formal experimentation and turned to Jewish subjects in pursuit of the spiritual.
 Marc Chagall was another famous Jewish artist who had work displayed at the Jewish Museum. Chagall had a lifelong fascination with the Bible and much of his artwork expresses his passion for using his artistic expression to convey the imagery of the Bible. A lithograph on paper, "Moses Displays the Ten Commandments" from "The Story of the Exodus", 1966, is shown to the right.  Works from Piet Mondrian, Fernand Leger, and other well-known artists adorned the walls of the Jewish Museum. Shown below, this 1986 large acrylic on canvas painting by David Reeb, an Israeli artist, titled "Map of Israel" is one of a series of paintings that incorporated the pre-1967 Israeli border, known as the "Green Line." Reeb was one of the most outspoken Israeli artists of his generation and was preoccupied with the political implications of the map of Israel. The ongoing conflict between Israel and her neighbors and the conflict around national borders is the major theme in his series of paintings. In this painting, Reeb portrays the outline of the realistic map as the main motif on an abstract patterned surface. In the photos below, I've included 3 photos showing some of the incredible detail of this fascinating painting. 
Another fascinating exhibit called "You Don't Have to Be Jewish" featured a compilation of television commercials and clips from the museum's National Jewish Archive of Broadcasting, paired with print advertising campaigns, works of art, and more. The exhibit explores material produced for Jewish audiences or with Jewish content and the way religion, ethnicity, and identity play out on American television. The exhibition closed in early February. Also on exhibit from November 4, 2016 to March 26, 2017 was "Pierre Chareau: Modern Architecture and Design." Pierre Chareau was a celebrated French furniture designer, architect, and art collector. The exhibit showcases rare furniture, lighting fixtures, and interiors, and even featured virtual reality glasses to immerse the viewer in the architectural renderings.
One of the most fascinating exhibits that I've seen this past year was "Take Me (I'm Yours)." The exhibit is based on a 1995 exhibit at the Serpentine Gallery in London, curated by Hans Ulrich Obrist and the artist Christian Boltanski. In a conventional museum experience, it is the visitor that consumes art by looking at the paintings, sculptures, or photographs on exhibit. Typically, one is not allowed to touch the art, and certainly not allowed to take them home! Take Me (I'm Yours) defies this well-established standard by featuring works by more than 40 artists from different generations and from all over the globe: The goal of the exhibit is to encourage you to not only touch the artwork, but also to take them away with you and keep them for yourself. Some of the things I walked away with were a can of lemon-flavored sparking water, photographs of glamorous women from the 1950s, stencils, temporary tattoos, pins, hard candies, pill capsules, fabric patches, and more! The exhibition ended in February. I've posted a few photos below. Photos of visitor experiences can be found online using the hashtag: #TakeMeImYoursNYC.
 I love this work of art by Alex Israel, "Self-Portrait (Mom)", 2016. On view November 4, 2016 - April 23, 2017. During my visit, I saw a drop-in art workshop underway, where families were creating works of art together inspired by exhibitions currently on view at the Museum. On Sundays, families can participate in studio art sessions, experience a simulated archaeological dig, or experience the museum's exhibitions with a printed Kids Gallery Guide. The Museum hosts family concerts, workshops and vacation week programming, and workshops for kids with disabilities. For more information, visit: TheJewishMuseum.org/Families.
For more information about this tour, please visit: http://www.freetoursbyfoot.com/new-york-tours/walking-tours/manhattan-street-art-tour/ The area of SoHo in Lower Manhattan was started as a result of imminent domain. Artists squatted in the old, run-down buildings in SoHo. It was the artists who made SoHo great. After the artists came, DJs arrived, parties took place, and the changing culture in the 1980s and the burgeoning fashion scene helped shape SoHo into what it is today. Graffiti is about messages. A lot of street art I saw used cognitive dissonance to make a statement. Cognitive dissonance is when the artist challenges you to think about something. The artist makes you wonder what their message is all about. The artist, Kai, uses this technique in “Save Urself”. Whereas, on the other end of the spectrum, the art used in advertising and marketing ads, the message needs to be crystal clear. I learned about the term “Artivism,” meaning Art-Activism. Using a social, environmental, or political message in street art. Kai uses Artivism. One of his works is near 52 Spring St. called “Save Urself.” I learned that this is a mold that is made and is just slapped on with adhesive on a brick wall. Check out his website: http://kaiart.com/. Here are some other images of Kai's other artwork that I came across on the tour and later throughout the day! If you look at each piece closely, and give it some thought, you will discover his very clear message about society in general.
