A number of the galleries in Kennebunkport showed photographic prints called Kinetics by Stephen Maka. These reminded me of the famous Israeli Artist, Yaakov Agam, who is best known for his optical and kinetic art. From one side, there is one image, and as you move to the other side, you see an entirely different image. Below is an example of 2 of his pieces (an image of boats on the left and buoys on the right). A different angle of the same artwork is shown below.
When visiting Maine, I recommend picking up a copy of the Maine Gallery + Studio Guide, which advertises museums, galleries, and artists' studios by town. More information on the guide can be found at www.mainegalleryguide.com.
Another great place in Kennebunk is Maine Art Hill, located just steps away from Dock Square. Maine Art Hill represents over 30 artists and houses artists' studios, has art exhibits, pop-up shops, and more: A great place to explore original art, paintings, sculptures, prints, and photographs. For more information, please visit www.maine-art.com.
Accessing the website, you can see a photo of one of the hundreds (probably thousands) of participating artists by zooming in to various sections of the whole photo-mosaic. Along with the artwork, you can read about the artist and their artwork, what motivated them to draw it, what it represents to them, and also about their own personal connection to Vancouver, Canada. All the artists' names are searchable, which takes you directly to their artwork's location within the photo-mosaic!
The photos in the online photo-mosaic will then be transformed into a physical printout creating a massive 6.5 foot by 72 foot long mosaic picture. As of early June 2018, there is still plenty of room for additional artists to participate. Once the project is completed, the organizer's goal is to exhibit the huge photo-mosaic print in art museums and galleries as well as publish books that feature many of the participating artists of this creative, collective art project. It's a very cool concept and I'm thrilled to be a part of it.
For more information and to see The Big Picture yourself, visit: www.thebigpictureartproject.com.
Here's what I wrote regarding my drawing:
My original drawing, “Love Is All You Need” is graphite and lead on 9” x 9” paper. My artwork features hearts representing love, bold lines, and the illusion of mosaic tile as a visual language of fun, happiness and love. My artwork is about having fun and bringing a smile to people’s faces. I create an illusion of mosaic tile that provides cohesion to my body of work and serves to provide balance, repetition, movement, and other elements of strong artistic design. My drawing highlights the theme of Love for one another, for the arts community, and for humanity itself. I chose to participate in the Big Picture Art Project because of the unique parallels and close connection between the illusion of mosaic tile in my artwork and the beautiful photo-mosaic look of the completed picture. The mosaic in my drawing is reminiscent of an urban city map and speaks to my hope for the world to have more love and understanding for each and every unique person who makes up our diverse society.
My connection to Vancouver: I visited Vancouver in August 2015 and had a great time in Gastown, walking the Sea Walk, taking photos near the beautifully designed Olympic Cauldron, and exploring the beauty of the area walking over the Capilano Suspension Bridge. I love how the photo in the Big Picture Art Project features the natural beauty of that area. I hope to visit Vancouver again in the future!
M.C. Escher was a skilled print-maker who produced amazing works of art that experimented with space and time, geometry, artistic composition, playing around with values in a drawing, capturing reflection, and so much more. This particular Escher exhibit is the first exhibition of its kind in a Boston museum featuring original prints and drawings. The exhibit consisted of over 50 of Escher's masterpieces, most of which were under-appreciated by the mainstream art world. I even learned that M.C. stands for Maurits Cornelis Escher. Escher loved Tessellations, arrangements on a two-dimensional surface of shapes that interlock without gaps or overlapping. The majority of Escher's prints are woodcuts, which he preferred for the art he was personally creating.
In the artwork "Day and Night" shown above, Escher explores the balance between two dimensional and three dimensional forms. The black and white birds in his woodcut are flying in opposite directions, morphing into a landscape below. Escher plays with the ideas of symmetry and contrast. The right and left sides of the paper are mirror images of each other. The white birds appear over a nighttime landscape, and the black birds appear over a daytime landscape.
For those interested: A Lithograph is printed from a flat surface, most often stone, where the artist would draw on stone with a greasy crayon. The stone after being treated so that the crayon will work with the printing ink on it and the stone surface is kept wet to repel the ink. A Woodcut is a relief print where the artist carves into a wooden block to create areas that are raised that will hold the ink that will be printed. A Linocut is a relief print made by gouging and cutting a piece of linoleum, then inking it, and printing it. Linocuts are preferred when printing flat areas of color since the linoleum has no grain as compared to wood. Some of Escher's works are Mezzotints, which is a labor intensive process, so Escher stopped doing it soon after starting it!
Shown here above, are two studies for "Drawing Hands" (shown below), completed around 1948 with graphite pencil. It's fascinating to see how these hands are drawing one another into existence. The two hands are in a never-ending state of drawing and appear to be bringing life to the other. On a technical note, it's very cool to see how Escher depicts the tendons and veins of the hand with only slight changes of value in light and dark.
In the Self-Portrait shown above, it's interesting to note that it is a very serious drawing that has a tremendous amount of detail in it. However, there are a lot of abstract elements in this Self-Portrait such as his wavy hair.
