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The Brooklyn Museum

2/16/2017

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In late December, I visited the Brooklyn Museum for the first time.  I was very impressed with their collection and so much more!  

The Brooklyn Museum is located at 200 Eastern Parkway in Brooklyn, NY. Check out www.brooklynmuseum.org for current exhibit information. 

During my visit, I had the chance to explore some great exhibits that I'll write about below.
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If your favorite color is blue, like it is mine, then you'll enjoy the exhibit at the Brooklyn Museum called, "Infinite Blue."  The exhibition's title hints at the connection between the color blue and the idea of spirituality as written by Russian artist Vasily Kandinsky, "On the Spiritual in Art."  Blue is often associated with the heavens and the spiritual because blue is the color of the sky.

The artwork featured in "Infinite Blue" feature every variety of the color blue from ancient times to the present.  The exhibit includes a wide range of artwork from the museum's permanent collection of Asian, African, Egyptian, American, Native American, and European art:  paintings, sculpture, prints, drawings, etc. My understanding is that this exhibit will expand to other areas of the first floor of the museum over time.  

My favorite blue is Cobalt Blue.  On display were a variety of blue and white ceramics from the Middle East.  The use of Cobalt in the Middle East likely inspired the Chinese to use the pigment.  

In the artwork below and the detailed close-up, artist Arlene Schechet has created handmade papers from abaca, a plant native to the Phillippines.  The Flow Blue series, from which this work derives, is named after a British transfer pottery from the early 19th century.  For more more information on the exhibit, use the hashtag #infinitebluebkm.

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The museum also had a number of wonderful pieces from Alex Katz, Georgia O'Keeffe, Diego Rivera, Claude Monet, Henri Matisse, Edgar Degas, and Auguste Rodin. Here are a few paintings on exhibit.  Having walked from Manhattan to Brooklyn over the Brookyn Bridge earlier that day, I really appreciated Georgia O'Keefe's painting of the Brooklyn Bridge.  I had always thought that most of her artwork was in the same genre of the Ram's Head painting below.  Georgia O'Keefe's painting of the Brooklyn Bridge emphasizes the abstract elements of the composition. This painting was one of her last works of art painted in New York before relocating to New Mexico in 1949.
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Georgia O'Keeffe, "Ram's Head, White Hollyhock--Hills" Oil on Canvas, 1935
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Alex Katz, "Ann" Oil on Masonite, 1956
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Auguste Rodin "Eustache de Saint-Pierre" Bronze, circa 1886-87
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Georgia O'Keefe, "Brooklyn Bridge" Oil on Masonite, 1949
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Diego Rivera "Copalli" Oil on Canvas, 1937
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Claude Monet "House of Parliament, Sunlight Effect" Oil on Canvas, 1903
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Luce Center for American Art: Visible Storage Study Center:
One of the many wonderful surprises at the Brooklyn Museum was discovering the Visible Storage Study Center.  The beautiful display gives you an inside look at how museums work and provides you with a glimpse of the breadth and scope of the Brooklyn Museum's collections.  The Visible Storage Study Center contains artwork organized and identified by the accession number assigned by the museum's registrar.  Visitors can learn more information about the object by entering an item's identification number on a special web site at computers located throughout the space.
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I had the opportunity to see the Marilyn Minter "Pretty/Dirty" exhibit that was on display at the Brooklyn Museum from November 4, 2016 to April 2, 2017.  The exhibit featured many over-sized paintings showing seductive and sexual visual statements.  The artwork included paintings and videos mostly sexual in nature.  The photographs, paints, and videos in one gallery focus on licking, dripping, and devouring mouths.  I believe it is a commentary on American culture's inexhaustible appetite for glamour and stimulation.  I've included a few photos from the exhibit below.
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Marilyn Minter "Pop Rocks" Enamel on Metal, 2009
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Marilyn Minter "Drizzle (Wangechi Mutu)" Enamel on Metal, 2010
The Dinner Party by Judy Chicago is the most significant icon of 1970s American feminist art.  It took Judy Chicago 5 years to complete the project from 1974 to 1979 with the help of hundreds of collaborators.  The Dinner Party represents  1,038 important mythical and historical women, most of whom had been neglected by history.  The Dinner Party consists of a series of Entry Banners, Heritage Panels, a Heritage Floor, and a huge ceremonial triangular banquet table measuring 48 feet on each side with a total of 39 place settings.  The Dinner Party is housed a the Brooklyn Museum as the central installation of the Elizabeth A. Sackler Center for Feminist Art.  