Some of the art was political in nature, like this one. But there is street art that is done with the building-owner’s permission. Another unique part of street art is the language used. People would describe how their fellow street artist friends create their art fast, incognito, and without being discovered. They’d say “You Bomb it.”, “You'd hit it.”, or “You'd strike it.” A lot of the street art was created somewhere else and then put up in a matter of seconds with adhesive, or wheat paste. Artists would also have “Style Wars”; Who can do this the biggest, the best, etc. Some artists get permission to post their art, while others do not. I learned that the artist who created "Man on Floor" was arrested for creating this. Many artists are looking to have freedom of expression.
Shepard Fairey’s large OBEY mural below. Fairey is also known to have done the famous Obama Hope election poster of President Barack Obama. To learn more about Shepard Fairey, check out his website: https://obeygiant.com/.   What’s known as the “Keith Haring Wall”, was later turned into the Houston Bowery Foundation in the 1990s, with developer Tony Goldman involved in developing SoHo. Keith Haring made the wall infamous by painting an original mural as a gift to the community in the late 1970's. With ownership of the wall, the Goldman family felt a sense of responsibility to bring art and beauty to the public on a grand scale. On a rolling basis, the wall continues to feature the work of established and emerging street artists. The mural located in that spot during my visit was from the artist, Logan Hicks. It was a huge mural created using stencils, with 6 layers of cutouts. I learned it took 2 weeks to do the painting onsite with about 600 hours of preparation. Check out his website: http://workhorsevisuals.com/new  “Audrey on Mulberry” (Audrew Hepburn) by Tristan Eaton was commissioned by an organization called the LISA Project [see below for more info on the Lisa Project]. Check out Triston Eaton's website: http://tristaneaton.com/  The Vandal was painted by the artist, Nick Walker. http://www.theartofnickwalker.com/ This mural is part of his number series. The British artist, Nick Walker, was one of the first of the British graffiti artists. He’s a stencil artist who uses the free-ness of graffiti coupled with beautiful and intricate stenciling. Here is a photo of the mural as well as a photo showing the detail.
Many artists look to create art at a location what they legally have permission to paint. Little Italy has a nonprofit Street Art Association called The LISA Project. The LISA project is a 501(c)3 non-profit organization that brings together a diverse group of street artists to Little Italy creating Manhattan's first and only mural district. For more information as well as links to many of NYC Street Artists, please visit: http://www.lisaprojectnyc.org/. Centre-fuge transforms construction-sites, transitional spaces, and structures in under-appreciated neighborhoods into outdoor gallery spaces in New York City and also in Miami. First Street Green Art Park: Since 2008, First Street Green has converted a derelict building lot at 33 E. 1st Street in Manhattan into an open art space.
To learn more, I highly encourage you to take the Free Manhattan Street Art Walking Tour By Foot. It was a fantastic way to spend 2 hours in New York City. As I walked the streets later that day, at nearly every corner and also in-between, I found new artwork, and began to see more street art of some of my favorite street artists.
As an artist myself, it's fascinating to experience this type of art and understand its context in the New York Art Scene and on the World Art Scene. Many of these artists have made a name for themselves, been invited to participate in Museum shows, secured gallery representation, and/or have become successful in the art world. The Piano I created this past summer gave me a sense of putting art out in the public realm for all to see and experience. Walking through this area reinvigorated me and I hope to find public art projects to be involved with in the future. In addition to the tour, you can learn more about NYC Street Art at the website: Streetsmartguide.org or http://www.3rdculturecreative.com/. The 3rd Culture Creative also has a great list of bios on many of the street artists: http://www.3rdculturecreative.com/art-street-artists-bios.html.
The main exhibit during my visit was entitled "Pixel Forest," which is the first New York survey of the Swiss artist, Pipilotti Rist. The exhibit opened in October 2016 and is only on view through January 15, 2017. Pipilotti Rist is a pioneer of video art installations that blend visual displays with sound and immerse the viewer in a completely new environment from the moment the museum's elevator doors open! The exhibit takes up almost the entire museum's exhibition space on the 2nd, 3rd, and 4th Floors of the museum and includes work from the artist’s entire career. I really enjoyed walking though "Administrating Eternity" which featured video projections on numbers sheets of transparent fabric suspended from the ceiling. Walking through the exhibit, you feel immersed and even part of the experience. You see other people, their shadows, seeing parts of the video and missing segments of others, fabric moving with the breeze as you walk by, etc. One of her pieces included a chandelier made from undergarments. Another unique and very cool installation was "Pixelwald" and comprises 3,000 LED lights that are suspended from the ceiling and change colors over time. I loved the whole experience walking through, hearing the sounds the artist chose, looking at the uniquely-designed shapes of the lights. Every one was different and beautiful. For all of Pipilotti Rist’s pieces, the sounds of heartbeats, forest sounds, and oceansounds almost put you in a trance. If you visit the exhibit, take some time to sit, and experience some of the videos, which are quite fascinating and visually esoteric. Some of the footage was even filmed underwater. I've included some photos of the exhibit below. I should also mention Chris Burden's "Ghost Ship" that was part of his exhibit at the Museum in 2013. The ship was conceived to sail autonomously and unmanned off the coast of Scotland. In 2005, the "Ghost Ship" did, in fact, sail 400 miles! It remains on the facade of the museum's exterior as a tribute to his legacy. You can see a photo of the ship in the photo at the start of the blog article. It's quite something to see and represents some of his work other than the permanent installation at Brandeis University in front of the Rose Art Museum and at LACMA. For more information about the New Museum, check out their website: www.newmuseum.org.  
