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"Eddie Bruckner's Series Of Pop-Art Paintings" Exhibition At The Attleboro Arts Museum

4/27/2022

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"Eddie Bruckner's Series Of Pop-Art Paintings" Exhibition was at The Attleboro Arts Museum in April 2022.  It featured 6 of Eddie Bruckner's original pop-art paintings, including 2 never before seen paintings, selected by the museum for a solo exhibition in April 2022.  An Opening Reception was held on April 9th at the Museum and some photos from the reception are included below.  

Eddie Bruckner was also interviewed by DoubleACS TV News about his artwork and his exhibition at the Museum.  Below is the interview:
Eddie Bruckner's Limited Edition Prints and Greeting Cards were sold at the Museum's Gift Shop.  The exhibit closes on April 30, 2022.  

Photos from the Exhibition and Opening Reception, April 9, 2022.
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Attleboro Arts Museum Exhibition

11/20/2021

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I'm pleased to share that my artwork will be exhibited at the Attleboro Arts Museum from December 11, 2021-January 28, 2022.

Eddie Bruckner's three paintings that will be on exhibit are:  "Marilyn Monroe", "Robert Indiana's 1966 LOVE", and "Hello Kitty: Hi!  I'm Hello Kitty!" Join us at the 
Opening Reception:  Saturday December 11, 2021; 1-4 pm.

Attleboro Arts Museum is located at 86 Park St., Attleboro, MA. 02703.
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Hello Kitty: Hi! I'm Hello Kitty by Eddie Bruckner
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Robert Indiana's 1966 LOVE by Eddie Bruckner
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Marilyn Monroe by Eddie Bruckner
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The Davis Museum

1/13/2019

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Over the past few months, I had the opportunity to participate in a three-part series of talks with the curators of the Davis Museum at Wellesley College, located in Wellesley, Massachusetts.

I saw a variety of prints created from the 14th century through present day.  I also learned about the printmaking process, and using woodblock engraving to create prints.

Christiane Baumgartner's prints were featured through this past December in an exhibit titled "Another Country" which was really amazing.
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Christiane Baumgatner is a German artist, and this was her first museum exhibition in the United States.  The work on view featured these large, amazing woodcuts, as well as photoengravings, aquatints, and photogravures.  She works with images from television and film.  She would take photographs of her television screen, often of war documentaries and use them as a starting point for her woodcuts.   The helicopter image below is her artwork called "Manhattan Transfer," which was my favorite.
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"Manhattan Transfer", Woodcut on Kozo Paper by Christiane Baumgartner. 4 Detail Shots are Below.
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Detail of the Helicopter's Rear Wheel/Landing Gear
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 I also had the opportunity to view some of the Davis Museum's permanent collection of wonderful artwork from artists such as Andy Warhol, Louise Nevelson, Willem de Kooning, Lee Krasner, Jackson Pollock, and Al Held.
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"Woman Springs" 1966, Oil on hollow core wooden door, by Willem de Kooning
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"Brillo Box," 1964 and "Campbell's Tomato Juice," 1964, Synthetic polymer paint and screen print ink on wood. By Andy Warhol
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Louise Nevelson's "Dream House V" 1972, Wood painted black.
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"Quattro Centric XII" 1990 by Al Held
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"Untitled", 1951 by Lee Krasner.
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"Untitled (Small Composition)", 1949 by Jackson Pollock.
I'd definitely recommend a visit to The Davis Museum, located on the campus of Wellesley College.  for more information, please visit their website:  www.wellesley.edu/davismuseum
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M.C. Escher At The MFA Boston

6/4/2018

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M.C. Escher is one of those artists that I find utterly fascinating.  The Museum of Fine Arts Boston curated a wonderful exhibit called, "Infinite Dimensions," which recently closed on May 28, 2018.  I first came across the Dutch artist M.C. Escher while shopping for posters to hang in my college dorm room!  I saw his amazing Tessellation drawings and was hooked! 
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"Day and Night" Color Woodcut, 1938.
​M.C. Escher was a skilled print-maker who produced amazing works of art that experimented with space and time, geometry, artistic composition, playing around with values in a drawing, capturing reflection, and so much more.  This particular Escher exhibit is the first exhibition of its kind in a Boston museum featuring original prints and drawings.  The exhibit consisted of over 50 of Escher's masterpieces, most of which were under-appreciated by the mainstream art world.   I even learned that M.C. stands for Maurits Cornelis Escher.  Escher loved Tessellations, arrangements on a two-dimensional surface of shapes that interlock without gaps or overlapping.  The majority of Escher's prints are woodcuts, which he preferred for the art he was personally creating.  ​
In the artwork "Day and Night" shown above, Escher explores the balance between two dimensional and three dimensional forms.  The black and white birds in his woodcut are flying in opposite directions, morphing into a landscape below.  Escher plays with the ideas of symmetry and contrast.  The right and left sides of the paper are mirror images of each other.  The white birds appear over a nighttime landscape, and the black birds appear over a daytime landscape.
For those interested:  A Lithograph is printed from a flat surface, most often stone, where the artist would draw on stone with a greasy crayon.  The stone after being treated so that the crayon will work with the printing ink on it and the stone surface is kept wet to repel the ink.    A Woodcut is a relief print where the artist carves into a wooden block to create areas that are raised that will hold the ink that will be printed.  A Linocut is a relief print made by gouging and cutting a piece of linoleum, then inking it, and printing it. Linocuts are preferred when printing flat areas of color since the linoleum has no grain as compared to wood.  Some of Escher's works are Mezzotints, which is a labor intensive process, so Escher stopped doing it soon after starting it!
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Shown here above, are two studies for "Drawing Hands" (shown below), completed around 1948 with graphite pencil.  It's fascinating to see how these hands are drawing one another into existence.  The two hands are in a never-ending state of drawing and appear to be bringing life to the other.  On a technical note, it's very cool to see how Escher depicts the tendons and veins of the hand with only slight changes of value in light and dark.
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Escher's lithograph "Bond of Union", shown here to the right, was created in 1956 and shows two spiral images, a woman and a man united in one endless strip.  
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"Reptiles" is a lithograph Escher created in 1943 depicting reptiles emerging from a tessellation drawing, crawling across books and other objects, and then disappearing again into the flat image on the paper. Perhaps this is a narrative for the cycle of life.  So creative!  I love this one a lot.
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Escher's work translated into album covers from the group Mott the Hoople in 1970 and later Ian Hunter's studio album in 1975.
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Self-Portrait, Lithograph, 1929.
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"Sky and Water II" Woodcut, 1938.
In the Self-Portrait shown above, it's interesting to note that it is a very serious drawing that has a tremendous amount of detail in it.  However, there are a lot of abstract elements in this Self-Portrait such as his wavy hair. 

​Many of Escher's works of art focused on impossible structures.  They are akin to optical illusions, where the buildings seem to violate the laws of gravity and physics.
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"Waterfall" Lithograph, 1961.
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"Ascending and Descending" Lithograph, 1960.
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"Relativity" Lithograph, 1953.
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"Print Gallery" Lithograph, 1956.
The theme of Reflection appears often in Escher's work.  Below the distorted perspective of a room is captured in the reflection of a silver sphere.  And shown below, in "Eye" he captures the reflection of a skull.
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"Hand with Reflecting Sphere" Lithograph, 1935. (Here on cream woven paper)
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"Hand with Reflecting Sphere" Lithograph, 1935. Escher experimented with how the different the image would appear on various types of paper. (Here on silver paper)
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"Eye" (6 Progressive Proofs) Mezzotint and drypoint, 1946.
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Detail showing the skull image of "Eye" (6 Progressive Proofs) Mezzotint and drypoint, 1946.
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"Puddle" Color Woodcut, 1952.
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"Circle Limit III" Color Woodcut, 1959.
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"Double Planetoid" Color Wood Engraving, 1949.
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The Harvard Art Museums

5/20/2018

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I recently had the pleasure of visiting the Harvard Art Museums in Cambridge, MA.  I highly recommend you check it out as they have a wonderful and varied collection of artwork from earliest times to the present.
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The Harvard Art Museums are actually comprised of three art collections; The Fogg, the Busch-Reisinger, and the Arthur M. Sackler Museum.  The three were combined in a beautiful space designed by Renzo Piano Building Workshop.  The Museum's literature stated that it is their hope that their collections and unique spaces inspire new ways of looking and thinking about art for all visitors.  ​

I started out off the main atrium to explore the European Art of the 19th and 20th Century and the Modern and Contemporary Art galleries.  
I came across this painting to the right by Paul Cezanne called, "Study of Trees."  It is oil on canvas and is from the early 20th Century.  When I think of Cezanne, I often think of impressionism, delightful landscapes, or beautiful bowls of fruit!  This painting demonstrated Cezanne's role in connecting 19th Century Impressionism to 20th Century Cubism.  I love how the trees are represented here because he was able to depict depth using diagonal shapes and brushstrokes that hint at movement and depth.  There are dashed lines that define the tree trunks on both sides of a country road.  It's no wonder why Harvard has this painting as part of its collection; Although it's not as well-known as Van Gogh's "Starry Night" or Monet's "Waterlilies," it's one of the most important paintings from this time period and the history of abstract painting.
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Pablo Picasso's "Still Life with Inkwell" Oil on Canvas, c. 1911-1912. Picasso applied cubism to the traditional still life.
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Pablo Picasso's "The Pomegranate" Oil on Canvas, 1911-1912.
Here is Willem de Kooning's 1937-1938 Oil on Masonite painting titled, "Untitled (The Cow Jumps Over The Moon).  I learned that de Kooning was trained as a commercial artist and his artistic styles move back and forth between abstract and figurative methods. This painting below is one of his earlier works, which reminds me of Joan Miro's work to some degree.  His later artwork, for which he is more well-known, is more gestural and epitomizes the abstract expressionism movement.  
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Georgia O'Keefe, "Red and Pink" Oil on Canvas, 1925. Perhaps an abstraction of flower petals.
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Vincent Van Gogh's "The Blind Man" Watercolor on paper mounted on canvas, 1903.
Joan Miro in his painting to the right titled, "Mural" made in 1935 plays with the idea of surrealism.  Animal-like figures are seen here on an oddly shaped background with areas of pure, flat color.

If you haven't seen my blog on Barcelona Art, there is a ton I included on my visit to the Joan Miro Museum.  Click Here to read my blog on Barcelona Art!
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You wouldn't know it based on the type of artwork he became famous for, but the painting below is by the artist, Roy Lichtenstein.  "The Capture of Roanoke Island" was painted in 1953, well before he developed his pop art comic-book style of art.
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I came across several sculptures by the artist David Smith.  For those of you who read my blog about the Downtown Art Scene in Los Angeles, I included a David Smith sculpture.  You can read it HERE!