The Table is in the shape of an open equilateral triangle, a symbol of equality.  Each place setting represents a woman of great historical significance, either real of mythical.  The Heritage Floor beneath the table is comprised of 2,300 porcelain tiles.
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The Brooklyn Museum was a fascinating experience.  Check out the Museum in you are in the vicinity.  You won't be disappointed!
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Museum of Modern Art, New York

2/15/2017

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Every time I visit New York City, I always try to make it to the Museum of Modern Art.  Each visit exposes me to exciting new exhibits, while at the same time, I really enjoy seeing art that is regularly on view like Van Gogh's Starry Night and Picasso's guitar sculpture (among many others).  Seeing these familiar works of art is almost like being reunited with an old friend.  So for this blog post, I'll focus on the new as well as the old (at least to me) when I visited the Museum of Modern Art this past December.
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I love this Sol LeWitt "Wall Drawing #1144 Broken Bands of Color in Four Directions." Synthetic polymer paint on wall.
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I was excited to see the Francis Picabia exhibition, "Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction," which runs through March 19, 2017.  Picabia lived from 1889 to 1953.  
Just recently, on February 14th, I came across an editorial article on Artsy.net by Isaac Kaplan entitled, "Do Francis Picabia's Anti-Semitic Remarks Tarnish his MoMA Retrospective?" After reading the article I learned about Picabia's anti-Jewish feelings (and womanizing behaviors).  MoMA's exhibit apparently does address this part of Picabia's character; however, I must have missed this as I walked through the gallery.  To answer Kaplan's question personally.  I think it does, in fact, tarnish his reputation.  I really enjoyed his artwork during my visit to the MoMA.  But after learning more about the artist, I can't say that I can admire him.  Famous artists are people that I want to look up to and admire.  They are people that I want the next generation of artists to look up to.  And so, while I can appreciate his artwork at face value and his artistic technique, learning about his anti-Semitic behavior does take him down several notches in my book.  Similarly, just like we want our kids to admire our professional sports players, it's hard to have our kids look up to them if they do drugs, treat women badly, are anti-gay, or are anti-Jewish, or discriminate in any way.  So, I'm kind of let down after my great experience viewing his work in the gallery.  But for this blog article, I will continue to proceed sharing my thoughts on the exhibit as if I hadn't learned of his anti-Semitic feelings and behavior.  

​Here is the link to the article for your information:  
https://www.artsy.net/article/artsy-editorial-francis-picabias-anti-semitic-remarks-tarnish-moma-retrospective
As I walked though the gallery rooms, the one thing that struck me the most was how his artistic style changed throughout his lifetime.  Picabia was an artist of many genres, and his body of work lacks consistency and categorization. He shifted styles over time.  The exhibit highlights his impressionist landscapes, abstract works, paintings, photo-based nudes, etc. 

​Here are some photos from the exhibit.
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These two Picabia paintings shown below reminded me of one of my own paintings that I painted earlier this past year, "Woof Woof! Gotta Get My Bone."  All three works utilize black lines in a similar fashion. I should note that my painting was created without ever seeing Picabia's work; I am just noting the coincidence in how we both used these lines in the same fashion.
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Woof Woof! Gotta Get My Bone, 10" x 20", Acrylic on Canvas by Eddie Bruckner
"Revolutionary Impulse: the Rise of the Russian Avant-Garde" was another wonderful temporary exhibit at the Museum of Modern Art that runs through March 12, 2017.  The fact that all the artwork on display comes directly from MOMA's permanent collection, demonstrates how wonderful MOMA is and how impressive their permanent collection is.  Of all the artwork on view, there were two artists whose work caught my eye.  