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine Los Angeles, California New York City New York City Street Art Napa Valley, California Park City, Utah Barcelona, Spain Caribbean Art
 The exhibit's juror is Judith Klein of Judith Klein Art Gallery, New Bedford, MA. I highly recommend checking out this exhibit before it closes on February 2, 2017.
Upcoming exhibits at the Attleboro Arts Museum look amazing as well, so if you're in the Boston Area or Providence, RI, be sure to check out the small but wonderful Attleboro Arts Museum. For more information about the exhibit: http://attleboroartsmuseum.org/members-exhibition-2016/
The "When Language Meets Art" Exhibit at LHUCA is in their Christine DeVitt Exhibition Hall, LHUCA serves as an exhibition space for local, national, and internationally known artists. This current exhibit demonstrates their commitment to bringing insightful and thought-provoking exhibitions that deepen one's understanding, appreciation, and connection with the visual arts. Below are some photos of the my painting, "Close Your Eyes" on exhibit in at LHUCA.
One of LHUCA's programs is the First Friday Art Trail. The First Friday Art Trail is a free, self-guided public art event held predominately in the Lubbock Cultural District. The First Friday Art Trail is held from 6-9pm, rain or shine, on the first Friday of every month! This vibrant art scene brings together art-lovers, art collectors, artists, and the greater community. The art trail can be exploreed on foot or by one of the free First Friday Trolleys to experience the galleries along the downtown route. More information can be found at http://www.ffat.org/ Christian Conrad wrote about the exhibit that is on view through January 28, 2017. Christian Conrad earned his PhD in Critical Theory and Artistic Practice from Texas Tech University in 2010 and his MFA from Radford University in 2005. As a working artist, Christian creates in a variety of media, ranging from oil painting to video installation to traditional paper collage. Christian has taught several college-level courses in art at Texas Tech University, and he is currently a featured speaker with the Art History Lecture Series sponsored by the Museum of Texas Tech University Association and the Saturdays at LHUCA art lectures.
I wanted to create a piano for Street Pianos Boston because I love Boston and I love public art. I believe there are incredible opportunities to use art to represent Boston as one of the world’s best cities; a city that has a vibrant and thriving arts community that adds to the inherent value of everyone living here or visiting Boston. The Play Me I'm Yours Street Pianos exhibit is something I've admired since I first saw it a few years ago in 2013. When I first heard that "Play Me, I'm Yours" was coming back to Boston, I was very excited about the opportunity to paint a piano for this project. My artistic style is about fun, bright colors, using the illusion of mosaic tiles, and bold lines, and I believed that my art would complement the exhibit really well, drawing people to the pianos and interacting with them on the streets of Boston. It was a real honor to have been selected to be a participating artist. I was excited about Street Pianos Boston because it would be my first public art project. My art is loved by people who have my art in their homes, but I also believe that my art has a place in the public realm; my style lends itself for large murals, even sculpture, in public places as well as in corporate office settings. I'd love to do more in the public realm so that art can be accessible to everyone. Being part of the Celebrity Series of Boston Street Pianos exhibit was particularly meaningful to me because I realized how much I enjoy the process of creating public art and am excited about the possibilities for other terrific public-domain art projects in the future.