I learned that due to a generous donor, the Harvard Art Museums have the largest and most complete collection of David Smith's artwork than any other museum in the world.  David Smith lived in Indiana and Vermont and although he began his career as a painter, he created many many sculptures.  In the photo to the right, Smith's sculpture, "Flight" that was created in 1951 and depicts birds in flight.  What's interesting is his use of both welding steel and casting bronze, and his process to paint the former and patina-ting the latter.
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David Smith's "Detroit Queen" Bronze, 1957.
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David Smith's "Doorway on Wheels" Steel with Paint, 1960.
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Three Untitled works of art by David Smith created in 1959.
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David Smith's "Birthday" 1954, "Books and Apple" 1957, and "Bird" 1957. All Sterling Silver.
I stared at this painting below "Grazing Horses IV (The Red Horses), painted in 1911 by Franz Marc for quite a long time.  Not because I love horses, but rather it struck me as fascinating.  Franz Marc painted horses a lot, and was known for his preoccupation with animals.  I learned that this particular painting was actually his first work of art to enter a museum's collection, the same year it was made.  What struck me was his use of unnatural colors in a very natural scene.  It's hard to see in the photo, but I was intrigued with the use of bright red in only one or two spots on the horses.
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Here to the right is one of my favorites...  Piet Mondrian's "Composition with Blue, Black, Yellow, and Red," painted in 1922.  Many people have commented that much of my own artwork reminds them of Mondrian's artwork.  In this blog article from the Museum of Contemporary Art in New York, I discuss this in greater length.  CLICK HERE to read that blog article!
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Claude Monet's "Red Boats, Argenteuil" Oil on Canvas, 1875. This painting is notable because x-rays of this painting show that Monet reworked this painting a few times.
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Georges Pierre Seurat, "Seated Figures, Study for A Sunday Afternoon On The Island of La Grande Jatte" Oil on Panel. 1884-1885. This is one of about 30 oil studies made in preparation for his masterpiece.
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Henri Matisse, "Geraniums" Oil on Canvas, 1910.
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Max Beckman's self-portrait in 1927, "Self-Portrait in Tuxedo" Oil on Canvas.
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Gustav Klimt's "Pear Tree, 1903, later reworked by the artist. Interesting to note that Klimt chose to use a square canvas, which at the time was not typically used for landscapes.
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In the Foreground, Alexander Calder's "Little Blue Under Red" c. 1950 Painted Steel.
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Three Sculptures: "Head of a Woman" by Aristide Maillol; Degas' "Grande Arabesque, Third Time, modeled c 1885-90, cast after 1920; and Charles Despiau's "Seated Man, Statue for the Monument to Emile Mayrisch" c. 1930.
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​Jackson Pollock's "No. 2" mixed Media on Canvas, 1950.

No 2 is an example of Pollock's fully developed paint-pouring/splatter-painting/dripping techniques. 

​He put raw, un-stretched canvas on the floor and worked from above, pouring, dripping, flicking, and spraying paint onto the surface of the canvas.  The movement shown here is a record of his bodily movements as he produced the painting.
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Franz Kline's "High Street" Oil on Canvas, 1950. It's made with House-painters' brushes and inexpensive enamel house-paint.
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Mark Rothko's "Untitled" Oil on Canvas, 1947. A precursor to his well-known, iconic style, of two or three tiers of brightly colored rectangles.
Below is Jasper johns' "The Dutch Wives", encaustic on canvas, created in 1975.  If you haven't read my blog article on the Jasper johns retrospective exhibition at The Broad Museum in Los Angeles, you can find it HERE.
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Josef Albers' work here below shows his thought process of how art is a type of research.  With the same format of squares within squares, he tested a vast array of color combinations; He took all this research and theoretical findings to publish his book in 1963, "Interaction of Color," which is an essential resource for art and design students to this day.
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Josef Albers: "Homage to the Square: Against Deep Blue" 1955 and "Homage to the Square: Four Greens" 1964. Both Oil on Masonite.
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Auguste Rodin's "the Walking Man" Bronze, created around 1899-1900.
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Above is Richard Serra's "Untitled (Corner Prop Piece) created in 1969.  It's a sculpture comprised of a lead plate and pole and an example of minimalism and the use of industrial materials in fine art.  Serra makes use of the room's architecture including the walls and floor, essential to the sculpture.
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Claude Monet's "Red Mullets" Oil on Canvas, painted around 1870. I love this painting as it's so different from a typical Monet landscape, or waterlilies painting.
Here are three painting studies by John Singleton Copley, all painted in 1787.  I learned that the city of London commissioned the artist to create a large painting commemorating Britain's victory over the Spanish and French at the Siege of Gibraltar in 1782.  These portraits are character studies and experiments of his in composition.  Looking at this from a contemporary art perspective, I love how the portraits are "unfinished."
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Below is a wonderful painting from a German artist that I was unfamiliar with named Corinne Wasmuht.  It is titled, "50 U Heinrich-Heine-Str." oil on wood and created in 2009.  The painting is a portrayal of Berlin's Heinrich Heine Street subway station and its surrounding neighborhood.  It's hard to tell scale from photographs, but this is a huge painting and it's scale immerses the viewer, but the paintings various perspective points and different scales of objects also disorient the viewer.  It's really a magnificent painting and I can see why it was gifted to Harvard's Busch-Reisinger Museum. 
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Ai Weiwei's "258 Fake" created in 2011 features 12 monitors that show 7,677 photographs taken between 2003 and 2011
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Below are some fascinating samples taken from the Forbes Pigment Collection.  Edward Forbes was the director of the Harvard Art Museums from 1909 to 1944.  During his tenure, he traveled the world, collecting a large number of pigments for the library.  Today, the Pigment Collection contains more than 2,500 samples that are beautifully displayed in cabinets on the 4th floor and are used to this day to help identify pigments used in historical artworks.
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I came across this wonderful, short video on the Forbes Pigment Collection that was created about 2 years ago. Check it out!

Inventur--Art in Germany, 1943-55
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The special exhibition at the Harvard Art Museums was titled, "Inventur--Art in Germany, 1943-55" and focuses on modern-period artists who remained in Germany during World War II and the Holocaust.  The exhibit runs through June 3, 2018 on the 3rd Floor of the Museum.

​The artwork in the exhibition is in some way, a representation of the individual artist's response to Nazi censure, which prevented artists from exhibiting and/or selling their artwork.  I found it fascinating that the exhibition was called Inventur, meaning inventory,  because it is a collection of the artist experience for over 50 artists.

With Hitler's rise to power, there was a major government-driven effort to align individuals and organizations with the doctrine of the Nazi State.  Many teaching artists lost their jobs.  The well-known art school, The Bauhaus School of Art and Design, was closed under Nazi Rule.  Artwork that was not approved of by the Nazi State was coined "Degenerate Artwork."  If artists chose not to leave Germany or were not permitted to leave Germany, they had no choice but to create art privately.
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Hans Uhlmann's "Male Head" Steel sheet, 1942.
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Ernst Wilhelm Nay's "Embers" Oil on Canvas, 1951.
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Thomas Grochowiak's "Technical District I, Blue" Oil on Canvas, 1951.
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Jeanne Mammen's "Falling Facades (Berlin Ruins), oil on cardboard, 1945-1946.
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Konrad Klapheck's "Typewriter" Oil on Canvas, 1955.
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Fritz Winter's, "Figuration in Front of Blue" Oil on Canvas, 1953.
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Willi Baumeister's "Large Montaru" Oil with synthetic resin on board, 1953.
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Willi Baumeister's "Growth of the Crystals II" Oil with resin and putty on board, 1947/1952.
For more information about The Harvard Art Museums, please visit their website:  www.harvardartmuseums.org.  I definitely recommend visiting the Museum as you're in for a wonderful experience!  
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Plunder

5/1/2018

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I recently had the pleasure of attending an artist's talk at Brandeis University.  The artist presenting was Tony Lewis, a Chicago-based artist who received the 2017-2018 Ruth Ann and Nathan Perlmutter Artist-in-Residence award from Brandeis University and The Rose Art Museum.  The event was part of the Leonard Bernstein Festival of the Creative Arts, which has been hosted by Brandeis University every year since 1952.  Lewis spoke about the evolution of his artwork.  In the photos here, is his latest work called "Plunder."  Lewis created a temporary, site-specific drawing for the outward facing wall of the Rose Art Museum's large stairwell, that is visible from the outside of the museum.  
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The wall-sized mural/drawing depicts the word “plunder” in giant, curving strokes of Gregg shorthand, the stenographers’ tool that translates sounds into curving and bisecting lines. It is an abstract image for the many people who cannot read shorthand, yet is also a precise rendering of the word, “Plunder.”  ​Lewis's work of art, called "Plunder" continues his ongoing investigations of the relationships between drawing, abstraction, and language.  In a number of his previous artworks, he would feature sayings (in English lettering) from the book, "Life's Little Instruction Book."

If you take a close-up look at the wall drawing, you'll see his use of screws and graphite-dipped rubber bands to generate the large line drawing.  
There are 19,000 rubber bands, each dipped in graphite, the same mark-making material found in pencils, and each fastened by screws drilled into the wall. Lewis created “Plunder” over five days in October with the help of nine Brandeis undergraduate students.

It's on view at the Rose Art Museum through June 10, 2018. for more information, please visit: www.brandeis.edu/rose
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Downtown Los Angeles-An Arts Destination

4/3/2018

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It's been many years since I've lived in Los Angeles, but I was amazed on how much has changed over the past 20 years in Los Angeles's Downtown area.  I decided to spend the day visiting some of Downtown LA's art museums.  I really wanted to see one of LA's newest art museum, The Broad.  I also wanted to visit the Museum of Contemporary Art, also located in Downtown LA.  What I discovered was that Downtown Los Angeles has become a true Arts Destination in recent years!  In this blog, I'll share my thoughts and experiences at these museums as well as some amazing architecture in the area.
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Check out some of my other posts about Los Angeles!
  • The Getty Center
  • Hollywood Concept Art
  • The Los Angeles County Museum Of Art
  • The Hammer Museum
The Museum of Contemporary Art is actually comprised of three locations.  The first is the MOCA Pacific Design Center in West Hollywood; the second is the MOCA on Grand Avenue; and the newest location is the Geffen Contemporary.  There is actually a fourth location in Nevada.  Yes! Nevada.  The artist, Michael Heizer's artwork titled, "Double Negative" is a work of land art located in the Moapa Valley on Mormon Mesa near Overton, Nevada and was acquired into MOCA's permanent collection in 1985. If the artist's name rings a bell, it's because I recently wrote about his other monumental piece of artwork at the Los Angeles County Museum of Art; CLICK HERE TO READ THE BLOG ARTICLE.  I should note that time didn't permit me to visit the Pacific Design Center, or the Geffen Contemporary (or visit Nevada), so this post will only include my visit to the MOCA on Grand Avenue.  I also visited the Broad Museum (Read On & See Below.)  The Geffen Contemporary is just a 15-20 minute walk from MOCA Grand and admission to one museum grants you admission to the other museum.
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"Cubi III" by David Smith, Stainless Steel, 1961.
I really like Lee Krasner's artwork on so many levels.  I love the emotion, and appreciate the influence Jackson Pollock had on her work, and vice versa.  Krasner's oil on canvas painting shown here, "Primeval Resurgence" was on exhibit at the Museum of Contemporary Art Grand Avenue.  Painted in 1961, it is a wonderful example of abstract expressionism.  The painting attempts to define itself through the brushstrokes as a direct expression of the artist's innermost feelings.  Similar to Jackson Pollock's techniques of drips and splatters, the paint in "Primeval Resurgence" includes streaks, scribbles, sprayed paint, etc.  Also important to note is the large size of the painting, the fact that the paint goes to all edges of the canvas, and the focus is on a singular plane, the flat surface of the painting.
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Lee Krasner's "Primeval Resurgence" Oil on Canvas, 1961.
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Alberto Giacometti's "Tall Figure II" & "Tall Figure III", both bronze made in 1960.
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"Monitor" Oil on Canvas, 1956, by Franz Kline
Franz Kline created gestural compositions, as shown here in these two works of art.  These are wonderful examples of the bold, free-form gestures and compositions associated with abstract expressionism.  I learned that while these paintings seem very improvised, Kline created these artworks after perfecting dozens of preparatory sketches for each painting.  
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"Black Iris" Oil on Canvas, 1961, by Franz Kline
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"3 Arbes (Chataignier) Empaquets (Projet pour la Fondation Maeght-St. Paul de Vence)" Pencil, Polyethylene, ropes, twine, cardboard, paint, and wax crayon mounted on wood, 1967, by Christo.
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"Pepsi-Cola Sign" Muslin soaked in plaster over wire frame, painted with enamel, 1961, by Claes Oldenburg.
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"White Cigarette" Oil on Canvas, 1961, by James Rosenquist.
Andy Warhol ranks pretty high up among my favorite artists.  Here is "Telephone" painted in 1961; it is Acrylic on Canvas with pencil.  I love how it is such a modern take on a very old-fashioned, antique telephone.  Below is Warhol's painting, "Flowers" from 1964.  He created these flowers using a synthetic polymer and silkscreen inks on canvas.  I'm including a close up shot of the edge of the painting because I found it kind of amusing to see the exposed staples used to secure the canvas to the stretcher bars along the side of the canvas.  For my artwork, I go to great length to use back-stapled canvas, and pay particular attention to the finished gallery-wrapped edges, making sure they are neat, clean, and professional.
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Jim Dine's "Drag - Johnson and Mao", Etching, 1967.
The MOCA on Grand Avenue housed an entire gallery room with Mark Rothko paintings.  While I can appreciate Rothko's artwork and acknowledge its importance in art history, his paintings are not my favorite.  I do love all the colors, and I also love the shapes, however, there is ambiguity, blurring of lines, that doesn't hit me the right way.  Rothko wanted viewers to stand close to his paintings to see the vertically stacked bands of color seem to float upon colored grounds.
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I'm a fan of Morris Louis who created many paintings similar to this one shown here titled, "Pillar of Delay" painted in 1961.  Louis stained his canvases with thinned-down paint and opted to paint without the use of the traditional brush, palette, and easel.  Instead, he used gravity as his instrument to create his masterpieces.  He created these striped pictures by pouring streaks of diluted paint fro the top of raw, un-primed canvas to create bands or stripes of color that often overlapped each other.  Looking at his artwork, you can almost feel a sense of slow motion.












