In recent years as you've read in my previous blog posts, I visited museums like the Whitney, the Guggenheim, MOMA, the Brooklyn Museum, the New Museum, the Jewish Museum, just to name a few. I encourage you to look through the Categories Listing on the right side of this page and click on what interests you, whether it be museums, cities, or famous artists.
The Met has been in the news this past week because it was announced that its admission policy is changing, requiring visitors to pay for admission (the Museum has been pay-as-you-wish for over 50 years). The new admission policy will go into effect on March 1, 2018. Residents of New York State, and students from New York, New Jersey, and Connecticut will remain pay-as-you-wish. Children under 12 will remain free. Be sure to check out their website for more information: www.metmuseum.org
I'd recommend purchasing your ticket(s) online and arriving to the Museum when it first opens. You will wish you had more time for your visit if you don't! The line for admission seemed to span the entire length of the huge museum, but having purchased an advance ticket, I was able to walk in a separate door, check in, and head straight into the galleries. Admission will get you into the Met Fifth Avenue, the Met Cloisters, as well as the new Met Breuer.
I didn't have the chance to visit the Met Cloisters and the Met Breuer. My visit to the Metropolitan Museum of New York on Fifth Avenue was amazing. First of all, it is massive. I forgot just how large the museum is that is located on the Upper East Side on Fifth Avenue between East 80th and East 84th Streets. This blog post covers my experience of the Metropolitan Museum of Art on Fifth Avenue, mainly what was on exhibit in their Modern & Contemporary Art galleries, 19th and Early 20th Century European Paintings and Sculpture, and some of their Asian Art collection. There were also two special exhibitions going on that I'll include: One on the hugely talented artist David Hockney. And the other on an artist that you may have heard of before, Michelangelo! At the end of this blog, I'll include a few other artistic surprises outside of the Met I encountered on my trip to NYC.
In Marc Chagall's painting shown below, "Le Pont de Passy et la Tour Eiffel," painted in 1911, we experience a fascinating view of Paris and the Eiffel Tower. The important thing about this painting is its composition. Chagall uses several converging diagonal lines: the bright red road, the orange cement wall, and the lines denoting the blue sky. If you think about the time period of the painting, it's interesting to note how it depicts some of the modern changes to the city of Paris, including the Eiffel Tower, the construction of the Pont de Passy Bridge and technologically modern train, electrical power-lines, and how it is juxtaposed alongside the element of the horses and wagon alluding to and earlier time in history.
With the onset of the Industrial Revolution, painters like Fernand Leger incorporated streamlined forms and contours of assembly-line production into their artwork. In the painting shown here, "Three Women by a Garden" painted by Fernand Leger in 1922, three generations of women are depicted. "Woman with a Cat" was painted in 1921.
Piet Mondrian is one of my favorite artists. Here is one of his iconic paintings called, "Composition" completed in 1921. It's an early example of the geometric style of painting that Mondrian called Neo-Plasticism, that emphasized planar relationships in painting, architecture, and design. Many people who look at my own personal artwork sometimes comment that they see hints of a Mondrian influence in my artwork. Here is Mondrian's painting at the Met, next to one of my paintings!
Mondrian used black lines to divide the canvas into rectangles that are sometimes painted in shades of blue and red, creating lighter hues by mixing primary colors with white. Later on in his artistic process, Mondrian stopped creating these hues and used pure, primary colors. In comparing his painting with mine, we each use an entirely different process to create our black lines and blocks of color. If you notice, the black line at the bottom right of his painting doesn't quite reach the bottom. To me, it detracts from the overall design. Here are two other artists, whose works are hung alongside Mondrian's at the Metropolitan Museum of Art.
I love Jackson Pollock's artwork! The painting below is called "Number 28" and was painted in 1950. His drip and pour paintings are widely recognized as his greatest achievement in art. He used simple sticks or paint stirrers and enamel house paint, sometimes poured right from the can, spilling lines directly onto raw canvas spread on the floor. What I love about his paintings are that the paint on the canvas we see is a record of the artist's creative process and his movement as he walked around all the sides of the canvas.
One of the Special Exhibitions on display during my visit was "Michelangelo: Divine Draftsman and Designer." Michelangelo Buonarroti lived from 1475 to 1564 and is celebrated for his excellence of the power of drawing and invention that provided the foundation for all the arts. His drawing skills, design, sculpture, painting, and architecture all combined to give him the reputation of "The Divine One" by his contemporaries. The exhibition showed a range of over 200 works by the artist that was pulled together from 50 public and private collections across the United States and Europe. The exhibit opened in November and is on view through February 12, 2018. Below are just two of his incredible artworks I saw at the Met. #MetMichelangelo
During my visit there was a magnificent exhibit of the British artist David Hockney that showcases 60 years of his art career. I highly recommend visiting this exhibit that is at the Met Fifth Avenue through February 25, 2018. David Hockney's painting address translating movement, space, and time into a two dimensional painting. Hockney is probably best known for depicting California swimming pools and backyards in the mid-1960s. Many of his paintings are quite large, perhaps over 6 or 7 feet square. I love how he uses Acrylic paint on canvas.
Alexander Calder created a series of moving sculptures called mobiles that he created in a diverse range of abstract configurations. Shown here, is a free-moving wind mobile that is carefully balanced on a movable pivot point. I learned that he was inspired by the work of Joan Miro, and the similar shapes and forms can be observed in Calder's mobiles. In the video below, you can see the kinetic nature of his mobile, "Mobile" created in 1941 from painted aluminum, steel, steel rod, and wire.
Here are some of Claude Monet's masterpieces...
And lastly, I came across these wonderful sculptures created by artist, Jaume Plensa, that are permanently installed at the Grand Hyatt Hotel near Grand Central Terminal. I learned that these two huge sculptures are reminiscent of the Moai sculptures on Easter Island.
Overall, my visit to the Metropolitan Museum of Art was simply amazing. I could have spent the entire day looking at all the art and taking photos of every piece of artwork, but I could only include these 6 dozen or so photos! I wish I had the time to visit Met Cloisters and Met Breuer as well. Well, reason for another visit! I hope you enjoyed this blog and I welcome your comments! Have a friend who would enjoy reading this blog? Then please share it with them via email or social media! You can click on the Facebook and Twitter buttons below!
This weekend, I participated in a wonderful juried art festival in Needham, Massachusetts. The 2017 Needham Winter Arts Festival was held at Town Hall and featured over 30 local artists exhibiting their work. It was wonderful to be a part of this event which attracted hundreds of people (despite the first snowfall of the season) and featured musicians and singers performing holiday tunes onstage. The event was made possible through support from the Town of Needham and the Massachusetts Cultural Council Festival Grant Program.
I decided to post this blog article because two paintings of mine found a new home! The paintings, shown here, "Honey, I'm Home" and "Love Shines #2" were both sold and is now part of a private collection, bringing smiles to people residing in Wellesley, Massachusetts. The "Honey, I'm Home!" painting is acrylic paint on canvas and is 18" x 24". I was inspired to paint the house upon being invited to exhibit in a group show with the theme, "House." Before being sold, the "Honey, I'm Home!" painting was exhibited at the Morse Public Library, in Natick, MA in October 2016. It was also exhibited at the Attleboro Arts Museum December 9, 2016-February 2, 2017. I love this painting because of all the mosaic illusion elements, the representation of bushes, and how I used a broken line to indicate the front doorway.