More videos of the Piano being played can be found on the Eddie Bruckner Fine Art YouTube Channel: https://www.youtube.com/channel/UCamBWngXFOwL9AZhBjoy24A And more photos and videos can be found on the Street Pianos website: www.StreetPianos.com Look for Downtown Boston: City Hall Plaza. The hashtag for the project is #streetpianosboston if you'd like to follow it on social media. I am very proud that my painting/piano added value to this city-wide, public art and performing arts exhibit. It was really special to see Bostonians, visitors, and tourists enjoy playing all the pianos that were created for this wonderful project. The piano will be at Boston City Hall Plaza through October 10, 2016.   This past week I had the pleasure of visiting two of my favorite Art Museums in the Boston area. What I love about art museums is the special combination of new temporary exhibitions and spectacular permanent collections. The Rose Art Museum The first museum I’ll write about is the Rose Art Museum, located in Waltham, Massachusetts. On a personal note, the Rose Art Museum is special to me because it is part of Brandeis University, my alma mater. As part of my art education at Brandeis university, I had the unique opportunity to tour the Rose’s amazing permanent collection—however, not exhibited on the walls of the museum, but rather in the museum’s storage vault. In the mid-1990s, I saw incredible works from the collection from Roy Lichtenstein to Andy Warhol to Willem de Kooning to Jasper Johns. With over 8,000 works of art, mostly from American Artists from the 1960s and 1970s, the Rose Art Museum is one of the leading art museums in the world. Use the following link to see the digital collection: http://rosecollection.brandeis.edu/ This week the Rose Art Museum was exhibiting a temporary retrospective exhibit on the artist Rosalyn Drexler. The exhibit, “Rosalyn Drexler: Who does She Think She Is?” recently closed, but I believe it is traveling to other museums in the coming months.
The Museum of Fine Arts Boston The following day I had the opportunity to visit the Museum of Fine Arts Boston, which houses one of the world’s best and diverse collections of fine art including contemporary art, art of Asia, Oceana, Africa, Europe the Americas, art of the ancient world, and jewelry, musical instruments, prints, drawings, and photographs. Although I didn’t get to see everything in the museum, I was able to see some of my favorite works of art again as well as see some new things and very cool new temporary exhibits. And while I’m more of a contemporary and modern art kind of guy, I was particularly impressed with the story behind a 13-foot-tall statue of a classical sculpture of Juno. The Roman marble lady is the largest Classical sculpture in any museum in the United States. But perhaps even more fascinating was where the statue was found; It was found in the backyard of a Brookline, Massachusetts home (a suburb of Boston). The statue that is dated to about the year 1633 was purchased at the end of the 19th Century in Rome and brought to Brookline, Massachusetts to be placed as part of a formal garden.
The Danish artist, Jeppe Hein’s work entitled “PLEASE…” is a neon light installation from 2008. Hein is fascinated with the relationship between the viewer and his artwork and the art really isn’t complete without the viewer’s participation. I really can relate with Jeppe Hein and his work because some of my artwork also has a similar element to it. My paintings entitled “Close Your Eyes” and “You Have To Read This” come to mind when thinking about Hein’s work. With “Close Your Eyes” I’m trying to convey to viewers a bit of edginess or something to make you think twice about what you are seeing. I really enjoy the irony of creating art that is visual, and then the message of the painting instructs you not to look at it. “Close Your Eyes” was selected in the prestigious Connecticut Academy of Fine Arts Annual Juried Art Exhibit a few years ago. The six works of art are pictured here. http://www.jeppehein.net/
 Throughout the museum (and around the Museum and even in Faneuil Hall in Boston) is the Megacities Asia exhibit, which runs until July 17, 2016. Megacities are cities with populations of more than ten million. These megacities are increasing in numbers and changes the lives of so many people. I was really impressed with the works of the artists Ai Weiwei and Choi Jeong Hwa. Choi Jeong Hwa’s “Breathing Flower” located just outside the museum was very moving. http://aiweiwei.com/ http://choijeonghwa.com/
I recently returned from a quick 2-day trip to New York City. The first day was primarily focused on a new movie I am working on (currently looking for investors for the film) called “Dan & Carla.” We had a spectacular table reading of the script with the actors along with a number of friends and interested parties of the film. After the reading, I had the pleasure of meeting and speaking with Jack Pierson, a longtime family friend of the film’s director. Jack Pierson is an incredible artist who works with a variety of different mediums, including sculpture, photography, video, and is best known for his word signage installations. His artwork is in the permanent collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, the Guggenheim Museum, just to name a few. (See below for more about his two incredible pieces that were on view at the Whitney Museum.) Here’s some information about the film for those interested: It is a modern-day romantic comedy about two young NYC lovebirds who try to salvage their troubled relationship: Dan & Carla, two lovers from opposite sides of the subway tracks, are forced to confront the issues of romance, commitment, betrayal and sexual (dis)orientation.” For more information: www.Facebook.com/danandcarlathemovie http://www.imdb.com/title/tt4324704/?ref_=fn_al_tt_1