​In the artwork below and the detail to the right, the artist, Joseph Kosuth, used etched aluminum.
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Ed Ruscha's "Fountain, Sunset, Hollywood" Acrylic on Canvas, 1999.
This large painting on two panels is by the artist, Njideka Akunyili Crosby.  It's called "Garden, Thriving" and was completed in 2016.  Her artwork was quite fascinating to see in person and I've included a detailed photograph of the two-panel painting.  Originally from Nigeria, the artist layers photographic imagery within the chairs' fabric and the plant leaves.  The images are pictures of Nigerian pop stars, models, military dictators, celebrities, and the artist's own personal photographs.  To create this artwork, she uses acrylic paint, transfers, colored pencils, and collage on paper.  There is so much to see in this painting, you could look at it for 10-20 minutes, or longer!

I should also mention that the mural that is wrapped around the exterior of the museum is by this same artist!
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I love Jackson Pollock's work.  The exhibit at the MOCA Grand was centered around the conservation process for Pollock's "Number 1, 1949".  The painting was donated to the museum in 1989.  I learned that over time, the painting's surface has accumulated a layer of dust, dulling the colors, discoloring the raw exposed canvas, and spoiling the unique juxtaposition of matte colors against glossy colors.  During the course of the exhibition, a conservator cleans the painting on a regular basis.  Although my visit was on a day that the conservator was not there, it was still fascinating to see an exhibition for the public to understand the importance of conservation.  On select Thursdays, the conservator leads a Q&A session with the public from 11:30 am-12 pm and 5:30-6 pm.
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Three other works by Jackson Pollock from MOCA’s permanent collection, were also on view.  These were great examples of the diversity and range of materials Pollock used in his artwork from watercolor to collage. 

​Walt Disney Concert Hall, Los Angeles, California
This building is simply spectacular.  Frank Ghery is one of my favorite architects and this is a perfect example of why that's the case.  (In addition to all the awards he has won for his incredible architectural design).  Frank Gehry was asked to devise a new home for the Los Angeles Philharmonic and the Walt Disney Concert Hall opened in 2003. Reflecting Gehry’s longtime passion for sailing, the structure’s exterior features are expanses of stainless steel that hover above Grand Avenue.  Frank Gehry has devoted his career to disrupt the very meaning of design within architecture. From the iconic Guggenheim Museum Bilbao to the Fondation Louis Vuitton in Paris, and now the Walt Disney Concert Hall in Los Angeles, Frank Gehry has proven time and again the beautiful magic of his whimsical, cutting-edge design.
The Broad Museum
My visit to the Broad Museum was absolutely incredible.  First the architecture of the building is superb, and second the permanent collection on view was perhaps one of the best collections of representative work from the post-modern and contemporary art periods.  And on top of that, there was an incredible in-depth retrospective exhibit of Jasper Johns' artwork.  There's so much to include in this blog it is crazy!
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The Broad is one of the finest contemporary art museums I have ever visited.  Founded by philanthropists Eli and Edythe Broad, the museum houses more than 2,000 works of art and holds one of the most prominent collections of postwar and contemporary art worldwide.  

The Broad's third floor galleries show a rotating selection of artwork and, best of all, it is free!  The first floor galleries are for special exhibitions, like the Jasper Johns exhibit "Something Resembling Truth" that runs through May 13, 2018.  
So let's talk about the beautifully designed building...  It's often called "The Veil and the Vault" because the building has gallery space as well as an extensive storage facility.  In contrast with the neighboring Walt Disney Concert Hall, The Broad was designed to be porous and absorptive.  There are wonderful olive trees that were planted in the plaza next to the museum.  
There were a number of artworks by Jeff Koons at The Broad.  "Balloon Dog (Blue)" is perhaps one of his series of works that is most famous.  The artwork is made of stainless steel and wights 2,000 pounds.  It was created as part of his Celebration Series, a group of paintings and sculptures that memorialize rituals, icons, and images related to birthdays, holidays, and other celebratory parties or occasions.
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View of Jeff Joons' "Rabbit" with Balloon Dog and inside view of the architectural framework of the building.
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"Michael Jackson and Bubbles" by Jeff Koons, Porcelain, 1988.
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"Tulips" by Jeff Koons
The artwork below is by the artist Mark Bradford and is titled, "Yellow Bird", 2012.  It is Mixed Media Collage On Canvas.  When it comes to his process, it is quite fascinating.  Bradford takes papers and layers it down on canvas.  He sands it down, revealing various layers.  His work frequently looks like a map looking down from above.  He tries to give you an idea of a place without telling you specifically where.  Bradford represented the United States at the Venice Biennale and worked with women in a Venice prison to help them create products to sell to earn money.
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This Silkscreen on Linen is by artist, Christopher Wool. Untitled, 2015.
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"Red Room" by Keith Haring. Acrylic on Canvas, 1988.
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Another work by Keith Haring. "Untitled, 1984" Acrylic on four Muslin Panels.
Jean-Michel Basquiat uses bold colors and expressive markings to show emotion and energy in his artwork.  Many of his paintings are autobiographical.   I learned that his painting is supposed to resemble a self-portrait and at the same time, a skull-mask.
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"Untitled, 1981" by Jean-Michel Basquiat, Acrylic and Oilstick on Canvas
"Under The Table" by artist Robert Therrien is gigantic replica of his kitchen table.  I learned that even the distressed parts of the table and chairs are the same.  He is known for using memories from his childhood to create his artwork. Visitors often walk under the table, which conjures memories of what it was like to do so as a child.  
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Mark Tansey, Wake" 2003, Oil on Canvas.
The artwork below is by artist Takashi Murakami, titled "Hustle 'N' Punch By Kaikai And Kiki". 

​The artist uses cute characters to express the entire range of possible emotions; almost like a variety of emojis.
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Roy Lichtenstein is one of my all-time favorite pop artists.  He was one of the founders of Pop Art in the 1960s and used tiny dots in his artwork, similar to the printing style of comic-books.  The dots were placed in such a way to create an image, imitating the way comic-books and newspapers were printed.
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"Live Ammo (Bang)" 1962, Oil and Magna on Canvas, by Roy Lichtenstein
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"Interior With African Mask" by Roy Lichtenstein, Oil and Magna on Canvas, 1991.
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"Mirror #1" by Roy Lichtenstein, Oil and Magna on Canvas, 1969
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"Reflections on 'Interior with Girl Drawing'," 1990, Oil and Magna on Canvas by Roy Lichtenstein.
In addition to borrowing or seeking inspiration from newspaper ads, commercials, and comic books, Roy Lichtenstein also was inspired by some of his favorite artists like Picasso and Mondrian.  See the two images below.
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"Non-Objective I" 1964, Oil and Magna on Canvas, by Roy Lichtenstein
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"Femme d'Alger" 1963, Oil on Canvas, by Roy Lichtenstein
Here is a sculpture by Roy Lichtenstein, "Goldfish Bowl" created in 1977.  It is painted and patinated bronze.  On the right is a detailed view, showing that the sculpture is very two-dimensional, despite it looking 3-D.
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"Rouen Cathedral, Set 3" 1968-69, Oil and Magna on Five Canvas Panels, by Roy Lichtensttein. These Paintings were inspired by Claude Monet's famous paintings of Rouen Cathedral. Unlike Monet, Lichtenstein did not paint the Cathedrals on-site.
I always love seeing paintings by Chuck Close.  Chuck Close is known for his detailed paintings of faces, and later he was known for the deconstruction of that detailed portraiture.  He explores portraiture and created this photo-realist painting called "John", painted in 1971-72.  I included a detailed shot showing the incredible painting technique.
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Robert Rauschenberg, "Untitled" 1963, Oil and Silkscreen on Canvas.
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Edward Ruscha, "Norm's La Cienega, on Fire" 1964.
​John Baldessari, "Tips for Artists Who Want to Sell" 1966-68, Acrylic on Canvas.  John Baldessari never touched this painting, didn't paint it, didn't write the text.  Here, it's the role of the artist as the facilitator of the artwork; creating the concept.  The humor is that the view is shown the paintings message, but the message is text taken from an art magazine with tips on what art should be.
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Another one of my all-time favorite artists is Andy Warhol.  A short time after Marilyn Monroe died in 1962, Andy Warhol started to create silkscreen images of Marilyn.  I learned that Warhol had recently just learned how to silkscreen, so this was a somewhat new process for him!  In the painting above, titled, "Two Marilyns" created in 1962, Warhol captures the terrible fact of Marilyn's death, as if he was reporting the news.  With silkscreens, the images deteriorate with each printing, which I believe is symbolic of her presence and then her fading into history with her death.  It can also be interpreted as the volatility of fame and celebrity.  I'm not sure how many versions of "Two Marilyns" were created, but I learned that the one pictured above from The Broad Museum was the 27th version of the silkscreen created.
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Two of Warhol's Cambell's Soup Cans and "Single Elvis" Silkscreen ink and spray paint on linen, 1963.
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"Twenty Jackies" Silkscreen Ink on Linen, 1964, by Andy Warhol.
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Ellsworth Kelly worked with shapes and solid colors.  The painting below, "Green Blue Red" created in 1963, uses colors and shapes to create contrast and bring attention to edges.  In the above image on the left, the green rectangle and blue oval are vibrantly displayed against the red background.  His composition almost goes against the principal of design of balance.  Below, Kelly's oil on canvas painting, "Green Relief with Blue" was completed in 2011.  It's actually two conjoined canvases and I've posted the photo of the same painting as seen from different angles.  It almost acts like a 2 dimensional painting trying to be a sculpture, with different views from different angles.
Jasper Johns:  "Something Resembling Truth"
A Special Exhibition at The Broad (Through May 13, 2018)

While The Broad Museum's main collection has free admission, this special exhibition required a special ticket with a timed entry.  The exhibit was one of the best I've ever seen.  The exhibit covered over 6 decades of artistic achievement from this iconic American artist.  The comprehensive exhibit features more than 120 extraordinary paintings, drawings, prints, and sculptures, by Jasper Johns and draws upon works from within The Broad's permanent collection as well as from loans from over 50 international public and private sources.