The second painting sold, "Love Shines #2" is a 10" x 10" acrylic on board painting with resin and ground glass. "Love Shines #2" was one of my most recent paintings completed within the past month! This was one of my first few paintings that features my use of acrylic paint and ground glass with multiple layers of resin. I love using hearts in my artwork to convey the emotion of love, passion, romance, and fun! I really do feel that love does shine, and in the case of my artwork, it does too through the use of ground glass that reflects the sparkling light!
The accompanying painting, "Love Shines #1" is still available, and I'm glad that it received a lot of positive praise at the Arts Festival. I'm currently working on another series of 10 paintings, all 10" x 10" with acrylic paint, ground glass, and resin. So stay tuned for more information on those paintings once I'm done with them in my studio. They are going to be awesome and a LOT of FUN! OMG!
I also sold out all my puzzles and blankets featuring my artwork as well as sold a lot of greeting cards, coasters, candles, limited edition prints, and notepads too! The 2017 Needham Winter Arts Festival was a great and successful event! I'm looking forward to participating in it again next year!
I'm thrilled that these paintings sold to folks who absolutely loved them and I hope that they will enjoy their original paintings for many years to come!
To see the painting sold last weekend and read the blog article: CLICK HERE!
This past weekend, I was a visiting artist exhibiting my artwork at Gorse Mill Open Studios. Gorse Mill Studios is located in a historic old mill building in Needham, MA, a suburb of Boston. The building houses dozens of artists who create all types of artwork; from paintings to pottery, stained glass to mosaics, ceramics, jewelry, photography, illustration, encaustic, glass, performing arts, graphic design, and more! Gorse Mill Studios hosts openings, gallery shows, and art education programs throughout the year. It was wonderful to be a part of their event.
I decided to post this blog article because one of my favorite paintings found a new home! The painting, shown here, "Woof Woof! Gotta Get My Bone" was sold and is now bringing smiles to a new family! The painting is acrylic paint on canvas and is 10" x 20". I love this painting because of it's unusual size, the movement portrayed by the vertical lines of varying width, and how I incorporated mini-dog bones within the mosaic illusion part of the painting. It always makes me laugh!
Before being sold, this painting was exhibited at the Wellesley Community Center for the Wellesley Society of Artists Fall Show from September 2016-April 2017. This is the painting that I used for the cover of my new 2018 Calendar that features the birthdays of dozens of famous artists. I also created a coffee mug of this painting too! I'm thrilled that this painting sold to someone who shared with me how much he loved it and I know he and his family will enjoy it for many years to come!
The artists and director of the film really captured van Gogh's style, bringing it to life on film. The swirls in the sky and starry night opens the film it’s opening credits. Every detail was taken care of regarding the casting of light and shadow as people moved in front of the light and moved away from the light or moved closer to the light. In some scenes where there were lamps, you really could tell by the painters brushstrokes the glow of the fire that emanated from the lamp. And it was that glow that was also masterfully captured in the characters faces, clothing, etc.
The plot-line of the movie is certainly more of a historical documentary, featuring a variety of different flashbacks and characters re-counting their impressions of van Gogh and their interactions with Vincent van Gogh. From from all of these characters' subjective accounts of Vincent van Gogh‘s life and death, we learn, in aggregate, all about Vincent van Gogh.
At the end of the film, we see the closing credits, which featured photographs of the actors in costume in character beside actual photographs or paintings by Vincent van Gogh of those characters and the images that inspired the scenery, etc. For example, the Vincent van Gogh's paintings of Joseph Roulin, the Postman, of which there are several of them, those images were shown beside the actor's portrayal of that character.
It really is hard to believe that Vincent van Gogh only sold one painting in his lifetime. And it’s really hard to even fathom that he painted over 800 paintings in his eight year career as an artist. I always wonder what wonderful artwork he would have produced for the world to experience and enjoy had he lived a longer life.
Even describing this film does not do it justice. You really do just have to see it for yourself. The film has already won several nominations and awards at various internationally acclaimed film festivals. Anyone who appreciates Vincent van Gogh's artwork, or even Modern Art in general, needs to see this movie.
I can’t recommend this movie more highly. The official trailer is posted below. For more information about the movie, please visit the official website www.lovingvincent.com
Go see it! And I welcome your comments below.
Many of these murals were created over the past few years as part of Pow! Wow!, which is a cool mural festival and celebration of art and culture. The festival also takes place in cities and countries such as Hawaii, Taiwan, Long Beach, Israel, Singapore, Jamaica, Washington D.C., Guam, New Zealand, Germany, and more. The POW WOW! Worcester mural festival, which was just in August 2017, has added dozens of murals in Worcester in less than 10 days while also hosting a number of arts and community-centered events and programs. Although I missed taking part of the festivities, I'm glad that I got to see a few of the incredible artworks that came out of this incredible festival. Visit www.powwowworcester.com for more information.
I came across this awesome video on Pow! Wow! Israel and you can check it out here: http://powwowhawaii.com/blog/pow-wow-israel-2017-official-video/
Another of my favorites was located at this parking garage, which had two tower-like paintings on each side by artist Victor Quinonez. Check out Instagram @Marka_27. This was very cool.
I recently had the pleasure of visiting Puerto Rico and traveling to various islands in the Caribbean on a family vacation this summer. It was a wonderful trip, filled with all the expected highlights one would expect such as sun, sand, beach, sightseeing, and adventure. But I didn't expect to see some incredible artwork during my time in Puerto Rico and on my cruise vacation.
I should note that by no means is this blog article a complete and accurate picture of the art of Puerto Rico or Curaçao. The following are just a few of the things I came across that struck my eye. In Puerto Rico, I did not have the chance to visit the Puerto Rico Museum of Art http://www.mapr.org/es or the San Juan Museum http://sanjuanciudadpatria.com/en/services/arts-culture-and-innovation/san-juan-museum/sanjuanciudadpatria.com/en/services/arts-culture-and-innovation/san-juan-museum/
What I discovered weren't major art installations in world-renowned art museums, or famous public art, but rather art that really captured the flavor of the local area.
After my visit to the Curaçao Museum, I took a walk near the water to get into the main shopping area. Along the water in Curaçao, is the famous floating pontoon bridge. This public artwork by Frank Van Der Loo was placed along the water near the pontoon bridge's entrance. Although the coloring of the artwork was faded (especially apparent from the real-life view across the water of the characteristically vibrantly-colored buildings), I really liked this mural. It reminded me of the mosaic shapes I use in my personal artwork. Especially the mosaic-like shapes shown in the sky and in the lower portion of the mural.
In Curaçao, I came across a storefront that is operated by the Art Foundation Curaçao. They teach classes and provide art programs for at-risk youth. Art Foundation Curaçao is a non-profit organization founded based on the idea that people of Curaçao are creative and talented and that Curaçao has all the ingredients to become an art destination.
On sale in the gallery were "Curaçao Cubes" created by local children in foster homes in a workshop titled "Big Power of Small Blocks." The proceeds from the sale of the approximately 4"x4" painted wood blocks go back to the foster homes for more free art classes.
One of its projects is the Plein Air Curaçao. Plein Air painting is a painting created in the open air; a form of rapid painting with the start and ending of a painting usually in one session of about 2-3 hours. Natural light changes over time, so the quick nature of painting with broad strokes creates impressions of reality as seen through the eyes of the artist.