Many of Escher's works of art focused on impossible structures. They are akin to optical illusions, where the buildings seem to violate the laws of gravity and physics.
The theme of Reflection appears often in Escher's work. Below the distorted perspective of a room is captured in the reflection of a silver sphere. And shown below, in "Eye" he captures the reflection of a skull.
Here is Willem de Kooning's 1937-1938 Oil on Masonite painting titled, "Untitled (The Cow Jumps Over The Moon). I learned that de Kooning was trained as a commercial artist and his artistic styles move back and forth between abstract and figurative methods. This painting below is one of his earlier works, which reminds me of Joan Miro's work to some degree. His later artwork, for which he is more well-known, is more gestural and epitomizes the abstract expressionism movement.
I stared at this painting below "Grazing Horses IV (The Red Horses), painted in 1911 by Franz Marc for quite a long time. Not because I love horses, but rather it struck me as fascinating. Franz Marc painted horses a lot, and was known for his preoccupation with animals. I learned that this particular painting was actually his first work of art to enter a museum's collection, the same year it was made. What struck me was his use of unnatural colors in a very natural scene. It's hard to see in the photo, but I was intrigued with the use of bright red in only one or two spots on the horses.
Below is Jasper johns' "The Dutch Wives", encaustic on canvas, created in 1975. If you haven't read my blog article on the Jasper johns retrospective exhibition at The Broad Museum in Los Angeles, you can find it HERE.
Below is a wonderful painting from a German artist that I was unfamiliar with named Corinne Wasmuht. It is titled, "50 U Heinrich-Heine-Str." oil on wood and created in 2009. The painting is a portrayal of Berlin's Heinrich Heine Street subway station and its surrounding neighborhood. It's hard to tell scale from photographs, but this is a huge painting and it's scale immerses the viewer, but the paintings various perspective points and different scales of objects also disorient the viewer. It's really a magnificent painting and I can see why it was gifted to Harvard's Busch-Reisinger Museum.
Below are some fascinating samples taken from the Forbes Pigment Collection. Edward Forbes was the director of the Harvard Art Museums from 1909 to 1944. During his tenure, he traveled the world, collecting a large number of pigments for the library. Today, the Pigment Collection contains more than 2,500 samples that are beautifully displayed in cabinets on the 4th floor and are used to this day to help identify pigments used in historical artworks.
I came across this wonderful, short video on the Forbes Pigment Collection that was created about 2 years ago. Check it out!
For more information about The Harvard Art Museums, please visit their website: www.harvardartmuseums.org. I definitely recommend visiting the Museum as you're in for a wonderful experience!
In addition to creating my own personal artwork and exhibiting in galleries and shows, I also take great pride in providing art instruction.
My love and enthusiasm for painting have drawn me into educating those who want to paint and draw for themselves. I am dedicated to helping both beginners and experienced artists explore their creative potential. I love to inspire others to discover their innate artistic ability. With my unique hands-on style, I encourage my students to reach their own personal artistic goals, inspiring and encouraging students of all ages in a fun and informative approach.
In addition to private art lessons, I also give presentations on the public art projects I've created over the years, as well as discussing my artwork and all aspects of being a professional artist. Feel free to reach out to me if you'd like more information about art instruction or speaking engagements.
One of my adult acrylic painting students gave me this wonderful video testimonial, so I wanted to share it here on my blog. She's very talented, a lot of fun, and a pleasure to teach acrylic painting! For more information about private art instruction for children and adults, please visit: http://www.eddiebruckner.com/art-instruction.html
The wall-sized mural/drawing depicts the word “plunder” in giant, curving strokes of Gregg shorthand, the stenographers’ tool that translates sounds into curving and bisecting lines. It is an abstract image for the many people who cannot read shorthand, yet is also a precise rendering of the word, “Plunder.” Lewis's work of art, called "Plunder" continues his ongoing investigations of the relationships between drawing, abstraction, and language. In a number of his previous artworks, he would feature sayings (in English lettering) from the book, "Life's Little Instruction Book."
If you take a close-up look at the wall drawing, you'll see his use of screws and graphite-dipped rubber bands to generate the large line drawing.
There are 19,000 rubber bands, each dipped in graphite, the same mark-making material found in pencils, and each fastened by screws drilled into the wall. Lewis created “Plunder” over five days in October with the help of nine Brandeis undergraduate students.
It's on view at the Rose Art Museum through June 10, 2018. for more information, please visit: www.brandeis.edu/rose
The Museum of Contemporary Art is actually comprised of three locations. The first is the MOCA Pacific Design Center in West Hollywood; the second is the MOCA on Grand Avenue; and the newest location is the Geffen Contemporary. There is actually a fourth location in Nevada. Yes! Nevada. The artist, Michael Heizer's artwork titled, "Double Negative" is a work of land art located in the Moapa Valley on Mormon Mesa near Overton, Nevada and was acquired into MOCA's permanent collection in 1985. If the artist's name rings a bell, it's because I recently wrote about his other monumental piece of artwork at the Los Angeles County Museum of Art; CLICK HERE TO READ THE BLOG ARTICLE. I should note that time didn't permit me to visit the Pacific Design Center, or the Geffen Contemporary (or visit Nevada), so this post will only include my visit to the MOCA on Grand Avenue. I also visited the Broad Museum (Read On & See Below.) The Geffen Contemporary is just a 15-20 minute walk from MOCA Grand and admission to one museum grants you admission to the other museum.