The imagery he used in his artwork were common items such as American flags, numbers, letters, targets, and light bulbs.  Perhaps Johns’ most famous painting, "Flag (1954–55)" and is a fairly accurate representation of the American flag, in encaustic on collaged paper and fabric.
In the 1950s, Jasper Johns' flags, targets, letters, and numbers created a new artistic vocabulary.  They were actual things that represented something.  If you think about it, you can identify states on his maps, aim something at his targets, and say the "Pledge of Allegiance" to the flag.  Jasper Johns was successful at using recognizable signs and symbols to make the familiar unfamiliar.  



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When I reflect on some of my own artwork, I too employ these same principals.  Here is some of my artwork that also make you look closely at something you already know.
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"American Flag" Acrylic on Canvas by Eddie Bruckner
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"AABCDEEF" Acrylic on Canvas by Eddie Bruckner
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"10,9,8,7,6" Acrylic on Canvas by Eddie Bruckner
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"5,4,3,2,1" Acrylic on Canvas by Eddie Bruckner
The American Flad is a geometric composition that has a strong sentimental and patriotic value in society.  Jasper Johns' flags ofent trick the eye, or blur the lines between perception, reality, and illusion.  
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"Two Flags," 1959, Acrylic on Canvas, by Jasper Johns
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Detail of "Two Flags," 1959, Acrylic on Canvas, by Jasper Johns
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"Three Flags," 1958, Encaustic on Canvas, by Jasper Johns. (On loan from The Whitney Museum of American Art). Shows how the size of objects impacts perception.
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"White Flag," 1960, Oil and Newspaper over Lithograph, by Jasper Johns
I absolutely love this painting shown here below.  The flags here are presented so that the viewer can experience an optical illusion.  If you stare at the white dot for several seconds and then stare at the black dot on the gray flag below, you will experience an amazing illusion.  The green, black, and orange colors generate their complementary colors of red, white, and blue in your eyes.  Try it yourself! It works from the photograph here too!
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"Flags," 1965, Oil on Canvas with Object, by Jasper Johns.
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"Gray Alphabets," 1956, Encaustic and Collage on Canvas, by Jasper Johns
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"Numbers" 1960-71, Ten Lithographs reworked with acrylic paint and oil paint, fabric, paper collage, and felt pen, by Jasper Johns
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"Target" 1961, Encaustic and Collage on Canvas, by Jasper Johns
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Detail of "Target" 1961, Encaustic and Collage on Canvas, by Jasper Johns
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"Map" 1962-63, Encaustic and Collage on Canvas, by Jasper Johns. He used brushmarks to render the map of the United States of America, complete with abstract drips, scrapes, gestures, and a stenciled label for each state.
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"Numbers" 2007 (Cast 2008), Aluminum, by Jasper Johns. This is a full-scale replica of the work that was commissioned for the NY State Theater at Lincoln Center in 1964. Below are detailed shots.
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"Star" 1954, Encaustic and Collage on Canvas with Glass and Painted Wood, by Jasper Johns
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"False Start" 1959, Oil on Canvas, by Jasper Johns. This painting demonstrates the shift from a more constrained approach to artwork, to a more open and gestural approach. He uses stencils (like in my paintings above!).
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"Between The Clock And The Bed" 1981, Oil on Three Canvas Panels, by Jasper Johns
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LEFT: "Corpse and Mirror II" 1974-75, Oil and Sand on Canvas, by Jasper Johns; and RIGHT: "Dancers on a Plane" 1980, Oil on Canvas with Painted Bronze Frame, by Jasper Johns. Detail is to the Right.
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Jasper Johns began to incorporate objects and tools used in his artwork directly into the artwork's creation.  Things like paintbrushes, color charts, and rulers.  In the painting below, the "R" of "Red" is a neon light and wooden letters protrude outward from the canvas.
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"Field Painting" 1963-64, Oil on Canvas with Objects, by Jasper Johns. Detailed, Side view is shown on the right.
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"Bridge," 1997, Oil on Canvas with Objects, by Jasper Johns.
I highly recommend you to experience the Jasper John Exhibit if you can! 

​Also on the first floor was a very unique art installation by artist, Yayoi Kusama, titled "Infinity Mirrored Room--The Souls of Millions of Light Years Away."  It is a mirror-lined room that includes LED lights that reflect endlessly in the mirrored space.  It doesn't sound like much, but it is quite amazing to see.  You need a separate timed ticket, which is free, and only one person can enter the room at a time for a duration of 45 seconds.  
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As you can see, the Broad Museum is quite an amazing experience.  I highly recommend you visit The Broad in Los Angeles and experience the art scene in Downtown LA.  For more information about The Broad, please visit their website:  www.thebroad.org
Check out some of my other posts about Los Angeles!
  • The Getty Center
  • Hollywood Concept Art
  • The Los Angeles County Museum Of Art
  • The Hammer Museum
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The Getty Center

4/2/2018

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The Getty Center is comprised of the J. Paul Getty Museum, the Getty Research Institute, the Getty Conservation Institute, and the Getty Foundation.  I visited the Museum, which was a wonderful experience.  The Getty Villa, which I did not visit on this trip, is located in Pacific Palisades, California.  The Getty Museum is set atop a hill bridging Los Angeles and the San Fernando Valley, right off of the 405 Freeway.  After parking, you take a tram from the bottom to the top of the hill.  The Fran and Ray Stark Sculpture Garden is located near the parking area!  While there is a fee to park your car, admission to The Getty is always free.
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Vinvent Van Gogh's "Irises" is one of The Getty's highlights.  Van Gogh painted Irises in 1889 in the garden of the Saint-Remy asylum where he was being treated for his mental illness.  It is oil on canvas.  I learned that Van Gogh never really thought of this painting as a finished painting, but rather more of a study.  It's a great example of his work that demonstrates how he painted en plein air.  I'm fascinated with his brush techniques and how he layers color upon color upon color.  I've included a detailed image of "Irises."  
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Detail of Van Gogh's "Irises"
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Starry Night, Edvard Munch, Oil on Canvas, 1893.
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Jeanne (Spring) by Edouard Manet, Oil on Canvas, 1861.
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Still Life With Apples, Paul Cezanne, Oil on Canvas, About 1893-1894.
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Sunrise, by Claude Monet, Oil on Canvas, 1873.
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Wheatstacks, Snow Effect, Morning, by Claude Monet, Oil on Canvas, 1891. Monet painted 30 variations of these Wheatstacks during different seasons and times of day, demonstrating his masterful ability to capture light in his artwork.
I really loved the special exhibit at The Getty Center called, "Cut! Paper Play in Contemporary Photography."  This exhibit that runs through May 27, 2018 features the work of contemporary photographers who use paper in unique and innovative ways. Some of the artists created paper models with images from current events with the intention of photographing them to create their final piece of artwork. While some artists make folds, cuts, or layers to arrange photographs to create something entirely new and innovative.
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Work by Thomas Demand who photographed architectural models and focused on small details while creating large-scale prints.
The photo below is the artwork of artist, Soo Kim.  To create her artwork, she cuts and layers imagery to create areas of negative space that gives her images a 3-D look.  The shadows cast onto the wall are fascinating.  I included two detailed shots showing some of the imagery seen in this cut photograph.  the other detailed photo shows the beautiful shapes created by the shadows.
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"Midnight Reykjavik #5" by Soo Kim
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Detail of "Midnight Reykjavik #5" by Soo Kim
This next artist, Christiane Feser, bridges the gap between photography and sculpture.  What you are seeing here are photographs of sticks and also the stick(s) itself.  It's hard to know whether you're looking at a photograph of something, or the actual object. The artwork below and the detail to the right is also by Christiane Feser and is titled, "Partitian 31".

Overall, it was fascinating to experience this exhibit which was just adjacent to another exhibit on early American photography. Rare photographs were on view.  The innovation in photography and how these artists push the boundaries that paper plays in the artists creation process is thought-provoking.
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Sticks 2, by Christiane Feser
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The grounds of The Getty are home to wonderful sculptures; there's something wonderful around every corner.  Unlike most paintings, sculptures are typically created to be displayed outdoors.  Outside, a three dimensional sculpture can be viewed from every angle, a variety of distances, and therefore creating an experience or a special moment for the viewer.  The sculpture gardens include artwork from artists such as Joan Miro, Rene Magritte, Alexander Calder, Fernand Leger, Ellsworth Kelly, Roy Lichtenstein, and other artists.  
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Another amazing exhibit was  the "Michelangelo to Degas" exhibit that featured new aquisitions that broke records in the art world.  The Getty Museum purchased 16 major drawings and one painting from a private collector that includes works by Michelangelo, Andrea del Sarto, Goya, Domenico Tiepolo, and Edgar Degas.  Below are three of my favorite pieces from this small but powerful exhibit.  From left to right: Edgar Degas' "After The Bath (Woman Drying Herself)" about 1886; Michelangelo's "Study of a Mourning Woman" about 1500-1505; and Edgar Degas' "Two Studies of Dancers" about 1873.
I encourage you to go visit The Getty when in Los Angeles--You won't be disappointed!  ​I encourage you to take advantage of the wonderful tours and events that the Getty Center offers such as architectural tours, garden tours, exhibition tours, etc.  Also, for families with children, there are Art Detective Cards where kids can find the artworks and solve mysteries while exploring the galleries.  For visitors information, please visit: www.getty.edu.
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The Los Angeles County Museum Of Art-LACMA

4/1/2018

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The Los Angeles County Museum of Art, or LACMA, is the largest art museum in the Western United States.  LACMA boasts a permanent collection of over 130,000 pieces of art.  There are various buildings to explore as well as outdoor areas with sculpture.  It is located adjacent to the La Brea Tar Pits, so you can perhaps schedule a visit to both for the same day.  It's also a block away from the Peterson Automotive Museum.