Plein Air Curaçao is a bi-annual international art festival. For more information, please visit www.pleinaircuracao.com.
Not far from there was the Jewish Cultural Historical Museum, adjacent to the Mikve Israel-Emanuel (the oldest Synagogue in continuous use in the Western Hemisphere, The museum housed numerous Jewish ritual objects as well as information about Dutch Jewry and the Jewish community of Curaçao. For more information, please visit: http://www.snoa.com/museum
I should mention the Cruise ship's art galleries and the on-board art auctions that are common on all the major cruise-lines. The art auctions were operated by Park West and all I care to say about this is that I found this online article that I found to be an accurate representation of my experience on the ship. Although I did not purchase any artwork from Park West on the ship, I did find it to be a fascinating experience interacting with their staff, viewing their artwork, and participating in their on-board auction champagne reception event.
That said, the cruise was wonderful and all the artwork I saw on this trip was amazing. I highly recommend visiting Curaçao and I welcome your comments!
I had the pleasure of visiting the Museum of Fine Arts Boston, which is always an incredible experience. There are always new exhibits to see as well as a chance to see some of one's favorite works of art since visiting last.
Henri Matisse, perhaps one of the most famous artists in the world, was the subject of a fascinating exhibit. The "Matisse in the Studio" exhibit pushed the limits of how one experiences Matisse's work. Having seen his artwork countless of times at museums all over the world, including visiting the Matisse Museum in the south of France, I've never quite have seen artwork presented in this unique format.
Henri Matisse was an artist who revolutionized 20th Century art. This international exhibition examines the critical importance of the objects in Matisse's studio and how they influenced his creative process and finished artwork.
The exhibit has a number of thematic sections that each focus on different stages of his career as an artist. Matisse didn't limit his work to one medium like painting or sculpture, but also did many drawings, cut-outs, collages, prints, and more. What makes this exhibit particularly fascinating is that the artwork is presented next to the objects that helped inspire Matisse's creativity and served as subject matter for much of his work. Matisse found inspiration everywhere: In sculpture, in a chocolate pot, textiles, furniture.
Below, the pewter jug served as inspiration for the painting below. You can see how the curved lines of the jug, the waviness, are imitated in the lines of the background tapestry, the woman's robe, and the actual jug he painted as a vase of flowers. As you can see in the close-up photos below, the wavy lines are not painted on, but Matisse rather scratched the paint off the surface of the canvas. This reminds me of how I used this technique in some of my artwork. You can see some of those paintings here and here.
Show above is a table that appears in the painting to the left. And below is a female torso Roman sculpture that Matisse used to create the "Formes, Plate IX" for the illustrated book "Jazz". Matisse used cut paper as its own medium. He also uses Guache paint on paper that he cut and pasted on canvas to create "Mimosa" and "Panel with Mask". The movie, "A Model for Matisse" discussed the relationship between Matisse and his longtime friend and nun, Sister Jacques-Marie. Their relationship began when she started working for him as his nurse, but later she often served as a model for Matisse's most famous artworks. The nun also helped paint the paper that Matisse used for his cutouts. The sister was instrumental in helping Matisse design the Vence Chapel (the Chapelle du Rosaire), one of his greatest accomplishments in his career as an artist. The two large cutouts were designs for the robes that the priests were to wear while celebrating Catholic Mass.
The "Matisse in the Studio" exhibit runs from April 9, 2017 to July 9, 2017. For more information, please visit www.mfa.org.
Art of the Americas. Level 3
Below is just a few snapshots I took during this visit to the MFA, some of my old favorites as well as some new favorites. Below from are some wonderful photos of Piet Mondrian's work, "Composition with Blue, Yellow, and Red," Georgia O'Keefe's "White Rose with Larkspur No. 2," Joseph Stella's "Old Brooklyn Bridge" large, oil on canvas painting, Pablo Picasso's sculpture, and his "The Bull" series completed in 1945 and 1946.
Also below are two of Jackson Pollock's incredible paintings, along with a close up shot of his drip-work, splattering, etc. and lastly, I've included a piece by Charles Sheeler titled "On a Shaker Theme" and an incredible work of art by Stuart Davis, "Apples and Jug" where he takes the traditional still-life and transforms it into his modernist universe, with elements of cubism and even of advertising imagery.
In the Contemporary Art galleries, two pieces struck me on this visit. One is Carmen Herrera's, "Blanco y Verde (#1)", Acrylic on Canvas. Originally from Havana, Cuba, Herrera studied painting in New York. The simplicity of the forms here was really striking. I love the exactness of her straight lines, and her minimal use of color. We don't know if there is a background or a foreground, and we almost lose our-self within the painting completely. Carmen Herrera recently had a retrospective exhibit of her work a the Whitney Museum of American Art a few months ago.
Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross
This powerful exhibit recently opened in March and will be on view through July 30, 2017.
“Memory Unearthed” is a very moving exhibit that provides a rare glimpse of life during the Holocaust. Holocaust Survivor, Henryk Ross took this incredible display of photographs of life inside the Lodz Ghetto from 1940 to 1944.
Henryk Ross was confined to the Lodz ghetto in 1940 and enlisted by the Nazi regime as a bureaucratic photographer taking photos for Jewish identification cards, for propaganda materials, etc. Secretly, Henryk Ross documented the horrible living conditions and persecution of the Jews under the Nazis. Ross his the photos and negatives before the last of the Jews were sent from the ghetto to the Auschwitz and Chelmno death camps. The photos seen in this exhibit survived because Ross buried the photos and negatives hoping to provide a historical record of the persecution of the Jews.
All the photos were very powerful to see. However, there was one piece of artwork that I found completely incredible and breathtaking from an artistic perspective. I've included the photo below. It is actually a modern print from an original 35mm negative, depicting Ghetto police escorting residents for deportation. The image itself and the unfortunate and horrifying circumstances in the photo are very compelling. But beyond the face value of what is happening in the photo, you can see that the negative is partially destroyed, burned, or deteriorating. From one perspective, the visual piece of artwork is quite beautiful and striking. And from another perspective, it is quite ugly, off-putting, sad, and even symbolic. This exhibit helps us Never Forget the horrors of the Holocaust and its victims of persecution and death.
Overall, this was an incredible visit to the Museum of Fine Arts Boston. With every visit, there are new things to see, experience, learn, and explore.
Part 1: Barcelona Architecture
One cannot talk about Barcelona's architecture without mentioning Antoni Gaudi. Part of the Modernista movement of the late 19th Century, Antoni Gaudi is Barcelona's most famous architect. Almost anywhere you look in Barcelona, Gaudi had some part in its creation, from the houses, apartment buildings, churches, sidewalks, parks, and even the city benches lining the streets. In Modernism, nature was a huge element present in decorative motifs as well as present in the actual architectural structure of Gaudi's buildings. Below are some of Gaudi's masterpieces, but there are dozens of others throughout Barcelona to visit and experience.
I really enjoyed seeing Casa Batllo, which is situated on a main street in the heart of Barcelona. Mosaic is everywhere. The Chimneys of the building are works of art. The roof is representational of a dragon's back. The exterior facade demonstrates Gaudi's expert use of texture and color. Below are some photos of the exterior of the building as well as the interior. The sidewalk tiles as shown in the photos below line the streets and feature an underwater, marine-life motif.