The MOCA on Grand Avenue housed an entire gallery room with Mark Rothko paintings. While I can appreciate Rothko's artwork and acknowledge its importance in art history, his paintings are not my favorite. I do love all the colors, and I also love the shapes, however, there is ambiguity, blurring of lines, that doesn't hit me the right way. Rothko wanted viewers to stand close to his paintings to see the vertically stacked bands of color seem to float upon colored grounds.
This large painting on two panels is by the artist, Njideka Akunyili Crosby. It's called "Garden, Thriving" and was completed in 2016. Her artwork was quite fascinating to see in person and I've included a detailed photograph of the two-panel painting. Originally from Nigeria, the artist layers photographic imagery within the chairs' fabric and the plant leaves. The images are pictures of Nigerian pop stars, models, military dictators, celebrities, and the artist's own personal photographs. To create this artwork, she uses acrylic paint, transfers, colored pencils, and collage on paper. There is so much to see in this painting, you could look at it for 10-20 minutes, or longer!
I should also mention that the mural that is wrapped around the exterior of the museum is by this same artist!
Three other works by Jackson Pollock from MOCA’s permanent collection, were also on view. These were great examples of the diversity and range of materials Pollock used in his artwork from watercolor to collage.
Walt Disney Concert Hall, Los Angeles, California
This building is simply spectacular. Frank Ghery is one of my favorite architects and this is a perfect example of why that's the case. (In addition to all the awards he has won for his incredible architectural design). Frank Gehry was asked to devise a new home for the Los Angeles Philharmonic and the Walt Disney Concert Hall opened in 2003. Reflecting Gehry’s longtime passion for sailing, the structure’s exterior features are expanses of stainless steel that hover above Grand Avenue. Frank Gehry has devoted his career to disrupt the very meaning of design within architecture. From the iconic Guggenheim Museum Bilbao to the Fondation Louis Vuitton in Paris, and now the Walt Disney Concert Hall in Los Angeles, Frank Gehry has proven time and again the beautiful magic of his whimsical, cutting-edge design.
The Broad is one of the finest contemporary art museums I have ever visited. Founded by philanthropists Eli and Edythe Broad, the museum houses more than 2,000 works of art and holds one of the most prominent collections of postwar and contemporary art worldwide.
The Broad's third floor galleries show a rotating selection of artwork and, best of all, it is free! The first floor galleries are for special exhibitions, like the Jasper Johns exhibit "Something Resembling Truth" that runs through May 13, 2018.
So let's talk about the beautifully designed building... It's often called "The Veil and the Vault" because the building has gallery space as well as an extensive storage facility. In contrast with the neighboring Walt Disney Concert Hall, The Broad was designed to be porous and absorptive. There are wonderful olive trees that were planted in the plaza next to the museum.
There were a number of artworks by Jeff Koons at The Broad. "Balloon Dog (Blue)" is perhaps one of his series of works that is most famous. The artwork is made of stainless steel and wights 2,000 pounds. It was created as part of his Celebration Series, a group of paintings and sculptures that memorialize rituals, icons, and images related to birthdays, holidays, and other celebratory parties or occasions.
Roy Lichtenstein is one of my all-time favorite pop artists. He was one of the founders of Pop Art in the 1960s and used tiny dots in his artwork, similar to the printing style of comic-books. The dots were placed in such a way to create an image, imitating the way comic-books and newspapers were printed.
In addition to borrowing or seeking inspiration from newspaper ads, commercials, and comic books, Roy Lichtenstein also was inspired by some of his favorite artists like Picasso and Mondrian. See the two images below.
Here is a sculpture by Roy Lichtenstein, "Goldfish Bowl" created in 1977. It is painted and patinated bronze. On the right is a detailed view, showing that the sculpture is very two-dimensional, despite it looking 3-D.
I always love seeing paintings by Chuck Close. Chuck Close is known for his detailed paintings of faces, and later he was known for the deconstruction of that detailed portraiture. He explores portraiture and created this photo-realist painting called "John", painted in 1971-72. I included a detailed shot showing the incredible painting technique.
John Baldessari, "Tips for Artists Who Want to Sell" 1966-68, Acrylic on Canvas. John Baldessari never touched this painting, didn't paint it, didn't write the text. Here, it's the role of the artist as the facilitator of the artwork; creating the concept. The humor is that the view is shown the paintings message, but the message is text taken from an art magazine with tips on what art should be.