At the time of my visit, a number of exhibitions were turning over, so I was only able to see a small sampling of what LACMA has to offer.  For visitors information, please check their website:  ​www.lacma.org/.
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Here's a photo of me at the Los Angeles County Museum of Art in front of Chris Burden's sculpture, "Urban Light" installed in 2008.  Burden restored over 200 cast-iron streetlamps to create this work of art.  Burden was fascinated with urban life and how streetlamps are one of the fundamental building blocks of an urban metropolis.  I found it interesting that the streetlamps were recently converted to LEDs, reducing the installations's annual energy consumption by 90%.  The conversion to LEDs was funded by the Leonardo DiCaprio Foundation this year.  Chris Burden was commissioned by Brandeis University's Rose Art Museum to create a similarly themed sculpture.  You can see it by CLICKING HERE in an older blog article about the Rose Art Museum.
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Chis Burden's "Metropolis II" depicts an urban landscape.  Burden created "Metropolis I" seven years before "Metropolis II".  The earlier work featured eighty Hot Wheels cars zooming around a model city.  This work is much larger and includes 1,100 custom designed cars, 18 highways, and a vast array of buildings and structures. The artwork runs on select days and times, so plan ahead!
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Jeff Koon's, "Balloon Monkey (Orange)", Mirror-Polished Stainless Steel with Transparent Color Coating, 2006-13. This is one of five unique versions.
Richard Serra's "Band" is a massive sculpture that fills a huge exhibition hall from top to bottom, from front to back.  The sculpture took two and a half years to develop.  Made from over 200 tons of steel, it measures 12 feet high and over 70 feet in length.  
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Below are two views of the same sculpture, titled "Phoenix" by Alexander Liberman, created in 1974-75.  I love how a different view of this sculpture creates an entirely new image, a new feeling, a new perspective.  
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"Levitated Mass" (Shown below) was conceived by artist, Michael Heizer, in 1969, but only realized in 2012.   "Levitated Mass" is a 456-foot-long concrete pathway, over which sits a 340-ton granite boulder. As you walk down the pathway, it descends to fifteen feet in depth, directly underneath the massive boulder before ascending back up.
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Below are two views of the same Alexander Calder sculpture created in 1964 titled, "Three Quintains (Hello Girls)."  It is made from sheet metal and paint with motor.  To me, it appeared to be moved by the wind, but apparently it has a motor that moves the mobile sculpture.  
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The Hammer Museum

4/1/2018

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The Hammer Museum is a small but wonderful treasure of a museum located in Los Angeles near UCLA.  The museum has free admission and hosts lunchtime art talks and other programs on a regular basis.  The Hammer Museum is operated and partially funded by UCLA.  The collection includes historical artworks that reflect the personal interests of Armand Hammer, the founder of the museum. He collected art for most of his life and his collection is one of the best collections of representative artwork from 19th Century French Art, impressionism, pointillism, etc.  
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"Boulevard Montmartre, Mardi Gras," Oil on Canvas, 1897 by Camille Pissarro
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"Grape Pickers at Lunch," 1888, Oil on Canvas, by Pierre-Auguste Renior.
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"Bonjour Monsieur Gaughin" 1889, Oil on Canvas and Panel, by Paul Gaughin.
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"Study for In the Salon on the Rue des Moulins" 1894, Oil on Canvas, by Henri de Toulouse-Lautrec.
I love this painting below by Vincent Van Gogh, not because I love the imagery, but because it really doesn't look like a typical painting by Vincent Van Gogh!  This painting, "Garden of the Rectory at Nuenen" was painted in 1885 in the Netherlands.  The browns and grays are vastly different from the vivid, bright colors we are used to seeing in his later paintings when he lived in the south of France.
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Below is one of Van Gogh's more typical painting style with all the beautiful colors and brushwork.  The painting, "Hospital at Saint-Remy" is oil on canvas and was painted in 1889.  It depicts the scenery at the institution in the south of France where Van Gogh was being treated for severe mental illness.  
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"The Sower" Oil on Canvas, 1888, by Vincent Van Gogh.
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"Boy Resting" Oil on Canvas, 1887, by Paul Cezanne.
The Hammer Museum also has other galleries dedicated to contemporary artists.  There was a really cool exhibit by the artist, Molly Lowe and another exhibit by the artist, Lawrence Abu Hamdan.  Abu Hamdan uses a series of overhead projectors that cast images that have been created with a visualization tool that architects use to map the leakages of sound throughout a structure.  The visuals are accompanied by audio that helps transform the research on a Syrian torture prison.  I enjoyed looking at the exhibit from a visual perspective, but after reading about the artwork's meaning, it really makes me question my thoughts on conceptual art. Below is a photo of the small room that housed the projectors.  
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Perhaps the most bizarre (in a  good way) exhibit was called "Stories of Almost Everyone" featured in the large exhibit hall .  It's a group exhibition of 40 artists that is about society's willingness to believe the stories that are conveyed by works of contemporary art.  It really hones in on conceptual art and how we look at material objects.  Below is a photo of the exhibit hall showing some of the artworks.   I'm including a YouTube video that was created by the Hammer Museum with Will Ferrell and Joel McHale, which is very funny and addresses the issues related to conceptual art head-on.  Art can be confusing and the fact that the Hammer Museum pokes fun at this, I think, is really bold.  "Stories of Almost Everyone" runs through May 6, 2018.  For more information about The Hammer Museum, check out their website:  https://hammer.ucla.edu/.
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Metropolitan Museum of Art New York

1/10/2018

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Wishing all my friends and subscribers a Happy 2018! 

​At the end of 2017, I visited the world-renowned Metropolitan Museum of Art in New York City.  I've been fortunate to have been to the Museum several times in the past, but I admit, it's been too many years since my last visit.  As a professional artist, it's important for me to draw inspiration from the many artists whom I admire, both from the past and from present day.  So, when I visit New York, I always make an effort to visit art museums, art galleries, and stumble upon public art installations.
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In recent years as you've read in my previous blog posts, I visited museums like the Whitney, the Guggenheim, MOMA, the Brooklyn Museum, the New Museum, the Jewish Museum, just to name a few.  I encourage you to look through the Categories Listing on the right side of this page and click on what interests you, whether it be museums, cities, or famous artists.
The Met has been in the news this past week because it was announced that its admission policy is changing, requiring visitors to pay for admission (the Museum has been pay-as-you-wish for over 50 years).  The new admission policy will go into effect on March 1, 2018.  Residents of New York State, and students from New York, New Jersey, and Connecticut will remain pay-as-you-wish.  Children under 12 will remain free.  Be sure to check out their website for more information:  www.metmuseum.org

​I'd recommend purchasing your ticket(s) online and arriving to the Museum when it first opens.  You will wish you had more time for your visit if you don't! The line for admission seemed to span the entire length of the huge museum, but having purchased an advance ticket, I was able to walk in a separate door, check in, and head straight into the galleries.  Admission will get you into the Met Fifth Avenue, the Met Cloisters, as well as the new Met Breuer.
I didn't have the chance to visit the Met Cloisters and the Met Breuer.  My visit to the Metropolitan Museum of New York on Fifth Avenue was amazing.  First of all, it is massive.  I forgot just how large the museum is that is located on the Upper East Side on Fifth Avenue between East 80th and East 84th Streets. ​ This blog post covers my experience of the Metropolitan Museum of Art on Fifth Avenue, mainly what was on exhibit in their Modern & Contemporary Art galleries, 19th and Early 20th Century European Paintings and Sculpture, and some of their Asian Art collection.  There were also two special exhibitions going on that I'll include: One on the hugely talented artist David Hockney.  And the other on an artist that you may have heard of before, Michelangelo!  At the end of this blog, I'll include a few other artistic surprises outside of the Met I encountered on my trip to NYC.
I started in the Modern and Contemporary art section of the Museum, which spans from around 1900 through the 1950s. The photo here is a striking painting from artist, Georgia O'Keeffe.  In an earlier blog article, I posted a photo of O'Keeffe's painting of the Brooklyn Bridge. CLICK HERE TO VIEW.  Upon her relocation to New Mexico, her artistic interests changed from the buildings and bridges of New York City to the natural elements of New Mexico.  In this work of art, she isolates a single skull, highlighting its jagged edges, worn surfaces, and sun-bleached bone color.  The skulls and bones that she paints (this is one of may similar paintings she did while living in New Mexico) represent the desert's beauty.  In the painting here, she makes reference to the strength of the American spirit, with the red, white, and blue imagery.  
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"Cow's Skull: Red, White, and Blue" Oil on Canvas, 1931
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This Pablo Picasso painting shown here is called "The Dreamer" and was painted in 1932.  It features one of his lovers and muse and portrays a very sensual image.  I love how he uses simple forms to depict the woman's body using primary shapes.  I've included some close-up shots of the detail, including his iconic signature!
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Pablo Picasso, "Woman Asleep as a Table" Oil and Charcoal on Canvas, 1936
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Pablo Picasso, "Reading at a Table" Oil on Canvas, 1934.
This next photo, a painting by the Spanish artist, Joan Miro, is rather fascinating...  It is called "Photo: This is the Color of My Dreams" and was painted in 1925.  I write a lot about Joan Miro in my Blog that features the art of Barcelona.  I visited he Miro Museum last winter.  You can read more about the art of Barcelona as well as about my visit to the Miro Museum HERE.  This painting is one of a number of paintings in his series called "Painting-Poetry," which combines words and symbols to portray his interest in dreaming and the subconscious mind.  
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If you're ever in Barcelona, be sure to check out the Fundacio Joan Miro.  www.fmirobcn.org/en/

The painting also reminds me of Rene Magritte's painting, "The Treachery of Images" also known at "This is Not a Pipe" and features the French writing, "Ceci n'est pas une pipe".  I believe it is on display at the Los Angeles County Museum of Art, so hopefully I can see it again on my next visit!