Gaudi's Sagrada Familia is innovative and highly symbolic. The architect's objective was to explain the teachings of the Church through sculpture and architecture. Following Gaudi's death, work on the Sagrada Familia continues to be carried out by collaborating architects and artists. The project is expected to be complete by 2026, coinciding with the 100th anniversary of Gaudi's death.
The stained glass windows were perhaps one of the most beautiful aspects of the Sagrada Familia. The colors were so vivid and bright.
Park Guell is another one of Gaudi's masterpieces. It was build between 1900 and 1914. It was opened as a public park where Gaudi let his imagination run wild with his incredible use of mosaics throughout the park. Below are some photos of Park Guell. The mosaic work is unbelievable and reminds me very much of the mosaic illusion that I paint in many of my own paintings.
La Pedrera is also known as Casa Mila. It was completed in 1912 as an apartment building. There are curved walls that seemingly defy the laws of gravity. The rooftop is amazing at night and includes all of Gaudi's architectural trademarks. Bricks in the attic create arched ceilings and are uniquely used using the log side of the brick, which also features the brick-maker's fingerprints. There are terrific wrought iron balconies and exquisite ceramic mosaics. I highly recommend visiting La Pedrera by booking a night tour, which includes a full tour of the building and a surreal visual light display on the rooftop under the stars, followed by a champagne toast and cookies!
Although my time in Barcelona didn't permit me to visit the Palau Guell, I should mention that it is an excellent example of one of Antonio Gaudi's early architectural masterpieces. It is a UNESCO World Heritage Site, and is a magnificent example of domestic architecture in the context of Art Nouveau and one of the first important commissions Gaudi received at the start of his career. It is located just steps away from La Rambla, not far from La Boqueria.
Part 2: Barcelona's Art Museums and Fine Art
A Guide to Visiting Barcelona's Museums:
If you plan to visit Barcelona, I highly recommend purchasing the Barcelona Museum Pass, also known as an art passport from ArtTicket BCN, which will give you access to six Barcelona museums, including the ability to skip the lines. The Passport give you access to the Picasso Museum (Museu Picasso), the Joan Miro Museum (Fundacio Joan Miro), the National Museum of Art of Catalunya (Museu Nacional d'Art de Catalunya), the Antoni Tapies Museum (Fundacio Antoni Tapies), the CCCB, and the MACBA. I purchased the passport online (for 30 Euros), and simply showed the ticket to the first museum I visited to receive the passport. The passport is stamped upon entry at each museum. To learn more about the ArtTicket BCN, check out their website: http://articketbcn.org/en/barcelona-museum-pass. I should also mention that it is very important to check the hours of each of the museums as they vary significantly. Most museums, with a few exceptions, are closed on Mondays. Also, all city museums are free at last one afternoon per month, so be sure to check the websites in advance for hours and special exhibition dates.
If you're interested in contemporary art, check out this website that provides a network devoted to contemporary art in Barcelona: http://www.artbarcelona.es/circuit/en/.
Picasso Museum in Barcelona
The Museu Picasso of Barcelona is a wonderful center documenting Pablo Picasso's early years of apprenticeship. With over 4,000 works of art in its permanent collection, you'll see why this museum is one of the most popular tourist attractions in Barcelona.
The Picasso Museum highlights the artist’s relationship with the city of Barcelona. I learned that Pablo Picasso's father was a teacher at the San Telmo Fine Art and Crafts School. and had an important influence on Picasso's future career as an artist, who demonstrated a strong interest in art from a very young age. There are some drawings and small panels in oil that give an idea of his efforts to give his own creativity free rein and explore new techniques by taking in his immediate environment.
In Barcelona, Pablo Picasso continued his art education at the La Llotja Fine Art School. The photos here show his artwork featuring Barceloneta Beach and two ports. After taking these photos, I learned that photos were not allowed, so unfortunately, I do not have photos showing the rest of the museum. This Picasso museum focused on his earlier works, and very few on display were "well-known Picasso masterpieces." The museum highlighted Picasso's creative process of some of his work of his Blue Period. Some of the highlights of the museum included Las Meninas Series. This was a series of paintings based on the Velazquez painting Las Meninas.
For more information, please visit www.museupicasso.bcn.cat.
Fundacio Joan Miro
The Joan Miro Museum (Fundacio Joan Miro) is located in the Montjuic area of Barcelona and houses the work of Joan Miro as well as temporary exhibitions of 20th and 21st Century art. The collection of paintings, sculptures, drawings displayed at the museum is one of the most comprehensive collections representing every stage of Miro's career as an artist. There are paintings related to Surrealism and works based on the Spanish Civil War. Miro's work on large canvases in the late 1970s onward demonstrate his use of large color fields and painting with free gesture.
For more information, please visit www.fmirobcn.org.
Museums Further Afield from Barcelona:
In the town of Girona, I visited the Museum of Jewish History. The goal of the Museum is to preserve the history of the Jewish communities of Catalunya. Art at this museum included various Jewish ritual objects. Be sure to visit if you are in Girona, which is not far from Figueres, where the Dali Museum is located.
On of my favorite pieces was this one below entitled, "Gala Contemplating the Mediterranean Sea which at a distance of 20 meters is transformed into the portrait of Abraham Lincoln (Homage to Rothko).” Gala was his wife and muse for many years.
The exterior of the museum is a work of art as well. Statues with loaves of bread on their heads. Inside the museum in the open air courtyard is a spectacular and wild work of art called, "Rainy Taxi". If you put a Euro in the slot located at the base of the artwork, it will rain inside the taxi, and an umbrella will open up on top of the artwork!
The museum includes paintings by Old Masters with works from the 13th Century to the 18th Century. The largest section of the museum is devoted to works from the 19th and 20th Centuries and includes a wonderful selection of Catalan painting and sculpture of the Modern period. I was very impressed with their collection of paintings by the great masters of French and international impressionism (Degas, Sisley, Monet, Pisarro, Sargent, etc.). Picasso and Dali, avant-garde artists are also well represented!
Part 3: Barcelona's Public Art
The streets of Barcelona are filled with art by world renowned artists. Below are just a few of these that I came across on my artistic journey.
There's a great article that was recently shared with me on the pros and cons of some of the major brands of acrylic paint used by both professional and amateur artists around the world. As a professional artist, the paint I use for my artwork is of paramount importance to both me and those who purchase and collect my artwork. The article is a great resource for anyone interested in learning more about acrylic paint, and finding the paint that works best for you, meeting your artistic and creative objectives.
The link to the article written by Lindsey Bourret on Wonderstreet.com can be found here: http://wonderstreet.com/blog/choosing-the-acrylic-paint-thats-best-for-you
For me, my go-to acrylic paint is Liquitex Professional Heavy Body Acrylic Paint. I like the drying time, the vibrancy of the color, the consistency of the paint, and I never experience any color shift. And I sometimes use Liquitex Professional Gloss Medium & Varnish to varnish some of my paintings to create a shiny or glossy look, or in some of my mixed media work where I use it to affix special papers on my canvases. I also like the Liquitex Acrylic Paint Markers, which come in both a small and large point or tip size.
I've also experimented with another acrylic paint, not mentioned in the article, called Flashe paint. Flashe comes in jars and once applied to the canvas, it dries completely opaque with a matte finish. It is made in France by Lefranc & Bourgeois. And for teaching, I often recommend that my students begin to learn how to paint with Grumbacher Academy student grade paint because it is fairly inexpensive and in my opinion has a similar feel to the Liquitex Professional Heavy Body. Grumbacher Academy Paint is discussed in the article using the link: http://wonderstreet.com/blog/choosing-the-acrylic-paint-thats-best-for-you
I encourage you to check out the article and see for yourself what works best for you and the artwork you want to create.