There is SO MUCH ART in New York City! There were three pieces of public art that I had the pleasure of seeing on this trip. Here is a photo of Robert Indiana’s HOPE Sculpture located on the corner of 7th Avenue and 53rd Street. A couple months ago, I wrote in my blog about Robert Indian’s LOVE Sculpture in Scottsdale, Arizona. This HOPE Sculpture is also only a few short blocks away from the LOVE Sculpture in New York City 55th and Avenue of the Americas/6th Ave. I’ve learned that each year on the artist’s birthday, September 13, Robert Indiana HOPE sculptures will be installed and displayed in locations throughout the world. The HOPE sculptures celebrate the message of hope and fulfill the artist’s vision of a more promising future for us all. Another public sculpture, located just outside of Penn Station and Madison Square Garden (7th Avenue and 33rd St.) is Roy Lichtenstein’s “Brushstroke Group.” And the last public art sculpture that I got to see was Elmgreen & Dragset’s “Van Gogh’s Ear” located in Rockefeller Center. It’s basically a huge swimming pool stood upright. I really liked how misplaced it looked, especially in such a dense area, with a huge amount of foot-traffic, in contrast to a large swimming pool, typically seen in a less congested area. This is a temporary installation, so be sure to see it before June 3rd! I started the second day of my trip at the Whitney Museum of American Art. The new Whitney’s architecture is spectacular inside and out. And the artwork within the walls of the Whitney is very special. On the Sixth and Seventh Floors of the museum, I experienced the exhibit, "Human Interest: Portraits from the Whitney's Collection." It made me rethink my own internal definition of the word "Portrait." The exhibit demonstrated the way portraiture has changed from the early 1900s to present day. When you think about it, the whole concept of portraiture has changed over time. The painting of portraits was once reserved for the elite, and those who could afford such a luxury, yet with the rise of photography, everything has changed. With the iPhone and other smartphones and with the influence of social media, the "selfie" is almost a new form of portraiture. Whatever the form, portraits get to the very essence of who we are as people and our place in the world.
Chuck Close, is very well known for his huge, floor to ceiling, portraits best viewed first from afar, and then up close (excuse the pun). This is his work titled "Lyle" and I've included a few views for you to see the genius behind his artwork.
And Jack Pierson, who I had the pleasure of meeting the night before, had two of his many works that are part of the Whitney's permanent collection, on display. One a self-portrait, "Self Portrait #4", 2003, and the other called, "Jerry in the Dressing Room", 1993.
I also saw some impressive works of art from some artists that I haven't been exposed to before. The painting shown here is one from the artist, Howard Kanovitz, called "New Yorkers 1". It's a very large painting and I found it to be very striking. I especially liked seeing the use of pencil within the painting as shown in this close-up photo.
There is a beautiful outdoor space with stairs leading to other levels and views of the surrounding cityscape and the new, NYC treasure, the High Line. If you plan to visit the Whitney Museum, you could also walk on the High Line either before or after what is sure to be an incredible art experience at the Whitney! After the Whitney, I visited the Chelsea Market where I stumbled across a wonderful ID Pop Shop that featured apparel, accessories, Jewelry, and art. www.Idpopshop.com I then proceeded on my quest to visit some of the Chelsea galleries that feature modern and contemporary art. Some galleries were focused on established artists and artists who are well-known to the general populace and others showcased emerging artists. I walked my feet off and ended up visiting about two dozen difference art galleries in Chelsea. I'll share some of my favorites here: One of the galleries that I really enjoyed visiting in Chelsea was Jim Kempner Fine Art. http://jimkempnerfineart.com/ It was at this gallery that I was introduced to an artist named Greg Parker. His artwork features a unique process that results in an unbelievably cool work of art. He starts with a wood panel that is covered with up to 20 layers of polished gesso, thin layers of powdered pigment and graphite that is applied in progressive steps within mathematical systems. Kind of looks like metal or wood but the end result is a subdued reflective surface that is solid at nature. At the Bryce Wolkowitz gallery, http://brycewolkowitz.com located at 505 W. 24th St., I saw a truly unique