Another one of my all-time favorite artists is Andy Warhol. A short time after Marilyn Monroe died in 1962, Andy Warhol started to create silkscreen images of Marilyn. I learned that Warhol had recently just learned how to silkscreen, so this was a somewhat new process for him! In the painting above, titled, "Two Marilyns" created in 1962, Warhol captures the terrible fact of Marilyn's death, as if he was reporting the news. With silkscreens, the images deteriorate with each printing, which I believe is symbolic of her presence and then her fading into history with her death. It can also be interpreted as the volatility of fame and celebrity. I'm not sure how many versions of "Two Marilyns" were created, but I learned that the one pictured above from The Broad Museum was the 27th version of the silkscreen created.
Ellsworth Kelly worked with shapes and solid colors. The painting below, "Green Blue Red" created in 1963, uses colors and shapes to create contrast and bring attention to edges. In the above image on the left, the green rectangle and blue oval are vibrantly displayed against the red background. His composition almost goes against the principal of design of balance. Below, Kelly's oil on canvas painting, "Green Relief with Blue" was completed in 2011. It's actually two conjoined canvases and I've posted the photo of the same painting as seen from different angles. It almost acts like a 2 dimensional painting trying to be a sculpture, with different views from different angles.
Jasper Johns: "Something Resembling Truth"
A Special Exhibition at The Broad (Through May 13, 2018)
While The Broad Museum's main collection has free admission, this special exhibition required a special ticket with a timed entry. The exhibit was one of the best I've ever seen. The exhibit covered over 6 decades of artistic achievement from this iconic American artist. The comprehensive exhibit features more than 120 extraordinary paintings, drawings, prints, and sculptures, by Jasper Johns and draws upon works from within The Broad's permanent collection as well as from loans from over 50 international public and private sources.
The imagery he used in his artwork were common items such as American flags, numbers, letters, targets, and light bulbs. Perhaps Johns’ most famous painting, "Flag (1954–55)" and is a fairly accurate representation of the American flag, in encaustic on collaged paper and fabric.
The American Flad is a geometric composition that has a strong sentimental and patriotic value in society. Jasper Johns' flags ofent trick the eye, or blur the lines between perception, reality, and illusion.
Jasper Johns began to incorporate objects and tools used in his artwork directly into the artwork's creation. Things like paintbrushes, color charts, and rulers. In the painting below, the "R" of "Red" is a neon light and wooden letters protrude outward from the canvas.
I highly recommend you to experience the Jasper John Exhibit if you can!
Also on the first floor was a very unique art installation by artist, Yayoi Kusama, titled "Infinity Mirrored Room--The Souls of Millions of Light Years Away." It is a mirror-lined room that includes LED lights that reflect endlessly in the mirrored space. It doesn't sound like much, but it is quite amazing to see. You need a separate timed ticket, which is free, and only one person can enter the room at a time for a duration of 45 seconds.
As you can see, the Broad Museum is quite an amazing experience. I highly recommend you visit The Broad in Los Angeles and experience the art scene in Downtown LA. For more information about The Broad, please visit their website: www.thebroad.org
Vinvent Van Gogh's "Irises" is one of The Getty's highlights. Van Gogh painted Irises in 1889 in the garden of the Saint-Remy asylum where he was being treated for his mental illness. It is oil on canvas. I learned that Van Gogh never really thought of this painting as a finished painting, but rather more of a study. It's a great example of his work that demonstrates how he painted en plein air. I'm fascinated with his brush techniques and how he layers color upon color upon color. I've included a detailed image of "Irises."
I really loved the special exhibit at The Getty Center called, "Cut! Paper Play in Contemporary Photography." This exhibit that runs through May 27, 2018 features the work of contemporary photographers who use paper in unique and innovative ways. Some of the artists created paper models with images from current events with the intention of photographing them to create their final piece of artwork. While some artists make folds, cuts, or layers to arrange photographs to create something entirely new and innovative.
The photo below is the artwork of artist, Soo Kim. To create her artwork, she cuts and layers imagery to create areas of negative space that gives her images a 3-D look. The shadows cast onto the wall are fascinating. I included two detailed shots showing some of the imagery seen in this cut photograph. the other detailed photo shows the beautiful shapes created by the shadows.
The grounds of The Getty are home to wonderful sculptures; there's something wonderful around every corner. Unlike most paintings, sculptures are typically created to be displayed outdoors. Outside, a three dimensional sculpture can be viewed from every angle, a variety of distances, and therefore creating an experience or a special moment for the viewer. The sculpture gardens include artwork from artists such as Joan Miro, Rene Magritte, Alexander Calder, Fernand Leger, Ellsworth Kelly, Roy Lichtenstein, and other artists.
Another amazing exhibit was the "Michelangelo to Degas" exhibit that featured new aquisitions that broke records in the art world. The Getty Museum purchased 16 major drawings and one painting from a private collector that includes works by Michelangelo, Andrea del Sarto, Goya, Domenico Tiepolo, and Edgar Degas. Below are three of my favorite pieces from this small but powerful exhibit. From left to right: Edgar Degas' "After The Bath (Woman Drying Herself)" about 1886; Michelangelo's "Study of a Mourning Woman" about 1500-1505; and Edgar Degas' "Two Studies of Dancers" about 1873.