If your favorite color is blue, like it is mine, then you'll enjoy the exhibit at the Brooklyn Museum called, "Infinite Blue." The exhibition's title hints at the connection between the color blue and the idea of spirituality as written by Russian artist Vasily Kandinsky, "On the Spiritual in Art." Blue is often associated with the heavens and the spiritual because blue is the color of the sky.
The artwork featured in "Infinite Blue" feature every variety of the color blue from ancient times to the present. The exhibit includes a wide range of artwork from the museum's permanent collection of Asian, African, Egyptian, American, Native American, and European art: paintings, sculpture, prints, drawings, etc. My understanding is that this exhibit will expand to other areas of the first floor of the museum over time.
My favorite blue is Cobalt Blue. On display were a variety of blue and white ceramics from the Middle East. The use of Cobalt in the Middle East likely inspired the Chinese to use the pigment.
In the artwork below and the detailed close-up, artist Arlene Schechet has created handmade papers from abaca, a plant native to the Phillippines. The Flow Blue series, from which this work derives, is named after a British transfer pottery from the early 19th century. For more more information on the exhibit, use the hashtag #infinitebluebkm.
The museum also had a number of wonderful pieces from Alex Katz, Georgia O'Keeffe, Diego Rivera, Claude Monet, Henri Matisse, Edgar Degas, and Auguste Rodin. Here are a few paintings on exhibit. Having walked from Manhattan to Brooklyn over the Brookyn Bridge earlier that day, I really appreciated Georgia O'Keefe's painting of the Brooklyn Bridge. I had always thought that most of her artwork was in the same genre of the Ram's Head painting below. Georgia O'Keefe's painting of the Brooklyn Bridge emphasizes the abstract elements of the composition. This painting was one of her last works of art painted in New York before relocating to New Mexico in 1949.
Luce Center for American Art: Visible Storage Study Center:
One of the many wonderful surprises at the Brooklyn Museum was discovering the Visible Storage Study Center. The beautiful display gives you an inside look at how museums work and provides you with a glimpse of the breadth and scope of the Brooklyn Museum's collections. The Visible Storage Study Center contains artwork organized and identified by the accession number assigned by the museum's registrar. Visitors can learn more information about the object by entering an item's identification number on a special web site at computers located throughout the space.
I had the opportunity to see the Marilyn Minter "Pretty/Dirty" exhibit that was on display at the Brooklyn Museum from November 4, 2016 to April 2, 2017. The exhibit featured many over-sized paintings showing seductive and sexual visual statements. The artwork included paintings and videos mostly sexual in nature. The photographs, paints, and videos in one gallery focus on licking, dripping, and devouring mouths. I believe it is a commentary on American culture's inexhaustible appetite for glamour and stimulation. I've included a few photos from the exhibit below.
The Dinner Party by Judy Chicago is the most significant icon of 1970s American feminist art. It took Judy Chicago 5 years to complete the project from 1974 to 1979 with the help of hundreds of collaborators. The Dinner Party represents 1,038 important mythical and historical women, most of whom had been neglected by history. The Dinner Party consists of a series of Entry Banners, Heritage Panels, a Heritage Floor, and a huge ceremonial triangular banquet table measuring 48 feet on each side with a total of 39 place settings. The Dinner Party is housed a the Brooklyn Museum as the central installation of the Elizabeth A. Sackler Center for Feminist Art.
The Table is in the shape of an open equilateral triangle, a symbol of equality. Each place setting represents a woman of great historical significance, either real of mythical. The Heritage Floor beneath the table is comprised of 2,300 porcelain tiles.
The Brooklyn Museum was a fascinating experience. Check out the Museum in you are in the vicinity. You won't be disappointed!
Just recently, on February 14th, I came across an editorial article on Artsy.net by Isaac Kaplan entitled, "Do Francis Picabia's Anti-Semitic Remarks Tarnish his MoMA Retrospective?" After reading the article I learned about Picabia's anti-Jewish feelings (and womanizing behaviors). MoMA's exhibit apparently does address this part of Picabia's character; however, I must have missed this as I walked through the gallery. To answer Kaplan's question personally. I think it does, in fact, tarnish his reputation. I really enjoyed his artwork during my visit to the MoMA. But after learning more about the artist, I can't say that I can admire him. Famous artists are people that I want to look up to and admire. They are people that I want the next generation of artists to look up to. And so, while I can appreciate his artwork at face value and his artistic technique, learning about his anti-Semitic behavior does take him down several notches in my book. Similarly, just like we want our kids to admire our professional sports players, it's hard to have our kids look up to them if they do drugs, treat women badly, are anti-gay, or are anti-Jewish, or discriminate in any way. So, I'm kind of let down after my great experience viewing his work in the gallery. But for this blog article, I will continue to proceed sharing my thoughts on the exhibit as if I hadn't learned of his anti-Semitic feelings and behavior.
Here is the link to the article for your information: https://www.artsy.net/article/artsy-editorial-francis-picabias-anti-semitic-remarks-tarnish-moma-retrospective
As I walked though the gallery rooms, the one thing that struck me the most was how his artistic style changed throughout his lifetime. Picabia was an artist of many genres, and his body of work lacks consistency and categorization. He shifted styles over time. The exhibit highlights his impressionist landscapes, abstract works, paintings, photo-based nudes, etc.
Here are some photos from the exhibit.
These two Picabia paintings shown below reminded me of one of my own paintings that I painted earlier this past year, "Woof Woof! Gotta Get My Bone." All three works utilize black lines in a similar fashion. I should note that my painting was created without ever seeing Picabia's work; I am just noting the coincidence in how we both used these lines in the same fashion.
"Revolutionary Impulse: the Rise of the Russian Avant-Garde" was another wonderful temporary exhibit at the Museum of Modern Art that runs through March 12, 2017. The fact that all the artwork on display comes directly from MOMA's permanent collection, demonstrates how wonderful MOMA is and how impressive their permanent collection is. Of all the artwork on view, there were two artists whose work caught my eye.
The two photos below are from the Russian artist Alexandra Exter. The oil on canvas painting on the left, called "Theatrical Composition" was very intriguing to me. I loved the colors, shapes, and overall composition of the painting. The other smaller works, pictured to the right are six designs from various stage sets like The Merchant of Venice, Othello, and others.
To photograph all the well-know paintings from all the famous artists would be a huge undertaking. So I'm including a small selection of some of my favorite pieces along with some detailed close-up photos from the following artists: Georges Seurat, Vincent van Gogh, Pablo Picasso, Jasper Johns, Henri Matisse, Fernand Leger, Jim Dine, Andy Warhol, Edward Ruscha, Josef Albers, James Rosenquist, Robert Rauschenberg, and Sol LeWitt. I have the close-up photos to show the brushstrokes, the detailed use of color, and a glimpse into what the artist was focused on while painting their masterpiece.
Pablo Picasso's Guitar Sculpture (3 views), and below, "Vase of Flowers" & "Les Demoiselles d'Avignon
I highly recommend visiting the Museum of Modern Art in New York City. More information about the museum can be found on their website: www.moma.org.