​This painting to the left by Joan Miro called "Circus house" is Tempera paint on canvas and belongs to a series of paintings related to dreams.  
This oil on canvas painting on the right is by a female artist named, Kay Sage, titled "Tomorrow is Never" and was acquired by the Metropolitan Museum  of Art because of her contribution to Surrealism in American art.  She painted landscape forms with dull and sad color-tones as a metaphor for the human mind and psychological states of existence.  I love the architectural feel of the painting, and it reminded me of a scene that one might see in a futuristic science-fiction movie!
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Max Beckman, "Beginning" Oil on Canvas, 1949.
In Marc Chagall's painting shown below, "Le Pont de Passy et la Tour Eiffel," painted in 1911, we experience a fascinating view of Paris and the Eiffel Tower.  The important thing about this painting is its composition.  Chagall uses several converging diagonal lines: the bright red road, the orange cement wall, and the lines denoting the blue sky.  If you think about the time period of the painting, it's interesting to note how it depicts some of the modern changes to the city of Paris, including the Eiffel Tower, the construction of the Pont de Passy Bridge and technologically modern train, electrical power-lines, and how it is juxtaposed alongside the element of the horses and wagon alluding to and earlier time in history.
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I love Stuart Davis' artwork.  He was influenced by the Cubist language of flat, overlapping planes and wedges and uses unique geometric shapes to create an abstract still life.  The painting shown here is called "Percolator" and depicts an old coffeepot that is both abstract and identifiable.
The Rockport, Massachusetts-themed painting below by Stuart Davis is called "Report from Rockport" and is oil on canvas.  I love all the colors, lines, and shapes that are depicted in this painting.  I've included  a detailed close-up shot as well.  This painting is representative of Davis' Color Space Theory, in which juxtapositions of colors are used to create the illusion of depth in artwork.
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Stuart Davis painted this in 1939 as a mural for Studio B WNYC at the Municipal Broadcasting Company. Oil on Canvas.
With the onset of the Industrial Revolution, painters like Fernand Leger incorporated streamlined forms and contours of assembly-line production into their artwork.   In the painting shown here, "Three Women by a Garden" painted by Fernand Leger in 1922, three generations of women are depicted. "Woman with a Cat" was painted in 1921.
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I love this painting shown here to the right by Rene Magritte called "The Eternally Obvious" created in 1948.  I learned that he first painted this nude portrait of his wife, which he later cut into sections and framed them separately, or reassembled them onto glass.
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I thought this was a very cool piece of artwork by artist, Jean Arp, shown above.  It's Oil on Wood Relief and is titled "Torso, Naval, Mustache-Flower." I think it's kind of bizarre in a cool way.
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Piet Mondrian is one of my favorite artists.  Here is one of his iconic paintings called, "Composition" completed in 1921.  It's an early example of the geometric style of painting that Mondrian called Neo-Plasticism, that emphasized planar relationships in painting, architecture, and design.  Many people who look at my own personal artwork sometimes comment that they see hints of a Mondrian influence in my artwork.  Here is Mondrian's painting at the Met, next to one of my paintings!
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Piet Mondrian, "Composition" Oil on Canvas, 1921.
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Eddie Bruckner, "Mosaic Color Grid Periphery" Acrylic on Canvas, 24" x 30", 2006. Click Image For More Information.
Mondrian used black lines to divide the canvas into rectangles that are sometimes painted in shades of blue and red, creating lighter hues by mixing primary colors with white.  Later on in his artistic process, Mondrian stopped creating these hues and used pure, primary colors.  In comparing his painting with mine, we each use an entirely different process to create our black lines and blocks of color.  If you notice, the black line at the bottom right of his painting doesn't quite reach the bottom.  To me, it detracts from the overall design.  Here are two other artists, whose works are hung alongside Mondrian's at the Metropolitan Museum of Art.  
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Fritz Glarner, "Relational Painting Number 64" Oil on Canvas, 1953.
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Burgoyne Diller, "Second Theme" Oil on Canvas, 1938-40
I love Jackson Pollock's artwork!  The painting below is called "Number 28" and was painted in 1950.  His drip and pour paintings are widely recognized as his greatest achievement in art.  He used simple sticks or paint stirrers and enamel house paint, sometimes poured right from the can, spilling lines directly onto raw canvas spread on the floor.  What I love about his paintings are that the paint on the canvas we see is a record of the artist's creative process and his movement as he walked around all the sides of the canvas.
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Detail of "Number 28"
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Jackson Pollock, "Autumn Rhythm (Number 30)", Enamel on Canvas, 1950.
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Detail of "Autumn Rhythm (Number 30)".
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Franz Marc, "Fighting Cows" Oil on Canvas, 1911.
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Vasily Kandinsky, "Improvisation 27 (Garden of Love III)", Oil on Canvas, 1912.
One of the Special Exhibitions on display during my visit was "Michelangelo:  Divine Draftsman and Designer."  Michelangelo Buonarroti lived from 1475 to 1564 and is celebrated for his excellence of the power of drawing and invention that provided the foundation for all the arts.  His drawing skills, design, sculpture, painting, and architecture all combined to give him the reputation of "The Divine One" by his contemporaries.  The exhibition showed a range of over 200 works by the artist that was pulled together from 50 public and private collections across the United States and Europe.  The exhibit opened in November and is on view through February 12, 2018.  Below are just two of his incredible artworks I saw at the Met.  #MetMichelangelo
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During my visit there was a magnificent exhibit of the British artist David Hockney that showcases 60 years of his art career.  I highly recommend visiting this exhibit that is at the Met Fifth Avenue through February 25, 2018.  David Hockney's painting address translating movement, space, and time into a two dimensional painting.  Hockney is probably best known for depicting California swimming pools and backyards in the mid-1960s.  Many of his paintings are quite large, perhaps over 6 or 7 feet square.  I love how he uses Acrylic paint on canvas.
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David Hockney, "A Bigger Splash" Acrylic on Canvas, 1967.
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David Hockney, "Savings and Loan Building" Acrylic on Canvas, 1967.
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David Hockney, "Pool and Steps, Le Nid du Duc" Acrylic on Canvas, 1971.
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David Hockney, "Portrait of an Artist (Pool with Two figures)" Acrylic on Canvas, 1972.
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Hockney began to experiment with the iPad shortly after it came out and used an app for drawing to produce his first works of art in this new medium. Hockney used his iPad and put together this three-screen animation of his views through his bedroom window, 2010-2013. I've included a short video clip for you to experience it for yourself!
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This Limited Edition Lithograph of "Pushing Up" 1993 was for sale, unframed, for $14,500 in the gift shop at the end of the exhibit.
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Robert Motherwell, "Elegy to the Spanish Republic No. 70" Oil on Canvas, 1961.
Alexander Calder created a series of moving sculptures called mobiles that he created in a diverse range of abstract configurations.  Shown here, is a free-moving wind mobile that is carefully balanced on a movable pivot point. I learned that he was inspired by the work of Joan Miro, and the similar shapes and forms can be observed in Calder's mobiles.  In the video below, you can see the kinetic nature of his mobile, "Mobile" created in 1941 from painted aluminum, steel, steel rod, and wire.
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Willem de Kooning, "Attic" Oil, Enamel, and Newspaper Transferred on Canvas, 1949.
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Mark Rothko, "No. 16" Oil on Canvas, 1960.
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Willem de Kooning, "Easter Monday" Oil and Newspaper Transfer on Canvas, 1955-56.
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Detail of: Willem de Kooning, "Easter Monday" Oil and Newspaper Transfer on Canvas, 1955-56.
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Morris Louis, "Untitled" Magna on Canvas, 1960.
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Detail of: Morris Louis, "Untitled" Magna on Canvas, 1960.
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Cy Twombly, "Untitled (Rome)" Oil Paint, Wax Crayon, and Graphite on Canvas, 1962.
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Detail of: Cy Twombly, "Untitled (Rome)" Oil Paint, Wax Crayon, and Graphite on Canvas, 1962. I love how he uses mixed media.
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Henri Matisse
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Edgar Degas
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Auguste Renoir
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Paul Cezanne
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I took this photo of this Pablo Picasso painting because it is titled, "At the Lapin Agile" painted in 1905. It was this painting that inspired Steve Martin's terrific play, "Picasso at the Lapin Agile"!
Here are some of Claude Monet's masterpieces...
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​Auguste Rodin's sculptures are simply incredible.

​If you're ever in Paris, the Rodin Museum is not to miss!
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Emanuel Leutze, "Washington Crossing the Delaware, Oil on Canvas, 1851. Depiction of George Washington and his men crossing the Delaware River from Pennsylvania to New Jersey to attack the Hessians.
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William Merritt Chase, "At The Seaside", Oil on Canvas, 1892.
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While it wassn't the focus of my visit to the Met, I did come across some very cool Asian art, such as this huge statue that towered from above. Also on view was Japanese Bamboo Art.  Bamboo has long been an integral part of the Japanese lifestyle and culture.  Bamboo is the fastest growing grass plant and was used in traditional architecture and to create objects such as flower baskets, fans, etc.  The exhibition featured more than 90 baskets and sculptures from the Abbey Collection, a private collection of bamboo artwork.
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And now for the Surprise...  Not at the met, I came across one of Ai Weiwei's latest temporary public art installations at the foot of Central Park.

Ai Weiwei’s citywide public art project "Good Fences Make Good Neighbors" was officially unveiled on October 12, 2017, and will remain for four months throughout New York Ciity. It includes major sculptural installations in Central Park, Washington Square Park, and smaller installations at some bus shelters and lamp-post banners.  The public art he created addressed the growing hostility towards immigrants, the refugee crisis, and the rise of nationalism world-wide. 
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Located at one of the main entrances to Central Park, Weiwei's "Gilded Cage" takes the concept of a fence and turns it into a large scale interactive object.
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And lastly, I came across these wonderful sculptures created by artist, Jaume Plensa, that are permanently installed at the Grand Hyatt Hotel near Grand Central Terminal.  I learned that these two huge sculptures are reminiscent of the Moai sculptures on Easter Island.
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Overall, my visit to the Metropolitan Museum of Art was simply amazing.  I could have spent the entire day looking at all the art and taking photos of every piece of artwork, but I could only include these 6 dozen or so photos!  I wish I had the time to visit Met Cloisters and Met Breuer as well.  Well, reason for another visit!  I hope you enjoyed this blog and I welcome your comments!  Have a friend who would enjoy reading this blog?  Then please share it with them via email or social media!  You can click on the Facebook and Twitter buttons below!
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City Street Art
Napa Valley, California
Park City, Utah
Barcelona, Spain
Caribbean Art
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Art in Napa Valley

9/12/2017

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Last month I visited Napa Valley and had the pleasure of visiting Yountville, St. Helena, and Napa.  The region of Napa Valley is known for incredible wine, so it was no surprise that it had incredible art as well.  
During my visit, I visited a few wineries and did a few wine-tastings all in two days.  I learned that many of the vineyards in the area have art galleries associated with them.  I'll write about the artistic things that I came across, however, my blog is by no means a comprehensive listing of all the artistic offerings of this incredible region in California.  

I had an amazing time at Kelham Vineyards, where I was lucky to have an incredibly delicious, gourmet dinner.  Kelham Vineyards also sells a number of prints by the French artist Gerard Purvis.  The artsist is best known for creating original sculptures & prints made from wine bottle foils.  To my knowledge, Gerard Purvis' work can only be found in the United States at Kelham Vineyards.  For more information, please visit:  KelhamVineyards.com and kelhamvineyards.com/Puvis.html.

The next day, the first stop was in St. Helena at the Alpha Omega Winery, which was one of my favorites: aowinery.com.  At our next stop, I enjoyed a private luncheon in Yountville at Cliff Lede, which is where I came across some very cool art. For more information about Cliff Lede, please visit:  cliffledevineyards.com.  Outside of the private tasting room on a beautiful terrace were these two incredible sculptures.  I only wish my photos were better to really capture these sculptures.  I posted the photos here:
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The private tasting room, called the White Room, named after the Beatles White album, also had some very cool art in it.  The lunch for our private party was served directly in the Tank Room where we saw the innovative technology used in producing their delicious wine.  Looking up toward the White Room, were some beautiful paintings, which I posted here below.
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That evening, I dined in Napa and had the pleasure of strolling around the town and exploring a number of public art sculptures in town. Many of the sculptures were part of the Napa Art Walk.  The Napa Art Walk is a bi-annual, rotating exhibition of juried sculpture created by artists from the Western United States.  For more information, please visit:  www.napaartwalk.org.  
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Guermo en Inverno, by James Burnes, Santa Fe, New Mexico; Corten Steel, Locust.
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Treasures From The Sea, by LT Mustardseed, Los Angeles, CA; Found Bicycle Parts.
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Bogenbinder, by Mikey Kelly, Napa, California; Powder Coated Steel.
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Bone Totem, by Eileen Fitz-Faulkner; Concrete, Steel, Fiberglass, Ceramic, Concrete Stain.
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Color Molecules, by Helle Scharling-Todd; Powder Coated Steel and Glass.
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Detail of Bone Totem. The Mosaic reminded me of the mosaic illusion I create in my artwork.
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Detail of Color Molecules
Based in Napa is the Art Association of Napa Valley, which is a private, nonprofit arts organization that enhances life for the Napa Valley by supporting arts and culture in the area.  Their website includes an artist listing, newsletters and class and event listings.  Located in Downtown Napa at 1307 First Street is an art gallery that features the work of members of the Art Association Napa Valley.  For more information, please visit www.artnv.org.  
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Retro Woman, by Gordon Huether; Mixed Media.
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The Immigrants, by Elizabeth S. Kadar, 1975; Tribute to the thousands of families who settled in Napa.
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The Hispanic Heritage Mural created to honor and celebrate past and contemporary advocate artists who promote social, cultural, and economic advances in Napa.
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Great Eye, by Peter Boiger, 1975.
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Cat Washing, by Norma Anderson, 1975.
The Yountville Art Walk was one of the highlights of my trip to Napa Valley.  Known for the finest food and wine in the country, Yountville is also known for art.  The Napa Valley Museum is located in Yountville.  For more information, visit www.napavalleymuseum.org.  