I encourage you to go visit The Getty when in Los Angeles--You won't be disappointed! I encourage you to take advantage of the wonderful tours and events that the Getty Center offers such as architectural tours, garden tours, exhibition tours, etc. Also, for families with children, there are Art Detective Cards where kids can find the artworks and solve mysteries while exploring the galleries. For visitors information, please visit: www.getty.edu.
I had the pleasure to go on a Studio Tour at Warner Brothers. There are so many forms of art that go into making movies and television shows; concept art, fashion design, set design, traditional and computer generated animation, etc. It was fascinating to see so many of these art forms come to life in the exhibits on the studio tour.
I'll focus this blog on the Concept Art that I saw for the Harry Potter movie franchise. Every element of the films were carefully designed and illustrated through creative and inspiring concept art. The production designer for the films and the art department created hundreds (perhaps thousands) of sketches and full-color renderings that helped to inform the look of the films as well as the fabrication of the props, sets, creatures, characters, and costumes. From the concept art, decisions were made to refine and select and approve final versions.
Creating the magical creatures that filled the world of Harry Potter wasn't an easy task and involved a massive team of artists and special effects experts. From the concept art, the Creature Effects team developed 3-D creatures from small maquettes to full-sized animatronic beasts. Some of these sculptures were created so that they can be scanned into a computer and modified digitally in post-production.
Warner Brothers Animation is one of the most famous animation studios. I learned that Warner Brothers has won 6 Oscars, 35 Emmys, and 20 Annie Awards (excellence in animation). I remember Warner Brothers for its cartoons featuring Bugs Bunny, Daffy Duck, Porky Pig, Elmer Fudd, Yogi Bear, and Tom & Jerry. Even more notably, Warner Brothers is the home of DC Comics Superhero franchises such as Superman, Wonder Woman, and Batman.
In addition to concept art, Storyboards transform the written words of the script into visual images depicting action in a series of illustrative panels. Storyboards help indicate camera movement, close-up shots, long shots, or other specialty shots. The storyboards help the director and crew design the finished sequence as well as plan the logistics of the shoot itself. The art department is in charge of designing everything photographed in a movie before it is shot. Other visual tools in addition to Storyboards and conept art innclude digital renderings, and models.
Here's a photo of me at the Los Angeles County Museum of Art in front of Chris Burden's sculpture, "Urban Light" installed in 2008. Burden restored over 200 cast-iron streetlamps to create this work of art. Burden was fascinated with urban life and how streetlamps are one of the fundamental building blocks of an urban metropolis. I found it interesting that the streetlamps were recently converted to LEDs, reducing the installations's annual energy consumption by 90%. The conversion to LEDs was funded by the Leonardo DiCaprio Foundation this year. Chris Burden was commissioned by Brandeis University's Rose Art Museum to create a similarly themed sculpture. You can see it by CLICKING HERE in an older blog article about the Rose Art Museum.
Chis Burden's "Metropolis II" depicts an urban landscape. Burden created "Metropolis I" seven years before "Metropolis II". The earlier work featured eighty Hot Wheels cars zooming around a model city. This work is much larger and includes 1,100 custom designed cars, 18 highways, and a vast array of buildings and structures. The artwork runs on select days and times, so plan ahead!
Richard Serra's "Band" is a massive sculpture that fills a huge exhibition hall from top to bottom, from front to back. The sculpture took two and a half years to develop. Made from over 200 tons of steel, it measures 12 feet high and over 70 feet in length.
Below are two views of the same sculpture, titled "Phoenix" by Alexander Liberman, created in 1974-75. I love how a different view of this sculpture creates an entirely new image, a new feeling, a new perspective.
"Levitated Mass" (Shown below) was conceived by artist, Michael Heizer, in 1969, but only realized in 2012. "Levitated Mass" is a 456-foot-long concrete pathway, over which sits a 340-ton granite boulder. As you walk down the pathway, it descends to fifteen feet in depth, directly underneath the massive boulder before ascending back up.
Below are two views of the same Alexander Calder sculpture created in 1964 titled, "Three Quintains (Hello Girls)." It is made from sheet metal and paint with motor. To me, it appeared to be moved by the wind, but apparently it has a motor that moves the mobile sculpture.
I love this painting below by Vincent Van Gogh, not because I love the imagery, but because it really doesn't look like a typical painting by Vincent Van Gogh! This painting, "Garden of the Rectory at Nuenen" was painted in 1885 in the Netherlands. The browns and grays are vastly different from the vivid, bright colors we are used to seeing in his later paintings when he lived in the south of France.
Below is one of Van Gogh's more typical painting style with all the beautiful colors and brushwork. The painting, "Hospital at Saint-Remy" is oil on canvas and was painted in 1889. It depicts the scenery at the institution in the south of France where Van Gogh was being treated for severe mental illness.
The Hammer Museum also has other galleries dedicated to contemporary artists. There was a really cool exhibit by the artist, Molly Lowe and another exhibit by the artist, Lawrence Abu Hamdan. Abu Hamdan uses a series of overhead projectors that cast images that have been created with a visualization tool that architects use to map the leakages of sound throughout a structure. The visuals are accompanied by audio that helps transform the research on a Syrian torture prison. I enjoyed looking at the exhibit from a visual perspective, but after reading about the artwork's meaning, it really makes me question my thoughts on conceptual art. Below is a photo of the small room that housed the projectors.