exhibit of multimedia sculptures and video installations from the artist, Yorgo Alexopoulos, I have learned that he films the 4K video, makes use of a translucent LCD video screens, robots, 3-D printers, motorized dollies, and multiple cameras simultaneously shooting time lapse photography. The piece that I found most compelling was one titled "First Time On The Moon,” which is comprised of the digital animation on a high definition translucent LCD display, aluminum and patina steel, glass, and custom electronics. The subject matter is the moon with the earth hovering in the distance in space. The Berry Campbell Gallery www.berrycampbell.com presented the work of the artist Stanley Boxer, a Massachusetts born artist known for his thickly painted abstract works of art. I visited the new Lisson Gallery at 504 W. 24th St. lissongallery.com It was a brand-new exhibit that opened just this past week, featuring the artwork of Carmen Herrera. I learned that she has been painting for almost 80 years in her Manhattan studio. She's perhaps the oldest living artist I've seen on my venture; she will celebrate her 101st birthday later this month and will be honored with a survey exhibition at the Whitney Museum of American Art in September 2016. The exhibit at the Lisson Gallery represents a new body of work produced in the last two years. The paintings exhibited were primarily acrylic on large-scale canvases. They almost had an Ellsworth Kelly kind of feel to them, in terms of the colors used in a very minimalist way. At 138 10th Ave., I visited Lori Bookstein Fine Art. www.loribooksteinfineart.com There were a few artists represented in this gallery exhibit, but one stuck out to me, an artist named Diana Horowitz. The exhibition featured a series of small paintings depicting the landscape of and around Lake Como, Italy. She painted on en plain air and each of the small 5" x 7" or smaller canvases had subdued tones and colors capturing the light across the landscapes. One of the most unusual, yet fascinating exhibits that I saw was at the Lions Wier Gallery at 542 W. 24th St. www.lyonswiergallery.com The gallery featured the pop artist, Jae Yong Kim in the exhibit titled "Pop Goes The Donut". The walls of the gallery were lined with ceramic, glazed donuts, many featuring Swarovski crystals, gold, and other mixed media. At the Cheim & Read Gallery, a brand new exhibit features the work of Spanish artist, Juan Uslé. Jack Pierson has shown his work at this gallery in the past. Many of the works were in excess of 9 feet in height. I learned that the short, broad brushstrokes comprising the bands in his paintings are based on the artist's pulse, similar to a cardiogram. www.cheimread.com The Agora Gallery at 530 W. 25th St. focuses on emerging artists, and I recommend checking this gallery out for emerging talent! www.Agora-Gallery.com The Rush Arts Gallery (Rush Philanthropic Foundation www.rushphilanthropic.org) at 520 W. 26th St. featured an exhibit called “Medium: Black.” The Rush Philanthropic Foundation is a non-profit founded in 1995 by media mogul Russell Simmons and his brothers and is committed to bettering the lives of under-served city youth through exposure to the arts and to provide professional support for emerging artists and curators. The group show featured artists that all use the color black. One of the pieces of artwork that I found most fascinating in this gallery was the work of Charlotte Becket who used a motor within the artwork, giving the artwork almost an organic or living feeling to it. The Tagliatella Galleries featured some originals and prints from some of the more well-known contemporary artists like Alex Katz, Andy Warhol, Roy Lichtenstein, Mr. Brainwash, Bansky, Kaws, Damian Hirst, Keith Haring, Jeff Koons, etc. http://www.taglialatellagalleries.com/ Another well-known and established gallery, The Pace Gallery, featured David Hockney prints entitled, “The Yosemite Suite”. http://www.pacegallery.com/ The Robert Miller Gallery on 26th St featured the work of Lee Krasner. http://www.robertmillergallery.com/ And the Mitchell-Innes and Nash Gallery featured the incredible work of Tom Wesselmann. http://www.miandn.com/
Before heading back to Boston, my final stop was the Fashion Institute of Technology where I was able to see a wonderful exhibit on the history of denim. When you think about fashion, denim is one of the many materials out there that really stands out and has lasted for hundreds of years. Denim may even be the most popular fabric in the world today. The exhibit entitled: “Denim: Fashion’s Frontier” showed the evolution of denim. The exhibit takes you from the very earliest use of denim all the way to present day, highlighting the milestones denim has had impacting the fashion world. In its last days, this exhibit will be followed by an exhibit on May 20th, entitled “Uniformity,” which will explore the history behind a variety of uniforms (military, work, school, and sports), considering both their social role and their influence on high fashion. The Museum at FIT is located at 7th Avenue at 27th St. http://www.fitnyc.edu/museum/ I hope you enjoyed reading this blog and my reflections on the art I've seen. Please check out the websites of these galleries for more information and for current