Part of the Museum's focus is dedicated to the subject of the Jewish Journey, Jewish culture, and Jewish continuity. The main exhibition is about the Jewish experience as it has evolved from ancient times to the present day. The exhibit highlights the question of how Judaism has been able to thrive for thousands of years across the globe, even in challenging times, through Jewish texts and objects.
Jewish texts have been the central factor in the survival and evolution of Jewish continuity. The objects on exhibit such as Torah scrolls, other religious scrolls, and Jewish ritual objects, all reflect the different ways Jews have expressed their sense of what it means to be Jewish throughout history, in various countries, cultures, and religious contexts. The Culture and Continuity exhibit is located on two floors of the museum. There is so much to say about the exhibit, but most of what I will blog about will focus on the visual arts.
After the destruction of the Second Temple, and beginning in the 3rd Century CE, synagogues were often decorated with beautiful mosaic floors and wall frescoes. Jewish symbols included biblical figures, Hebrew writing, the menorah, and the shofar. Below are some photos of one of these mosaic floors, including a detailed/close-up photo. These mosaics reminded me of my signature style of my personal artwork, creating the illusion of mosaic tile using acrylic paint for my paintings.
I was particularly interested in the paintings at the museum, many of which I will highlight in this blog article. Max Weber, who lived from 1881 to 1961, is perhaps one of the most notable artists who portrayed Jewish life in his artwork. Max Weber was born in Russia and emigrated to the the US. Below on the left is a photo of Weber's famous oil on canvas painting, "The Talmudists," painted in New York in 1934. In his early years, he was a great admirer of the artist, Paul Cezanne, and studied art in Paris from 1905-1908. Cezanne's influence can be seen in his earlier works, including the painting, "Still Life with Challah" exhibited at the Jewish Museum. Most of his early works were still lifes and focused on Jewish ritual objects for Shabbat. By 1919, Weber abandoned formal experimentation and turned to Jewish subjects in pursuit of the spiritual.
Marc Chagall was another famous Jewish artist who had work displayed at the Jewish Museum. Chagall had a lifelong fascination with the Bible and much of his artwork expresses his passion for using his artistic expression to convey the imagery of the Bible. A lithograph on paper, "Moses Displays the Ten Commandments" from "The Story of the Exodus", 1966, is shown to the right.
Shown below, this 1986 large acrylic on canvas painting by David Reeb, an Israeli artist, titled "Map of Israel" is one of a series of paintings that incorporated the pre-1967 Israeli border, known as the "Green Line." Reeb was one of the most outspoken Israeli artists of his generation and was preoccupied with the political implications of the map of Israel. The ongoing conflict between Israel and her neighbors and the conflict around national borders is the major theme in his series of paintings. In this painting, Reeb portrays the outline of the realistic map as the main motif on an abstract patterned surface. In the photos below, I've included 3 photos showing some of the incredible detail of this fascinating painting.
Another fascinating exhibit called "You Don't Have to Be Jewish" featured a compilation of television commercials and clips from the museum's National Jewish Archive of Broadcasting, paired with print advertising campaigns, works of art, and more. The exhibit explores material produced for Jewish audiences or with Jewish content and the way religion, ethnicity, and identity play out on American television. The exhibition closed in early February.
Also on exhibit from November 4, 2016 to March 26, 2017 was "Pierre Chareau: Modern Architecture and Design." Pierre Chareau was a celebrated French furniture designer, architect, and art collector. The exhibit showcases rare furniture, lighting fixtures, and interiors, and even featured virtual reality glasses to immerse the viewer in the architectural renderings.
One of the most fascinating exhibits that I've seen this past year was "Take Me (I'm Yours)." The exhibit is based on a 1995 exhibit at the Serpentine Gallery in London, curated by Hans Ulrich Obrist and the artist Christian Boltanski.
In a conventional museum experience, it is the visitor that consumes art by looking at the paintings, sculptures, or photographs on exhibit. Typically, one is not allowed to touch the art, and certainly not allowed to take them home! Take Me (I'm Yours) defies this well-established standard by featuring works by more than 40 artists from different generations and from all over the globe: The goal of the exhibit is to encourage you to not only touch the artwork, but also to take them away with you and keep them for yourself. Some of the things I walked away with were a can of lemon-flavored sparking water, photographs of glamorous women from the 1950s, stencils, temporary tattoos, pins, hard candies, pill capsules, fabric patches, and more!
The exhibition ended in February. I've posted a few photos below. Photos of visitor experiences can be found online using the hashtag: #TakeMeImYoursNYC.
During my visit, I saw a drop-in art workshop underway, where families were creating works of art together inspired by exhibitions currently on view at the Museum. On Sundays, families can participate in studio art sessions, experience a simulated archaeological dig, or experience the museum's exhibitions with a printed Kids Gallery Guide. The Museum hosts family concerts, workshops and vacation week programming, and workshops for kids with disabilities. For more information, visit: TheJewishMuseum.org/Families.
The exhibit's juror is Judith Klein of Judith Klein Art Gallery, New Bedford, MA. I highly recommend checking out this exhibit before it closes on February 2, 2017.
Upcoming exhibits at the Attleboro Arts Museum look amazing as well, so if you're in the Boston Area or Providence, RI, be sure to check out the small but wonderful Attleboro Arts Museum.
For more information about the exhibit:
The "When Language Meets Art" Exhibit at LHUCA is in their Christine DeVitt Exhibition Hall, LHUCA serves as an exhibition space for local, national, and internationally known artists. This current exhibit demonstrates their commitment to bringing insightful and thought-provoking exhibitions that deepen one's understanding, appreciation, and connection with the visual arts.
Below are some photos of the my painting, "Close Your Eyes" on exhibit in at LHUCA.
One of LHUCA's programs is the First Friday Art Trail. The First Friday Art Trail is a free, self-guided public art event held predominately in the Lubbock Cultural District. The First Friday Art Trail is held from 6-9pm, rain or shine, on the first Friday of every month! This vibrant art scene brings together art-lovers, art collectors, artists, and the greater community. The art trail can be exploreed on foot or by one of the free First Friday Trolleys to experience the galleries along the downtown route. More information can be found at http://www.ffat.org/
Christian Conrad wrote about the exhibit that is on view through January 28, 2017. Christian Conrad earned his PhD in Critical Theory and Artistic Practice from Texas Tech University in 2010 and his MFA from Radford University in 2005. As a working artist, Christian creates in a variety of media, ranging from oil painting to video installation to traditional paper collage. Christian has taught several college-level courses in art at Texas Tech University, and he is currently a featured speaker with the Art History Lecture Series sponsored by the Museum of Texas Tech University Association and the Saturdays at LHUCA art lectures.
I wanted to create a piano for Street Pianos Boston because I love Boston and I love public art. I believe there are incredible opportunities to use art to represent Boston as one of the world’s best cities; a city that has a vibrant and thriving arts community that adds to the inherent value of everyone living here or visiting Boston.
The Play Me I'm Yours Street Pianos exhibit is something I've admired since I first saw it a few years ago in 2013. When I first heard that "Play Me, I'm Yours" was coming back to Boston, I was very excited about the opportunity to paint a piano for this project. My artistic style is about fun, bright colors, using the illusion of mosaic tiles, and bold lines, and I believed that my art would complement the exhibit really well, drawing people to the pianos and interacting with them on the streets of Boston. It was a real honor to have been selected to be a participating artist.