The two photos below are from the Russian artist Alexandra Exter. The oil on canvas painting on the left, called "Theatrical Composition" was very intriguing to me.  I loved the colors, shapes, and overall composition of the painting.  The other smaller works, pictured to the right are six designs from various stage sets like The Merchant of Venice, Othello, and others.
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The second artist, whose work I found very unique was the Russian artist, El Lissitzky. the painting shown below (along with a detailed close-up photo) is of the painting "Proun 19D"  It is painted on plywood and uses a variety of media such as gesso, oil, varnish, crayon, colored papers, graph paper, sandpaper, cardboard, metallic paint, and metal foil.
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To photograph all the well-know paintings from all the famous artists would be a huge undertaking.  So I'm including a small selection of some of my favorite pieces along with some detailed close-up photos from the following artists:  Georges Seurat, Vincent van Gogh, Pablo Picasso, Jasper Johns, Henri Matisse, Fernand Leger, Jim Dine, Andy Warhol, Edward Ruscha, Josef Albers, James Rosenquist, Robert Rauschenberg, and Sol LeWitt.  I have the close-up photos to show the brushstrokes, the detailed use of color, and a glimpse into what the artist was focused on while painting their masterpiece.  
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Georges Seurat
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Vincent van Gogh's "The Starry Night"
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Jasper Johns' "Flag"
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Robert Rauschenberg's "Sky Garden" from "Stoned Moon Series"
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Pablo Picasso's Guitar Sculpture (3 views), and below, "Vase of Flowers" & "Les Demoiselles d'Avignon
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Henri Matisse "The Piano Lesson"
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Fernand Leger, "The Mirror"
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Jim Dine
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Edward Ruscha, "OOF"
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Josef Albers, "Day and Night: Homage to the Square"
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Andy Warhol, "Water Heater"
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James Rosenquist, "F-111" Oil on Canvas with aluminum, 23 Sections on 4 walls.
I highly recommend visiting the Museum of Modern Art in New York City.  More information about the museum can be found on their website:  www.moma.org.
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City Street Art
Napa Valley, California
Park City, Utah
Barcelona, Spain
Caribbean Art
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The Jewish Museum in New York City

2/14/2017

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New York City's Jewish Museum is one of the world’s finest institutions dedicated to exploring art, Jewish life, and Jewish culture, from ancient times to the present.  The Jewish Museum was founded in 1904 in the library of The Jewish Theological Seminary.  The Museum is housed in a historic mansion, located at 1109 5th Avenue at 92nd St. on the Upper East Side of New York City. 

The Museum has a fascinating permanent collection of nearly 30,000 works of fine art, Judaica, antiquities, and broadcast media which reflect over 5,000 years of Jewish history. The Jewish Museum also has a wide array of educational programming ranging from talks and lectures to performances and hands-on art making for families, students, educators, and art lovers.


My visit to the Jewish Museum and the exhibits I am blogging about was at the end of December 2016.  I encourage you to check out the Jewish Museum's website for current exhibitions.  TheJewishMuseum.org
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Part of the Museum's focus is dedicated to the subject of the Jewish Journey, Jewish culture, and Jewish continuity.  The main exhibition is about the Jewish experience as it has evolved from ancient times to the present day.  The exhibit highlights the question of how Judaism has been able to thrive for thousands of years across the globe, even in challenging times, through Jewish texts and objects.
Jewish texts have been the central factor in the survival and evolution of Jewish continuity.  The objects on exhibit such as Torah scrolls, other religious scrolls, and Jewish ritual objects, all reflect the different ways Jews have expressed their sense of what it means to be Jewish throughout history, in various countries, cultures, and religious contexts. The Culture and Continuity exhibit is located on two floors of the museum.  There is so much to say about the exhibit, but most of what I will blog about will focus on the visual arts.  

After the destruction of the Second Temple, and beginning in the 3rd Century CE, synagogues were often decorated with beautiful mosaic floors and wall frescoes.  Jewish symbols included biblical figures, Hebrew writing, the menorah, and the shofar.  Below are some photos of one of these mosaic floors, including a detailed/close-up photo. These mosaics reminded me of my signature style of my personal artwork, creating the illusion of mosaic tile using acrylic paint for my paintings.
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I was particularly interested in the paintings at the museum, many of which I will highlight in this blog article.  Max Weber, who lived from 1881 to 1961, is perhaps one of the most notable artists who portrayed Jewish life in his artwork.  Max Weber was born in Russia and emigrated to the the US.  Below on the left is a photo of Weber's famous oil on canvas painting, "The Talmudists," painted in New York in 1934.  In his early years, he was a great admirer of the artist, Paul Cezanne, and studied art in Paris from 1905-1908. Cezanne's influence can be seen in his earlier works, including the painting, "Still Life with Challah" exhibited at the Jewish Museum.   Most of his early works were still lifes and focused on Jewish ritual objects for Shabbat.  By 1919, Weber abandoned formal experimentation and turned to Jewish subjects in pursuit of the spiritual.  
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​Marc Chagall was another famous Jewish artist who had work displayed at the Jewish Museum.  Chagall had a lifelong fascination with the Bible and much of his artwork expresses his passion for using his artistic expression to convey the imagery of the Bible. ​A lithograph on paper, "Moses Displays the Ten Commandments" from "The Story of the Exodus", 1966, is shown to the right.  