Perhaps the most bizarre (in a good way) exhibit was called "Stories of Almost Everyone" featured in the large exhibit hall . It's a group exhibition of 40 artists that is about society's willingness to believe the stories that are conveyed by works of contemporary art. It really hones in on conceptual art and how we look at material objects. Below is a photo of the exhibit hall showing some of the artworks. I'm including a YouTube video that was created by the Hammer Museum with Will Ferrell and Joel McHale, which is very funny and addresses the issues related to conceptual art head-on. Art can be confusing and the fact that the Hammer Museum pokes fun at this, I think, is really bold. "Stories of Almost Everyone" runs through May 6, 2018. For more information about The Hammer Museum, check out their website: https://hammer.ucla.edu/.
I love it when Art is just there; you didn't plan to "see art" or visit a gallery or a museum. You just stumble upon it randomly. This is exactly what happened on my most recent visit to Los Angeles. I checked into my hotel, located on the famous Sunset Blvd. In the lobby, and in the driveway are two pieces of public art on display. They are large fiberglass guitars designed and painted by artists that are peppered all along Sunset Blvd. The public art exhibit is called "Guitar Town" and features more than 25 ten foot tall fiberglass Gibson Les Paul model guitars. The artworks are placed all along the legendary Sunset Strip and are auctioned off for the benefit of charitable organizations. Here are just a few of the ones I saw on Sunset.
Not too far from the Sunset Strip, just over the Hollywood Hills is Universal City Walk, located adjacent to Universal Studios Hollywood. It was here that I took a photo of this even larger guitar that flanks The Hard Rock Cafe at Universal Studios. I took a similar photo from just about the same angle here, only at the time the guitar was colored differently. The giant guitar in front of the Hard Rock Cafe at Universal City Walk was updated to become a replica of Eddie Van Halen's "Frankenstrat" Guitar. Here is my painting based on this photo/perspective as I saw it prior to the update.
This past week I learned that I was being featured in Boston Voyager Magazine in their article titled, "Flashes & Strokes: A Tale of Two Mediums." The article celebrates artists working in both traditional and digital mediums. You can view the article HERE!
Just a few days ago was the Chinese New Year and 2018 is the year of the dog according to the Chinese Zodiac. Celebrations began on February 16th this year and last for 2 weeks. I'd like to take this opportunity to wish everyone a happy, healthy, & prosperous Chinese New Year!
Personally, I was born in the year of the Tiger. So maybe I'll paint a tiger one of these days...
But in honor of the Year of the Dog, I'll post some of my recent dog paintings. Dogs are honest and loyal friends to so many people. And I think they are just cute, and fun, and represent love and happiness. That's why I love painting dogs, and puppies! Here are the first two paintings I did of dogs back in 2016:
I wrote a blog article after "Woof Woof! Gotta Get My Bone" was sold. You can read it by clicking HERE.
I recently completed 2 really fun dog paintings, both original acrylic on canvas paintings, 18" x 18" each. Here's a photo of each of them...
Click on the Painting to view it in my online store! Wishing you a happy, healthy, and prosperous Chinese New Year 2018, The Year Of The Dog!
Which Puppy is your favorite? Let me know in your comments below! And feel free to share this post on social media!
In recent years as you've read in my previous blog posts, I visited museums like the Whitney, the Guggenheim, MOMA, the Brooklyn Museum, the New Museum, the Jewish Museum, just to name a few. I encourage you to look through the Categories Listing on the right side of this page and click on what interests you, whether it be museums, cities, or famous artists.
The Met has been in the news this past week because it was announced that its admission policy is changing, requiring visitors to pay for admission (the Museum has been pay-as-you-wish for over 50 years). The new admission policy will go into effect on March 1, 2018. Residents of New York State, and students from New York, New Jersey, and Connecticut will remain pay-as-you-wish. Children under 12 will remain free. Be sure to check out their website for more information: www.metmuseum.org
I'd recommend purchasing your ticket(s) online and arriving to the Museum when it first opens. You will wish you had more time for your visit if you don't! The line for admission seemed to span the entire length of the huge museum, but having purchased an advance ticket, I was able to walk in a separate door, check in, and head straight into the galleries. Admission will get you into the Met Fifth Avenue, the Met Cloisters, as well as the new Met Breuer.
I didn't have the chance to visit the Met Cloisters and the Met Breuer. My visit to the Metropolitan Museum of New York on Fifth Avenue was amazing. First of all, it is massive. I forgot just how large the museum is that is located on the Upper East Side on Fifth Avenue between East 80th and East 84th Streets. This blog post covers my experience of the Metropolitan Museum of Art on Fifth Avenue, mainly what was on exhibit in their Modern & Contemporary Art galleries, 19th and Early 20th Century European Paintings and Sculpture, and some of their Asian Art collection. There were also two special exhibitions going on that I'll include: One on the hugely talented artist David Hockney. And the other on an artist that you may have heard of before, Michelangelo! At the end of this blog, I'll include a few other artistic surprises outside of the Met I encountered on my trip to NYC.