I was excited about Street Pianos Boston because it would be my first public art project. My art is loved by people who have my art in their homes, but I also believe that my art has a place in the public realm; my style lends itself for large murals, even sculpture, in public places as well as in corporate office settings. I'd love to do more in the public realm so that art can be accessible to everyone.
Being part of the Celebrity Series of Boston Street Pianos exhibit was particularly meaningful to me because I realized how much I enjoy the process of creating public art and am excited about the possibilities for other terrific public-domain art projects in the future.
More videos of the Piano being played can be found on the Eddie Bruckner Fine Art YouTube Channel: https://www.youtube.com/channel/UCamBWngXFOwL9AZhBjoy24A
And more photos and videos can be found on the Street Pianos website: www.StreetPianos.com Look for Downtown Boston: City Hall Plaza.
The hashtag for the project is #streetpianosboston if you'd like to follow it on social media.
I am very proud that my painting/piano added value to this city-wide, public art and performing arts exhibit. It was really special to see Bostonians, visitors, and tourists enjoy playing all the pianos that were created for this wonderful project. The piano will be at Boston City Hall Plaza through October 10, 2016.
This past week I had the pleasure of visiting two of my favorite Art Museums in the Boston area. What I love about art museums is the special combination of new temporary exhibitions and spectacular permanent collections.
The Rose Art Museum
The first museum I’ll write about is the Rose Art Museum, located in Waltham, Massachusetts. On a personal note, the Rose Art Museum is special to me because it is part of Brandeis University, my alma mater. As part of my art education at Brandeis university, I had the unique opportunity to tour the Rose’s amazing permanent collection—however, not exhibited on the walls of the museum, but rather in the museum’s storage vault. In the mid-1990s, I saw incredible works from the collection from Roy Lichtenstein to Andy Warhol to Willem de Kooning to Jasper Johns. With over 8,000 works of art, mostly from American Artists from the 1960s and 1970s, the Rose Art Museum is one of the leading art museums in the world. Use the following link to see the digital collection: http://rosecollection.brandeis.edu/
This week the Rose Art Museum was exhibiting a temporary retrospective exhibit on the artist Rosalyn Drexler. The exhibit, “Rosalyn Drexler: Who does She Think She Is?” recently closed, but I believe it is traveling to other museums in the coming months.
The Museum of Fine Arts Boston
The following day I had the opportunity to visit the Museum of Fine Arts Boston, which houses one of the world’s best and diverse collections of fine art including contemporary art, art of Asia, Oceana, Africa, Europe the Americas, art of the ancient world, and jewelry, musical instruments, prints, drawings, and photographs. Although I didn’t get to see everything in the museum, I was able to see some of my favorite works of art again as well as see some new things and very cool new temporary exhibits.
And while I’m more of a contemporary and modern art kind of guy, I was particularly impressed with the story behind a 13-foot-tall statue of a classical sculpture of Juno. The Roman marble lady is the largest Classical sculpture in any museum in the United States. But perhaps even more fascinating was where the statue was found; It was found in the backyard of a Brookline, Massachusetts home (a suburb of Boston). The statue that is dated to about the year 1633 was purchased at the end of the 19th Century in Rome and brought to Brookline, Massachusetts to be placed as part of a formal garden.
The Danish artist, Jeppe Hein’s work entitled “PLEASE…” is a neon light installation from 2008. Hein is fascinated with the relationship between the viewer and his artwork and the art really isn’t complete without the viewer’s participation. I really can relate with Jeppe Hein and his work because some of my artwork also has a similar element to it. My paintings entitled “Close Your Eyes” and “You Have To Read This” come to mind when thinking about Hein’s work. With “Close Your Eyes” I’m trying to convey to viewers a bit of edginess or something to make you think twice about what you are seeing. I really enjoy the irony of creating art that is visual, and then the message of the painting instructs you not to look at it. “Close Your Eyes” was selected in the prestigious Connecticut Academy of Fine Arts Annual Juried Art Exhibit a few years ago. The six works of art are pictured here. http://www.jeppehein.net/
Throughout the museum (and around the Museum and even in Faneuil Hall in Boston) is the Megacities Asia exhibit, which runs until July 17, 2016. Megacities are cities with populations of more than ten million. These megacities are increasing in numbers and changes the lives of so many people. I was really impressed with the works of the artists Ai Weiwei and Choi Jeong Hwa. Choi Jeong Hwa’s “Breathing Flower” located just outside the museum was very moving. http://aiweiwei.com/
I recently returned from a quick 2-day trip to New York City. The first day was primarily focused on a new movie I am working on (currently looking for investors for the film) called “Dan & Carla.” We had a spectacular table reading of the script with the actors along with a number of friends and interested parties of the film. After the reading, I had the pleasure of meeting and speaking with Jack Pierson, a longtime family friend of the film’s director. Jack Pierson is an incredible artist who works with a variety of different mediums, including sculpture, photography, video, and is best known for his word signage installations. His artwork is in the permanent collections of the Whitney Museum of American Art, the Metropolitan Museum of Art, the Guggenheim Museum, just to name a few. (See below for more about his two incredible pieces that were on view at the Whitney Museum.)
Here’s some information about the film for those interested: It is a modern-day romantic comedy about two young NYC lovebirds who try to salvage their troubled relationship: Dan & Carla, two lovers from opposite sides of the subway tracks, are forced to confront the issues of romance, commitment, betrayal and sexual (dis)orientation.”
For more information:
There is SO MUCH ART in New York City! There were three pieces of public art that I had the pleasure of seeing on this trip. Here is a photo of Robert Indiana’s HOPE Sculpture located on the corner of 7th Avenue and 53rd Street. A couple months ago, I wrote in my blog about Robert Indian’s LOVE Sculpture in Scottsdale, Arizona. This HOPE Sculpture is also only a few short blocks away from the LOVE Sculpture in New York City 55th and Avenue of the Americas/6th Ave. I’ve learned that each year on the artist’s birthday, September 13, Robert Indiana HOPE sculptures will be installed and displayed in locations throughout the world. The HOPE sculptures celebrate the message of hope and fulfill the artist’s vision of a more promising future for us all.
Another public sculpture, located just outside of Penn Station and Madison Square Garden (7th Avenue and 33rd St.) is Roy Lichtenstein’s “Brushstroke Group.”
And the last public art sculpture that I got to see was Elmgreen & Dragset’s “Van Gogh’s Ear” located in Rockefeller Center. It’s basically a huge swimming pool stood upright. I really liked how misplaced it looked, especially in such a dense area, with a huge amount of foot-traffic, in contrast to a large swimming pool, typically seen in a less congested area. This is a temporary installation, so be sure to see it before June 3rd!
I started the second day of my trip at the Whitney Museum of American Art. The new Whitney’s architecture is spectacular inside and out. And the artwork within the walls of the Whitney is very special.
On the Sixth and Seventh Floors of the museum, I experienced the exhibit, "Human Interest: Portraits from the Whitney's Collection." It made me rethink my own internal definition of the word "Portrait." The exhibit demonstrated the way portraiture has changed from the early 1900s to present day. When you think about it, the whole concept of portraiture has changed over time. The painting of portraits was once reserved for the elite, and those who could afford such a luxury, yet with the rise of photography, everything has changed. With the iPhone and other smartphones and with the influence of social media, the "selfie" is almost a new form of portraiture. Whatever the form, portraits get to the very essence of who we are as people and our place in the world.