exhibition dates! PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine Los Angeles, California New York City New York City Street Art Napa Valley, California Park City, Utah Barcelona, Spain Caribbean Art It's been a wonderful weekend, first with a very successful 2016 Needham Open Studios, selling a number of original paintings and prints as well as some of my merchandise featuring my artwork; and second with a spectacular interview/article about me and my art. Lisa Koschwitz Salerno's website features a wonderful art blog, and one of the exciting themes is her "Support Living Artists In 2016" series. #SupportLivingArtistsIn2016 I am pleased to share that this week, I was selected to be her "Artist of the Week"! Thank you Lisa for the Interview! Please take a moment to check out her website: www/koschwitzsalerno.com and visit her blog to read the full interview: http://www.koschwitzsalerno.com/home/blog/ You can also download a PDF of the interview here: 
I had the pleasure of attending Newton Open Studios, which featured over 160 artists at over 50 studios, private homes, and shared spaces! I only wish I could have seen them all. I did get to visit about a dozen locations and saw some wonderful artists, craftspeople, jewelry designers, sculptors, photographers, etc. I enjoyed visiting the New Art Center, 61 Washington Park, Newtonville, MA. There was an incredible diversity of styles, price points, and media! Many of the artists represented at the New Art Center teach classes to adults and children, and even have vacation week programs for kids. And it was great to see art lovers from near and far at all the sites I visited. For more information on the New Art Center and Newton Open Studios, visit www.newartcenter.org and www.newtonopenstudios.org
Visiting Newton Open Studios just a few weeks before I participate in Needham Open Studios was wonderful. It gave me a renewed energy to make my final preparations for Needham Open Studios 2016 on April 30th and May 1st and inspired me to do some new drawings and works on paper this evening. For all art lovers, I hope to see you at Needham Open Studios at Location 11, Coldwell Banker Residential Brokerage, 1 Chapel St., Needham, MA. For more information, visit www.needhamopenstudios.com  I recently returned from a trip to Phoenix, Arizona. While there, I experienced some really terrific art in the Phoenix area, Scottsdale, and in Sedona. The beautiful photo above was taken on my iPhone in Sedona--Beautiful Place!!! In this blog article, I want to share some of my experiences and photos. I was very pleasantly surprised to see so many pieces of public art sculpture around Scottsdale. I'm including a number of the photos. Scottsdale Public Art has earned a glowing reputation for offering cutting-edge artworks from both local and internationally-acclaimed artists that are interactive, conceptual, and awe-inspiring. For information about Scottsdale Arizona’s public art, visit the following website: http://www.scottsdalepublicart.org/ The website has a wealth of information about Scottsdale’s permanent and temporary public art. Scottsdale also has some great chips and salsa! But that’s for another blog…
The Scottsdale fine art galleries house works spanning from classic to contemporary, geographically or philosophically aligned with the Scottsdale Arts District. I visited the arts District in Scottsdale last Thursday for the Art Walk, which is held every Thursday night from 7-9 pm. I learned that the Art Walk has been one of Scottsdale's greatest cultural traditions where the galleries stay open late every Thursday night for gallery receptions, live music, and artist demonstrations. For more information, visit www.Scottsdalegalleries.com. There were a few galleries that I found to be particularly interesting. One of my favorite exhibits during my time in Scottsdale was a show of new works from the artists Dave Newman, called “American Pop Revisited” at the Xanadu Gallery on Main St. in Old Town Scottsdale. Dave Newman’s pop art features iconic images of the US Dollar, Route 66, and the image of John F. Kennedy. I would definitely recommend visiting the Xanadu Gallery while in Scottsdale! www.xanadugallery.com http://davenewmanart.com/
Later in the week, I visited the Desert Botanical Gardens for a special evening exhibit called Bruce Munro Sonoran Light at the Desert Botanical Garden, which showcased eight large scale light-based installations. It used an inventive array of materials and hundreds of miles of glowing fiber optics. Bruce Monroe's site-specific exhibition reflected his personal interpretation of the Sonoran Desert using mixed materials and light, glass, water bottles, acrylics, and pottery. As the sun goes down, the lights come up. It was wonderful to explore eight large scale light installations that use hundreds of miles of glowing fiber optic lights. Located throughout the garden, British artist Bruce Munro’s site-specific exhibition reflects his personal interpretation of the Sonoran Desert. He even lights up the mountain behind it! If you have a chance to go, I highly recommend it. Although the Desert Botanical Garden is open year-round, the installation from Bruce Munro goes until May 8, 2016 in the evening hours. Here are some photos of the Sonoran Light exhibit.