In Marc Chagall's painting shown below, "Le Pont de Passy et la Tour Eiffel," painted in 1911, we experience a fascinating view of Paris and the Eiffel Tower. The important thing about this painting is its composition. Chagall uses several converging diagonal lines: the bright red road, the orange cement wall, and the lines denoting the blue sky. If you think about the time period of the painting, it's interesting to note how it depicts some of the modern changes to the city of Paris, including the Eiffel Tower, the construction of the Pont de Passy Bridge and technologically modern train, electrical power-lines, and how it is juxtaposed alongside the element of the horses and wagon alluding to and earlier time in history.
With the onset of the Industrial Revolution, painters like Fernand Leger incorporated streamlined forms and contours of assembly-line production into their artwork. In the painting shown here, "Three Women by a Garden" painted by Fernand Leger in 1922, three generations of women are depicted. "Woman with a Cat" was painted in 1921.
Piet Mondrian is one of my favorite artists. Here is one of his iconic paintings called, "Composition" completed in 1921. It's an early example of the geometric style of painting that Mondrian called Neo-Plasticism, that emphasized planar relationships in painting, architecture, and design. Many people who look at my own personal artwork sometimes comment that they see hints of a Mondrian influence in my artwork. Here is Mondrian's painting at the Met, next to one of my paintings!
Mondrian used black lines to divide the canvas into rectangles that are sometimes painted in shades of blue and red, creating lighter hues by mixing primary colors with white. Later on in his artistic process, Mondrian stopped creating these hues and used pure, primary colors. In comparing his painting with mine, we each use an entirely different process to create our black lines and blocks of color. If you notice, the black line at the bottom right of his painting doesn't quite reach the bottom. To me, it detracts from the overall design. Here are two other artists, whose works are hung alongside Mondrian's at the Metropolitan Museum of Art.
I love Jackson Pollock's artwork! The painting below is called "Number 28" and was painted in 1950. His drip and pour paintings are widely recognized as his greatest achievement in art. He used simple sticks or paint stirrers and enamel house paint, sometimes poured right from the can, spilling lines directly onto raw canvas spread on the floor. What I love about his paintings are that the paint on the canvas we see is a record of the artist's creative process and his movement as he walked around all the sides of the canvas.
One of the Special Exhibitions on display during my visit was "Michelangelo: Divine Draftsman and Designer." Michelangelo Buonarroti lived from 1475 to 1564 and is celebrated for his excellence of the power of drawing and invention that provided the foundation for all the arts. His drawing skills, design, sculpture, painting, and architecture all combined to give him the reputation of "The Divine One" by his contemporaries. The exhibition showed a range of over 200 works by the artist that was pulled together from 50 public and private collections across the United States and Europe. The exhibit opened in November and is on view through February 12, 2018. Below are just two of his incredible artworks I saw at the Met. #MetMichelangelo
During my visit there was a magnificent exhibit of the British artist David Hockney that showcases 60 years of his art career. I highly recommend visiting this exhibit that is at the Met Fifth Avenue through February 25, 2018. David Hockney's painting address translating movement, space, and time into a two dimensional painting. Hockney is probably best known for depicting California swimming pools and backyards in the mid-1960s. Many of his paintings are quite large, perhaps over 6 or 7 feet square. I love how he uses Acrylic paint on canvas.
Alexander Calder created a series of moving sculptures called mobiles that he created in a diverse range of abstract configurations. Shown here, is a free-moving wind mobile that is carefully balanced on a movable pivot point. I learned that he was inspired by the work of Joan Miro, and the similar shapes and forms can be observed in Calder's mobiles. In the video below, you can see the kinetic nature of his mobile, "Mobile" created in 1941 from painted aluminum, steel, steel rod, and wire.
Here are some of Claude Monet's masterpieces...
And lastly, I came across these wonderful sculptures created by artist, Jaume Plensa, that are permanently installed at the Grand Hyatt Hotel near Grand Central Terminal. I learned that these two huge sculptures are reminiscent of the Moai sculptures on Easter Island.
Overall, my visit to the Metropolitan Museum of Art was simply amazing. I could have spent the entire day looking at all the art and taking photos of every piece of artwork, but I could only include these 6 dozen or so photos! I wish I had the time to visit Met Cloisters and Met Breuer as well. Well, reason for another visit! I hope you enjoyed this blog and I welcome your comments! Have a friend who would enjoy reading this blog? Then please share it with them via email or social media! You can click on the Facebook and Twitter buttons below!
I'm pleased to announce that I was selected by Artsy Shark as their Featured Artist. Below is the article and you can view it online using this link:
Being a Featured Artist is an incredible opportunity to have your artwork seen and shared widely. The article is read by thousands of people who visit the Artsy Shark web-site.