Chuck Close, is very well known for his huge, floor to ceiling, portraits best viewed first from afar, and then up close (excuse the pun). This is his work titled "Lyle" and I've included a few views for you to see the genius behind his artwork.
And Jack Pierson, who I had the pleasure of meeting the night before, had two of his many works that are part of the Whitney's permanent collection, on display. One a self-portrait, "Self Portrait #4", 2003, and the other called, "Jerry in the Dressing Room", 1993.
I also saw some impressive works of art from some artists that I haven't been exposed to before. The painting shown here is one from the artist, Howard Kanovitz, called "New Yorkers 1". It's a very large painting and I found it to be very striking. I especially liked seeing the use of pencil within the painting as shown in this close-up photo.
There is a beautiful outdoor space with stairs leading to other levels and views of the surrounding cityscape and the new, NYC treasure, the High Line. If you plan to visit the Whitney Museum, you could also walk on the High Line either before or after what is sure to be an incredible art experience at the Whitney!
After the Whitney, I visited the Chelsea Market where I stumbled across a wonderful ID Pop Shop that featured apparel, accessories, Jewelry, and art. www.Idpopshop.com
I then proceeded on my quest to visit some of the Chelsea galleries that feature modern and contemporary art. Some galleries were focused on established artists and artists who are well-known to the general populace and others showcased emerging artists. I walked my feet off and ended up visiting about two dozen difference art galleries in Chelsea. I'll share some of my favorites here:
One of the galleries that I really enjoyed visiting in Chelsea was Jim Kempner Fine Art. http://jimkempnerfineart.com/ It was at this gallery that I was introduced to an artist named Greg Parker. His artwork features a unique process that results in an unbelievably cool work of art. He starts with a wood panel that is covered with up to 20 layers of polished gesso, thin layers of powdered pigment and graphite that is applied in progressive steps within mathematical systems. Kind of looks like metal or wood but the end result is a subdued reflective surface that is solid at nature.
At the Bryce Wolkowitz gallery, http://brycewolkowitz.com located at 505 W. 24th St., I saw a truly unique exhibit of multimedia sculptures and video installations from the artist, Yorgo Alexopoulos, I have learned that he films the 4K video, makes use of a translucent LCD video screens, robots, 3-D printers, motorized dollies, and multiple cameras simultaneously shooting time lapse photography. The piece that I found most compelling was one titled "First Time On The Moon,” which is comprised of the digital animation on a high definition translucent LCD display, aluminum and patina steel, glass, and custom electronics. The subject matter is the moon with the earth hovering in the distance in space.
The Berry Campbell Gallery www.berrycampbell.com presented the work of the artist Stanley Boxer, a Massachusetts born artist known for his thickly painted abstract works of art.
I visited the new Lisson Gallery at 504 W. 24th St. lissongallery.com It was a brand-new exhibit that opened just this past week, featuring the artwork of Carmen Herrera. I learned that she has been painting for almost 80 years in her Manhattan studio. She's perhaps the oldest living artist I've seen on my venture; she will celebrate her 101st birthday later this month and will be honored with a survey exhibition at the Whitney Museum of American Art in September 2016. The exhibit at the Lisson Gallery represents a new body of work produced in the last two years. The paintings exhibited were primarily acrylic on large-scale canvases. They almost had an Ellsworth Kelly kind of feel to them, in terms of the colors used in a very minimalist way.
At 138 10th Ave., I visited Lori Bookstein Fine Art. www.loribooksteinfineart.com There were a few artists represented in this gallery exhibit, but one stuck out to me, an artist named Diana Horowitz. The exhibition featured a series of small paintings depicting the landscape of and around Lake Como, Italy. She painted on en plain air and each of the small 5" x 7" or smaller canvases had subdued tones and colors capturing the light across the landscapes.
One of the most unusual, yet fascinating exhibits that I saw was at the Lions Wier Gallery at 542 W. 24th St. www.lyonswiergallery.com The gallery featured the pop artist, Jae Yong Kim in the exhibit titled "Pop Goes The Donut". The walls of the gallery were lined with ceramic, glazed donuts, many featuring Swarovski crystals, gold, and other mixed media.
At the Cheim & Read Gallery, a brand new exhibit features the work of Spanish artist, Juan Uslé. Jack Pierson has shown his work at this gallery in the past. Many of the works were in excess of 9 feet in height. I learned that the short, broad brushstrokes comprising the bands in his paintings are based on the artist's pulse, similar to a cardiogram. www.cheimread.com
The Agora Gallery at 530 W. 25th St. focuses on emerging artists, and I recommend checking this gallery out for emerging talent! www.Agora-Gallery.com
The Rush Arts Gallery (Rush Philanthropic Foundation www.rushphilanthropic.org) at 520 W. 26th St. featured an exhibit called “Medium: Black.” The Rush Philanthropic Foundation is a non-profit founded in 1995 by media mogul Russell Simmons and his brothers and is committed to bettering the lives of under-served city youth through exposure to the arts and to provide professional support for emerging artists and curators. The group show featured artists that all use the color black. One of the pieces of artwork that I found most fascinating in this gallery was the work of Charlotte Becket who used a motor within the artwork, giving the artwork almost an organic or living feeling to it.
The Tagliatella Galleries featured some originals and prints from some of the more well-known contemporary artists like Alex Katz, Andy Warhol, Roy Lichtenstein, Mr. Brainwash, Bansky, Kaws, Damian Hirst, Keith Haring, Jeff Koons, etc. http://www.taglialatellagalleries.com/
Another well-known and established gallery, The Pace Gallery, featured David Hockney prints entitled, “The Yosemite Suite”. http://www.pacegallery.com/ The Robert Miller Gallery on 26th St featured the work of Lee Krasner. http://www.robertmillergallery.com/ And the Mitchell-Innes and Nash Gallery featured the incredible work of Tom Wesselmann. http://www.miandn.com/
Before heading back to Boston, my final stop was the Fashion Institute of Technology where I was able to see a wonderful exhibit on the history of denim. When you think about fashion, denim is one of the many materials out there that really stands out and has lasted for hundreds of years. Denim may even be the most popular fabric in the world today. The exhibit entitled: “Denim: Fashion’s Frontier” showed the evolution of denim. The exhibit takes you from the very earliest use of denim all the way to present day, highlighting the milestones denim has had impacting the fashion world. In its last days, this exhibit will be followed by an exhibit on May 20th, entitled “Uniformity,” which will explore the history behind a variety of uniforms (military, work, school, and sports), considering both their social role and their influence on high fashion. The Museum at FIT is located at 7th Avenue at 27th St. http://www.fitnyc.edu/museum/
I hope you enjoyed reading this blog and my reflections on the art I've seen. Please check out the websites of these galleries for more information and for current exhibition dates!
It's been a wonderful weekend, first with a very successful 2016 Needham Open Studios, selling a number of original paintings and prints as well as some of my merchandise featuring my artwork; and second with a spectacular interview/article about me and my art. Lisa Koschwitz Salerno's website features a wonderful art blog, and one of the exciting themes is her "Support Living Artists In 2016" series. #SupportLivingArtistsIn2016 I am pleased to share that this week, I was selected to be her "Artist of the Week"! Thank you Lisa for the Interview!
Please take a moment to check out her website: www/koschwitzsalerno.com and visit her blog to read the full interview:
You can also download a PDF of the interview here:
The Art Connection
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