I also had the opportunity to visit Taliesin West, the famous architect Frank Lloyd Wright's winter home and studio in Arizona. Set on 600 acres in the foothills of North East Scottsdale, we had a terrific guided tour of the buildings, its terraces, walkways, and unique structures, seeing amazing cantilevered roofs, canvas ceilings, and tiny personal rooms in contrast with large sweeping communal spaces. Frank Lloyd Wright challenged his apprentices to live in desert shelters of their own creation as a lesson in sight appropriate construction. In fact, it’s still a requirement of the program! I was completely blown away by how beautiful the architecture was of Taliesin West, and how the site still operates as a school of architecture. The Frank Lloyd Wright School of Architecture is still in existence today with about 20 students living and working there in the winter. Here are some photographs of the architecture. For more information, visit: zerve.com/TaliesinWest
I also visited the Musical Instrument Museum in Phoenix and saw a special exhibition that brought the violin to life as never before. The exhibit was called, “Stradivarius: Origins and Legacy of the Greatest Violin Maker”. As part of the exhibit, there was one video that highlighted the artistry in the making of a violin. It showed how the violin makers inlay the wood, create patterns, sculpted the wood, and used staining and coloring techniques to decorate the violin turning it into a unique work of art. In Sedona, Arizona, the red rocks are so incredibly amazing, one can easily understand why it has inspired so many artists to paint spectacular pieces of art of the desert, the red rocks, and the Sedona mountain range. Sedona’s natural beauty serves as a magnet for artists, art lovers, and art collectors and has grown into a world-class arts destination. I was amazed with the diversity of art in all of the galleries I visited; some with art from famous artists like Alexander Calder, Joan Miro, Warhol, etc. and some amazing local artists as well. On the first Friday of each month from 5-8 pm, Sedona’s art galleries host openings and art demonstrations. The Sedona Arts Center offers art instruction year-round as well as hosts art events such as the annual Sedona Plein Air Festival and the Sedona PhotoFest. Visit www.SedonaArtsCenter.org for more information. The Sedona Arts Festival is held every October: www.SedonaArtsFestival.org On my visit, I took an adventurous jeep ride through the mountains giving me the opportunity to take many breathtaking photos, which perhaps may inspire me as I create new paintings in the coming months. Stay tuned! I have a few ideas that I’m excited about, and will continue to update this art blog as well as my Facebook, Twitter, Pinterest, Google+, and Instagram accounts with my creative artwork. Be sure to follow me on all these social media platforms and tell your friends! Overall, my visit to Arizona was made even more spectacular by all the amazing art! I look forward to your comments on my blog and ideas for other places to visit with a vibrant art scene! PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine Los Angeles, California New York City New York City Street Art Napa Valley, California Park City, Utah Barcelona, Spain Caribbean Art
Saturday night, thousands of people crowded the streets to have a great night out and enjoy the Miami Art Scene. All the galleries are open to the public, showing both well-known and emerging artists. I saw some amazing artwork and some not-so-amazing artwork. The whole evening was a totally unique experience. It was an art festival, a music event, a food event, a dance party, a social scene, and a whole lot of fun! It's like nothing else I’ve seen in my travels. Check out http://www.wynwoodmiami.com It was fascinating to enter one art gallery that was featuring emerging artists and then walk into the next door and see well established artists and their highly valued art, such as Botero’s sculptures and paintings, and Victor Vasarely’s captivating optical art paintings. I visited the artist, Peter Tunney’s gallery space, called the Peter Tunney Experience. Peter Tunney does some amazing artwork; He and his pop art became well known for his use of positive text as the central, graphic element in his work. Another artist took close-up photos of my eyes and printed it out for me; the experience of getting the photograph taken and being part of the art was exciting and new. What was special was that in the photo of my eyes, you can make out the image of the artist in the center of my pupils, taking the photo, capturing that exact moment in time. And I think that it was this personal connection to the artist that made this experience unique and the visual photograph a unique piece of art.  In addition to the many galleries, street merchants, and restaurants, the area also includes “Wynwood Walls.” The entire area is developed around murals. The street art is unlike anything I've ever seen. I learned that the Wynwood Walls were conceived by the renowned community revitalizer Tony Goldman. He transformed the warehouse district of Wynwood, and used the walls as giant canvases for amazing street art. I’ve learned that the Wynwood Walls program has seen over 50 artists representing 16 countries and have covered over 80,000 square feet of walls. My friend and I had a great time taking some great pictures with the painted walls all over the place, one after the next. I’ve included some photos from Saturday night and a video highlighting the high-energy and social nature of the event.
On a more serious note, I felt that the eclectic nature of the galleries, the diversity of the crowds and the mix of artists and artwork, the mix of young and old, Miami residents and tourists, etc., all blended together in a really perfect way. There is a wonderful diversity of the artwork, the gallery space, and the people that this area attracts. The Wynwood Art Disctrict has an incredible energy! If you’re ever in Miami, I highly recommend visiting the Wynwood area, and try to make it on one of the Second Saturday Art Walk Events. It’s a gritty, urban, and 100% unique area in Miami with excellent restaurants, galleries, shops and terrific people-watching. Oh, and by the way, I highly recommend Coyo Taco, which was delicious!
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