This weekend, I participated in a wonderful juried art festival in Needham, Massachusetts. The 2017 Needham Winter Arts Festival was held at Town Hall and featured over 30 local artists exhibiting their work. It was wonderful to be a part of this event which attracted hundreds of people (despite the first snowfall of the season) and featured musicians and singers performing holiday tunes onstage. The event was made possible through support from the Town of Needham and the Massachusetts Cultural Council Festival Grant Program.
I decided to post this blog article because two paintings of mine found a new home! The paintings, shown here, "Honey, I'm Home" and "Love Shines #2" were both sold and is now part of a private collection, bringing smiles to people residing in Wellesley, Massachusetts. The "Honey, I'm Home!" painting is acrylic paint on canvas and is 18" x 24". I was inspired to paint the house upon being invited to exhibit in a group show with the theme, "House." Before being sold, the "Honey, I'm Home!" painting was exhibited at the Morse Public Library, in Natick, MA in October 2016. It was also exhibited at the Attleboro Arts Museum December 9, 2016-February 2, 2017. I love this painting because of all the mosaic illusion elements, the representation of bushes, and how I used a broken line to indicate the front doorway.
The second painting sold, "Love Shines #2" is a 10" x 10" acrylic on board painting with resin and ground glass. "Love Shines #2" was one of my most recent paintings completed within the past month! This was one of my first few paintings that features my use of acrylic paint and ground glass with multiple layers of resin. I love using hearts in my artwork to convey the emotion of love, passion, romance, and fun! I really do feel that love does shine, and in the case of my artwork, it does too through the use of ground glass that reflects the sparkling light!
The accompanying painting, "Love Shines #1" is still available, and I'm glad that it received a lot of positive praise at the Arts Festival. I'm currently working on another series of 10 paintings, all 10" x 10" with acrylic paint, ground glass, and resin. So stay tuned for more information on those paintings once I'm done with them in my studio. They are going to be awesome and a LOT of FUN! OMG!
I also sold out all my puzzles and blankets featuring my artwork as well as sold a lot of greeting cards, coasters, candles, limited edition prints, and notepads too! The 2017 Needham Winter Arts Festival was a great and successful event! I'm looking forward to participating in it again next year!
I'm thrilled that these paintings sold to folks who absolutely loved them and I hope that they will enjoy their original paintings for many years to come!
To see the painting sold last weekend and read the blog article: CLICK HERE!
This past weekend, I was a visiting artist exhibiting my artwork at Gorse Mill Open Studios. Gorse Mill Studios is located in a historic old mill building in Needham, MA, a suburb of Boston. The building houses dozens of artists who create all types of artwork; from paintings to pottery, stained glass to mosaics, ceramics, jewelry, photography, illustration, encaustic, glass, performing arts, graphic design, and more! Gorse Mill Studios hosts openings, gallery shows, and art education programs throughout the year. It was wonderful to be a part of their event.
I decided to post this blog article because one of my favorite paintings found a new home! The painting, shown here, "Woof Woof! Gotta Get My Bone" was sold and is now bringing smiles to a new family! The painting is acrylic paint on canvas and is 10" x 20". I love this painting because of it's unusual size, the movement portrayed by the vertical lines of varying width, and how I incorporated mini-dog bones within the mosaic illusion part of the painting. It always makes me laugh!
Before being sold, this painting was exhibited at the Wellesley Community Center for the Wellesley Society of Artists Fall Show from September 2016-April 2017. This is the painting that I used for the cover of my new 2018 Calendar that features the birthdays of dozens of famous artists. I also created a coffee mug of this painting too! I'm thrilled that this painting sold to someone who shared with me how much he loved it and I know he and his family will enjoy it for many years to come!
Two years ago, my wife and I stumbled upon an amazing event happening in Boston near Fenway Park. It was Illuminus Boston, and we were completely blown away at how much fun it was to experience incredible and unique works of art. All of them used light in spectacular ways for an immersive experience in this public art event.
This year, I made every effort to attend Illuminus Boston, which was held this weekend in the Downtown Crossing and surrounding areas part of Boston. It was a great night, and the artworks were equally terrific. I've posted photos from a number of the exhibits but here are some highlights.
Perhaps my favorite exhibit was one called "Depth Compression" by Callie Chapman. I believe another performance art piece was done in conjunction with this exhibit called "Public Displays of Motion." Depth Compression basically took imagery of the sidewalk and projected it in a compressed format, duplicated, and at a 90 degree angle. The effect was very cool. There were three dancers with bright colored wigs that made various dance and body movements along the sidewalk that were then projected behind their performance. Perhaps you "had to be there" to get it, but it was very cool. Trust me.
Another exhibit was a projected movie showing dance, with a live DJ, which turned into a live Dance Party in the middle of Washington St. in Downtown Crossing.
One of my favorites was a collection of abstract video imagery created by several artists projected on the facade of a large downtown building. I've seen a similar type of thing before in Sydney, Australia, several years ago.
The event was Friday November 3, and Saturday November 4, 2017 from 6-11 pm, so if you missed it already, be sure to catch it next year!
Below are some of my photos, but I encourage you to check out illuminusboston.org and also look it up using the Hashtag: #illuminusboston
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