Beautiful sculptures lined the streets of Yountville.  I learned that in 2010, Gordon Huether partnered with Yountville Arts to establish the Yountville Art Walk.  More information about Gordon Huether can be found on his website, www.gordonhuether.com.  The sculptures are for sale, with a percentage of the proceeds going to Yountville Arts Fund to support their arts-related activities, programs, and events.  Based on my observation, the sculptures ranged in price from $6,000 to $60,000!  Yountville was a terrific place to explore and experience some great public art.  Below are some photos of just a few of the sculptures I had the pleasure of seeing during my time in Yountville.

For more information about Yountville Arts, please visit www.yountvillearts.com.
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Sound Barrier, by Matt Gil; Cement and Stucco
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Harmony, by P.J. Rogers
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48" Orange Sphere, by Ivan McLean; Powder Coated Stainless Steel.
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Trellis Way To the Sky, by Freeland Tanner; Carbon Steel.
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CT 17, by Richard Starks; CorTen Steel.
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Up We Go!, by Gordon Huether
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Fabric of Life, by Robert Pappas; Fused Glass and Aluminum.
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Marigold, by Troy Pillow; Steel.
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Bountiful, by Peter Hazel; Ceramic.
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Two Fish, by Peter Hazel; Ceramic Mosaic.
See this beautiful, bright yellow painted piano reminded me of the piano I painted as part of the Celebrity Series of Boston's Play Me I'm Yours StreetPianos Boston 2016 Public Art Installation. To learn more about the piano I painted, please click the link to visit:  StreetPianos Boston City Hall Plaza 2016.
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One of my other great discoveries was also in Yountville at the Yountville Community & Events Center.  There was a special exhibit in the Gallery at the Yountville Community Center of the artist, June Altamura, who is based in Napa.  I really liked the geometric feel of her abstract collage artwork as well as the vibrant and excellent color selections. I've included some photos here, but more information on June Altamura and her artwork can be found at:  www.JuneAltamura.com.
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There is so much to see and do in the Napa Valley Region.  I barely scratched the surface of the art offerings the region has to experience, but I hope that this blog article inspires you to visit the area and explore on your own!  I know that I'm already excited about the possibility of returning to the Napa Valley and exploring more the art world has to offer!
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City
New York City Street Art
Park City, Utah
Barcelona, Spain
Caribbean Art
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Discovering Art In All Sorts of Unexpected Places in the Caribbean

7/25/2017

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I recently had the pleasure of visiting Puerto Rico and traveling to various islands in the Caribbean on a family vacation this summer.  It was a wonderful trip, filled with all the expected highlights one would expect such as sun, sand, beach, sightseeing, and adventure.  But I didn't expect to see some incredible artwork during my time in Puerto Rico and on my cruise vacation.  

​I should note that by no means is this blog article a complete and accurate picture of the art of Puerto Rico or Curaçao.  The following are just a few of the things I came across that struck my eye.  In Puerto Rico, I did not have the chance to visit the Puerto Rico Museum of Art http://www.mapr.org/es or the San Juan Museum http://sanjuanciudadpatria.com/en/services/arts-culture-and-innovation/san-juan-museum/sanjuanciudadpatria.com/en/services/arts-culture-and-innovation/san-juan-museum/

What I discovered weren't major art installations in world-renowned art museums, or famous public art, but rather art that really captured the flavor of the local area.
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Jorge Zeno is the Puerto Rican artist who created this sculpture and the sculptures below. They are located in a cute plaza in Old San Juan. I love the detail work!
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This mosaic adorned the facade of a building in Old San Juan. Beautiful!
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Very cool mural!
In Curaçao, I visited The Curaçao Museum, pictured here to the right.  It was a small museum, but I really enjoyed my visit.  The outside is peppered with sculptural works, while the inside features artwork and unique objects representing the history and culture of Curaçao.
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This oil on linen painting is by the artist, Van Meegeren. He was a Dutch painter and art forger.
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This sculpture is by the artist Norva Sling. Sculpted in 1988 from white clay, "Seated figure" depicts a semi-abstract human figure in soft yet with dynamic forms. She is a Curaçao based, self-taught ceramic artist.
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"Straatbeeld" Oil on Linen by Curaçao artist Saida Hernandez
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"Dam di Salimja" Oil on Wood, 1974 by Curaçao artist Hipolito Ocalia. He is perhaps the most famous artist from the island of Curaçao.
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"Mirror of the Past", Mixed Media, 2000, by Manfred (Boy) Namias de Castro" this painting was inspired by a poem written by the well-known writer from Curaçao, Pierre Lauffer.
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The incredible detail of the above painting showing the use of thick paint and rich textures.
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"Seated Woman" Oil on Wood by Jose Marie Capricorne. His artwork shows vibrant color variations with symbolic elements from Curaçao life and culture.
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Glass Art by Bernadetta Octavia Van Eps-Schretlen
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"Figure" by Nel Simon, clay, 1988.
After my visit to the Curaçao Museum, I took a walk near the water to get into the main shopping area.  Along the water in Curaçao, is the famous floating pontoon bridge.  This public artwork by Frank Van Der Loo was placed along the water near the pontoon bridge's entrance.  Although the coloring of the artwork was faded (especially apparent from the real-life view across the water of the characteristically vibrantly-colored buildings), I really liked this mural.  It reminded me of the mosaic shapes I use in my personal artwork. Especially the mosaic-like shapes shown in the sky and in the lower portion of the mural.
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This large three dimensional clay mural was created by artist Frank Van Der Loo.
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Photo showing detail and the 3-D nature of this clay mural.
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I came across this artwork from Curacao artist Andre Nagtegaal. This was part of a public art display for the Curacao Ports Authority, near the entrance and exit of the Ferry.
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"Punda Love Heart" by Carlos Blaaker at the entryway to the Pontoon Bridge
In Curaçao, I came across a storefront that is operated by the Art Foundation Curaçao.  They teach classes and provide art programs for at-risk youth.  Art Foundation Curaçao is a non-profit organization founded based on the idea that people of Curaçao are creative and talented and that Curaçao has all the ingredients to become an art destination.

On sale in the gallery were "Curaçao Cubes" created by local children in foster homes in a workshop titled "Big Power of Small Blocks."  The proceeds from the sale of the approximately 4"x4" painted wood blocks go back to the foster homes for more free art classes.  

​One of its projects is the Plein Air Curaçao.  Plein Air painting is a painting created in the open air; a form of rapid painting with the start and ending of a painting usually in one session of about 2-3 hours.  Natural light changes over time, so the quick nature of painting with broad strokes creates impressions of reality as seen through the eyes of the artist.

​Plein Air Curaçao is a bi-annual international art festival.  For more information, please visit www.pleinaircuracao.com.

Not far from there was the Jewish Cultural Historical Museum, adjacent to the Mikve Israel-Emanuel (the oldest Synagogue in continuous use in the Western Hemisphere,  The museum housed numerous Jewish ritual objects as well as information about Dutch Jewry and the Jewish community of ​Curaçao.  For more information, please visit:  http://www.snoa.com/museum
And even on the Royal Caribbean Cruise Ship, "Adventure of the Seas" I found spectacular art lining the elevators, on the Royal Promenade, and the ships art gallery.  Here's a photo of me alongside "Walking Figure II" by Ernest Trova, made from polished stainless steel.  Trova's figure represents society's welcoming of technology and moving forward.  
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I should mention the Cruise ship's art galleries and the on-board art auctions that are common on all the major cruise-lines.   The art auctions were operated by Park West and all I care to say about this is that I found this online article that I found to be an accurate representation of my experience on the ship.  Although I did not purchase any artwork from Park West on the ship, I did find it to be a fascinating experience interacting with their staff, viewing their artwork, and participating in their on-board auction champagne reception event.

https://www.bloomberg.com/news/features/2016-12-14/ever-bought-artwork-on-a-cruise-prepare-to-be-seasick

That said, the cruise was wonderful and all the artwork I saw on this trip was amazing.  I highly recommend visiting Curaçao and I welcome your comments!
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City
New York City Street Art
Napa Valley, California
Park City, Utah
Barcelona, Spain
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Matisse in the Studio and the MFA Boston

5/1/2017

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I had the pleasure of visiting the Museum of Fine Arts Boston, which is always an incredible experience.  There are always new exhibits to see as well as a chance to see some of one's favorite works of art since visiting last.  

Henri Matisse, perhaps one of the most famous artists in the world, was the subject of a fascinating exhibit.  The "Matisse in the Studio" exhibit pushed the limits of how one experiences Matisse's work.  Having seen his artwork countless of times at museums all over the world, including visiting the Matisse Museum in the south of France, I've never quite have seen artwork presented in this unique format.

Henri Matisse was an artist who revolutionized 20th Century art.  This international exhibition examines the critical importance of the objects in Matisse's studio and how they influenced his creative process and finished artwork.

The exhibit has a number of thematic sections that each focus on different stages of his career as an artist. Matisse didn't limit his work to one medium like painting or sculpture, but also did many drawings, cut-outs, collages, prints, and more.  What makes this exhibit particularly fascinating is that the artwork is presented next to the objects that helped inspire Matisse's creativity and served as subject matter for much of his work.  Matisse found inspiration everywhere:  In sculpture, in a chocolate pot, textiles, furniture.
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In the painting here to the left, "Goldfish and Sculpture," Matisse presents  the bronze sculpture below of a quintessential feminine pose from the history of European sculpture.
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Below, the pewter jug served as inspiration for the painting below.  You can see how the curved lines of the jug, the waviness, are imitated in the lines of the background tapestry, the woman's robe, and the actual jug he painted as a vase of flowers.  As you can see in the close-up photos below, the wavy lines are not painted on, but Matisse rather scratched the paint off the surface of the canvas.  This reminds me of how I used this technique in some of my artwork.  You can see some of those paintings here and here.
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Show above is a table that appears in the painting to the left.  And below is a female torso Roman sculpture that Matisse used to create the "Formes, Plate IX" for the illustrated book "Jazz".  Matisse used cut paper as its own medium.  He also uses Guache paint on paper that he cut and pasted on canvas to create "Mimosa" and "Panel with Mask".  The movie, "A Model for Matisse" discussed the relationship between Matisse and his longtime friend and nun, Sister Jacques-Marie.  Their relationship began when she started working for him as his nurse, but later she often served as a model for Matisse's most famous artworks.  The nun also helped paint the paper that Matisse used for his cutouts.  The sister was instrumental in helping Matisse design the Vence Chapel (the Chapelle du Rosaire), one of his greatest accomplishments in his career as an artist.  The two large cutouts were designs for the robes that the priests were to wear while celebrating Catholic Mass.  
The "Matisse in the Studio" exhibit runs from April 9, 2017 to July 9, 2017.  For more information, please visit www.mfa.org.
Make Way for Ducklings
Another special, but smaller (one room) exhibit that runs through June 18, 2017 features the art of Robert McCloskey.  Anyone who has visited the Boston Public Garden or has read the beloved children's book set in Boston, "Make Way for Ducklings," knows Robert McCloskey's artwork quite well.  This unique and very "Boston" exhibit is a retrospective of his beautiful illustration work for "Make Way For Ducklings" as well as other famous children's books such as,  "Blueberries for Sal," "Time of Wonder," and many more. 

"Make Way For Ducklings" is a story about a family of ducks who stopped Boston traffic by making their way to the Public Garden.  Originally, McCloskey wanted to illustrate the book in color, as shown in the colored pencil draing below, however due to the high costs of color printing at the time, the editor chose to print the book with brown ink.

There is a beautiful bronze sculpture model on exhibit (Shown in the photo to the right).  Commissioned in 1985, artist Nancy Schon created the full-sized Make Way For Ducklings sculpture that has been delighting visitors of all ages at the entrance of the Boston Public Garden at the intersection of Charles St. and Beacon St.