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Works from Piet Mondrian, Fernand Leger, and other well-known artists adorned the walls of the Jewish Museum.
Shown below, this 1986 large acrylic on canvas painting by David Reeb, an Israeli artist, titled "Map of Israel" is one of a series of paintings that incorporated the pre-1967 Israeli border, known as the "Green Line."  Reeb was one of the most outspoken Israeli artists of his generation and was preoccupied with the political implications of the map of Israel.  The ongoing conflict between Israel and her neighbors and the conflict around national borders is the major theme in his series of paintings.   In this painting, Reeb portrays the outline of the realistic map as the main motif on an abstract patterned surface. In the photos below, I've included 3 photos showing some of the incredible detail of this fascinating painting.
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​The Bezalel School of Arts and Crafts was established in Jerusalem in 1906 by Boris Schatz, a Lithuanian-born artist and passionate Zionist.  The school was named for the biblical artisan, Bezalel, and sought to create a genuine "Hebrew Style" and to provide Jews living in Palestine with income through the production and sale of crafts that expressed a national identity.
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Also on exhibit were a series of paintings from John Singer Sargent from the late 1800s, that highlighted the lifestyle of privileged Jewish family in late Victorian England.  John Singer Sargent was well known for his daring portraits, with unexpected poses, fancy textures and bold color palette.  Shown here is Sargent's group portrait of "Mrs. Carl Meyer and Her Children" painted in 1896.  
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​This untitled oil on canvas painting by Eva Hesse was painted between 1963 and 1964.  Hesse was born in Hamburg, Germany and fled Nazi Germany with her Orthodox Jewish family at the age of two.  Although her mother committed suicide  when Eva was a little girl, her artwork is filled with humor and playfulness.  Hesse pushed the boundaries of Abstract Expressionism and Minimalism, pioneering a blended approach, often called Eccentric Abstraction.  
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Another fascinating exhibit called "You Don't Have to Be Jewish" featured a compilation of television commercials and clips from the museum's National Jewish Archive of Broadcasting, paired with print advertising campaigns, works of art, and more.  The exhibit explores material produced for Jewish audiences or with Jewish content and the way religion, ethnicity, and identity play out on American television. The exhibition closed in early February.

Also on exhibit from November 4, 2016 to March 26, 2017 was "Pierre Chareau: Modern Architecture and Design." Pierre Chareau was a celebrated French furniture designer, architect, and art collector.  
The exhibit showcases rare furniture, lighting fixtures, and interiors, and even featured virtual reality glasses to immerse the viewer in the architectural renderings.
This Chanukah Menorah was created by artist, Peter Shire.  "Menorah #7" was created in 1986 with anodized aluminum, painted steel, and chromium. He was part of the Memphis design group that created unusual art objects in the form of home decorations, furniture, textiles, and lighting in the 1980s.  Shire chooses everyday objects we are already familiar with, precisely because that familiarity allows a freedom to re-imagine materials, shape and surface. And while these basic elements are unusual, the primary function and meaning of the object remains intact.  This work of art was part of an exhibition that closed in early February.
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One of the most fascinating exhibits that I've seen this past year was "Take Me (I'm Yours)." The exhibit is based on a 1995 exhibit at the Serpentine Gallery in London, curated by Hans Ulrich Obrist and the artist Christian Boltanski.

​In a conventional museum experience, it is the visitor that consumes art by looking at the paintings, sculptures, or photographs on exhibit.  Typically, one is not allowed to touch the art, and certainly not allowed to take them home!  Take Me (I'm Yours) defies this well-established standard by featuring works by more than 40 artists from different generations and from all over the globe:  The goal of the exhibit is to encourage you to not only touch the artwork, but also to take them away with you and keep them for yourself.  Some of the things I walked away with were a can of lemon-flavored sparking water, photographs of glamorous women from the 1950s, stencils, temporary tattoos, pins, hard candies, pill capsules, fabric patches, and more!

The exhibition ended in February.  I've posted a few photos below.  Photos of visitor experiences can be found online using the hashtag: #TakeMeImYoursNYC.  
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PictureI love this work of art by Alex Israel, "Self-Portrait (Mom)", 2016. On view November 4, 2016 - April 23, 2017.

During my visit, I saw a drop-in art workshop underway, where families were creating works of art together inspired by exhibitions currently on view at the Museum.  On Sundays, families can participate in studio art sessions, experience a simulated archaeological dig, or experience the museum's exhibitions with a printed Kids Gallery Guide.  The Museum hosts family concerts, workshops and vacation week programming, and workshops for kids with disabilities.  For more information, visit:  TheJewishMuseum.org/Families.
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