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Art of the Americas. Level 3
Below is just a few snapshots I took during this visit to the MFA, some of my old favorites as well as some new favorites.  Below from are some wonderful photos of Piet Mondrian's work, "Composition with Blue, Yellow, and Red," Georgia O'Keefe's "White Rose with Larkspur No. 2," Joseph Stella's "Old Brooklyn Bridge" large, oil on canvas painting, Pablo Picasso's sculpture, and his "The Bull" series completed in 1945 and 1946.  

Also below are two of Jackson Pollock's incredible paintings, along with a close up shot of his drip-work, splattering, etc.  and lastly, I've included a piece by Charles Sheeler titled "On a Shaker Theme" and an incredible work of art by Stuart Davis, "Apples and Jug" where he takes the traditional still-life and transforms it into his modernist universe, with elements of cubism and even of advertising imagery.
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Charles Sheeler, "On a Shaker Theme" Oil on Canvas 1956
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Stuart Davis, "Apples and Jug" Oil on Composition Board, 1923
Contemporary Art
In the Contemporary Art galleries, two pieces struck me on this visit.  One is Carmen Herrera's, "Blanco y Verde (#1)", Acrylic on Canvas.  Originally from Havana, Cuba, Herrera studied painting in New York.  The simplicity of the forms here was really striking.  I love the exactness of her straight lines, and her minimal use of color.  We don't know if there is a background or a foreground, and we almost lose our-self within the painting completely.  Carmen Herrera recently had a retrospective exhibit of her work a the Whitney Museum of American Art a few months ago.
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Andy Warhol's beautiful and dark statement with his silkscreen on two canvas panels called, "Red Disaster."  I've included a close up, so the image that is reproduced multiple times on the right canvas panel is clear.  You will see that it is a photograph of an electric chair at New York's Sing Sing Prison, that was originally published in newspapers around the time of the Cold War and accusations of treason against people at that time.  His repetition is often accredited to his feeling that people spend their lives seeing things, but not really observing them.  ​
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Memory Unearthed:  The Lodz Ghetto Photographs of Henryk Ross
This powerful exhibit recently opened in March and will be on view through July 30, 2017.

“Memory Unearthed” is a very moving exhibit that provides a rare glimpse of life during the Holocaust.  Holocaust Survivor, Henryk Ross took this incredible display of photographs of life inside the Lodz Ghetto from 1940 to 1944.

Henryk Ross was confined to the Lodz ghetto in 1940 and enlisted by the Nazi regime as a bureaucratic photographer taking photos for Jewish identification cards, for propaganda materials, etc. Secretly, Henryk Ross documented the horrible living conditions and persecution of the Jews under the Nazis.   Ross his the photos and negatives before the last of the Jews were sent from the ghetto to the Auschwitz and Chelmno death camps. The photos seen in this exhibit survived because Ross buried the photos and negatives hoping to provide a historical record of the persecution of the Jews.
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All the photos were very powerful to see.  However, there was one piece of artwork that I found completely incredible and breathtaking from an artistic perspective.  I've included the photo below.  It is actually a modern print from an original 35mm negative, depicting Ghetto police escorting residents for deportation.  The image itself and the unfortunate and horrifying circumstances in the photo are very compelling.  But beyond the face value of what is happening in the photo, you can see that the negative is partially destroyed, burned, or deteriorating.  From one perspective, the visual piece of artwork is quite beautiful and striking.  And from another perspective, it is quite ugly, off-putting, sad, and even symbolic.  ​ This exhibit helps us Never Forget the horrors of the Holocaust and its victims of persecution and death.
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Overall, this was an incredible visit to the Museum of Fine Arts Boston.  With every visit, there are new things to see, experience, learn, and explore.
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Barcelona Art

4/18/2017

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The art of Barcelona is in one word, spectacular.  I can't recall ever being on a 10 day vacation with every single day including fascinating art museums, unique architecture, and breathtaking public art.  With so much art to talk about in this blog article, I've structured it into 3 parts.
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Part 1:  Barcelona Architecture
One cannot talk about Barcelona's architecture without mentioning Antoni Gaudi.  Part of the Modernista movement of the late 19th Century, Antoni Gaudi is Barcelona's most famous architect.  Almost anywhere you look in Barcelona, Gaudi had some part in its creation, from the houses, apartment buildings, churches, sidewalks, parks, and even the city benches lining the streets.  In Modernism, nature was a huge element present in decorative motifs as well as present in the actual architectural structure of Gaudi's buildings.  Below are some of Gaudi's masterpieces, but there are dozens of others throughout Barcelona to visit and experience.
Casa Batllo
I really enjoyed seeing Casa Batllo, which is situated on a main street in the heart of Barcelona.  Mosaic is everywhere.  The Chimneys of the building are works of art.  The roof is representational of a dragon's back.  The exterior facade demonstrates Gaudi's expert use of texture and color. Below are some photos of the exterior of the building as well as the interior.  The sidewalk tiles as shown in the photos below line the streets and feature an underwater, marine-life motif.  
Sagrada Familia
Gaudi's Sagrada Familia is innovative and highly symbolic.  The architect's objective was to explain the teachings of the Church through sculpture and architecture.  Following Gaudi's death, work on the Sagrada Familia continues to be carried out by collaborating architects and artists.  The project is expected to be complete by 2026, coinciding with the 100th anniversary of Gaudi's death.  

The stained glass windows were perhaps one of the most beautiful aspects of the Sagrada Familia.  The colors were so vivid and bright.  
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Gaudi designed this streetlamp along with a few similar ones that are located throughout Barcelona.
Park Guell
Park Guell is another one of Gaudi's masterpieces.  It was build between 1900 and 1914.  It was opened as a public park where Gaudi let his imagination run wild with his incredible use of mosaics throughout the park.  Below are some photos of Park Guell. The mosaic work is unbelievable and reminds me very much of the mosaic illusion that I paint in many of my own paintings.
La Pedrera
La Pedrera is also known as Casa Mila.  It was completed in 1912 as an apartment building.  There are curved walls that seemingly defy the laws of gravity. The rooftop is amazing at night and includes all of Gaudi's architectural trademarks.  Bricks in the attic create arched ceilings and are uniquely used using the log side of the brick, which also features the brick-maker's fingerprints.  There are terrific wrought iron balconies and exquisite ceramic mosaics.  I highly recommend visiting La Pedrera by booking a night tour, which includes a full tour of the building and a surreal visual light display on the rooftop under the stars, followed by a champagne toast and cookies!  
Although my time in Barcelona didn't permit me to visit the Palau Guell, I should mention that it is an excellent example of one of Antonio Gaudi's early architectural masterpieces.  It is a UNESCO World Heritage Site, and is a magnificent example of domestic architecture in the context of Art Nouveau and one of the first important commissions Gaudi received at the start of his career.  It is located just steps away from La Rambla, not far from La Boqueria.

Part 2: Barcelona's Art Museums and Fine Art
A Guide to Visiting Barcelona's Museums:
If you plan to visit Barcelona, I highly recommend purchasing the Barcelona Museum Pass, also known as an art passport from ArtTicket BCN, which will give you access to six Barcelona museums, including the ability to skip the lines.  The Passport give you access to the Picasso Museum (Museu Picasso), the Joan Miro Museum (Fundacio Joan Miro), the National Museum of Art of Catalunya (Museu Nacional d'Art de Catalunya), the Antoni Tapies Museum (Fundacio Antoni Tapies), the CCCB, and the MACBA. I purchased the passport online (for 30 Euros), and simply showed the ticket to the first museum I visited to receive the passport.  The passport is stamped upon entry at each museum.  To learn more about the ArtTicket BCN, check out their website:  http://articketbcn.org/en/barcelona-museum-pass.  I should also mention that it is very important to check the hours of each of the museums as they vary significantly.  Most museums, with a few exceptions, are closed on Mondays. Also, all city museums are free at last one afternoon per month, so be sure to check the websites in advance for hours and special  exhibition dates.  

If you're interested in contemporary art, check out this website that provides a network devoted to contemporary art in Barcelona:  ​http://www.artbarcelona.es/circuit/en/.
Picasso Museum in Barcelona
The Museu Picasso of Barcelona is a wonderful center documenting Pablo Picasso's early years of apprenticeship.  With over 4,000 works of art in its permanent collection, you'll see why this museum is one of the most popular tourist attractions in Barcelona.

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he Picasso Museum highlights the artist’s relationship with the city of Barcelona.  I learned that Pablo Picasso's father was a teacher at the San Telmo Fine Art and Crafts School. and had an important influence on Picasso's future career as an artist, who demonstrated a strong interest in art from a very young age.  There are some drawings and small panels in oil that give an idea of his efforts to give his own creativity free rein and explore new techniques by taking in his immediate environment. 

In Barcelona, Pablo Picasso continued his art education at the La Llotja Fine Art School.  The photos here show his artwork featuring Barceloneta Beach and two ports.  After taking these photos, I learned that photos were not allowed, so unfortunately, I do not have photos showing the rest of the museum.  This Picasso museum focused on his earlier works, and very few on display were "well-known Picasso masterpieces."  The museum highlighted Picasso's creative process of some of his work of his Blue Period.  Some of the highlights of the museum included Las Meninas Series.  This was a series of paintings based on the Velazquez painting Las Meninas.  

For more information, please visit www.museupicasso.bcn.cat.
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Fundacio Joan Miro
The Joan Miro Museum (Fundacio Joan Miro) is located in the Montjuic area of Barcelona and houses the work of Joan Miro as well as temporary exhibitions of 20th and 21st Century art.  The collection of paintings, sculptures, drawings displayed at the museum is one of the most comprehensive collections representing every stage of Miro's career as an artist.   There are paintings related to Surrealism and works based on the Spanish Civil War.  Miro's work on large canvases in the late 1970s onward demonstrate his use of large color fields and painting with free gesture.  

For more information, please visit www.fmirobcn.org.
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Alexander Calder donated the Font de Mercuri (The Mercury Fountain) to the museum to symbolize his friendship with Miro.
Museu Nacional d'Art de Catalunya
The Museu Nacional d'Art de Catalunya (MNAC) holds one of the most important medieval art collections in the world.  The museum is housed in the spectacular Palau Nacional building that provides an incredible view of the city and the Magic Fountain.  Be sure to see the Font Magica (The Magic Fountain) in action in the evenings with a spectacular music and light show!
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Contemporary Art Museum
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I enjoyed my visit to the Museu d'Art Contemporani de Barcelona (MACBA).   There was an exhibit from the Catalan artist Antoni Miralda, called "Miralda Madeinusa," which reconstructs some of the important installations from the 1970s, during his stay in the United States. His work, "Breadline" from 1977 was recreated to show a wall of colored bread that was originally displayed at the Contemporary Arts Museum in Houston in 1977.  The exhibit brought attention to the food lines during the Great Depression. I've included some photos of the installation below.  

For more information, please visit www.macba.cat.
Fundacion Fran Daurel
Located within Poblo Espanyol is the Fundacion Fran Daurel, a small but wonderful museum dedicated to modern and contemporary art.  The museum was created in 2001 by the art collector, Francisco Daurella.  The museum was created to share his private art collection with the public.  Photography was not allowed within the museum, but wonderful works from Dali, Picasso, Miro, and more were on exhibit!  Although I didn't have time to explore, there is also a sculpture garden adjacent to the museum.  Although the museum is free to enter, there is an entrance fee to Poble Espanyol.  Poble Espanyol is a Spanish village attraction that recreates the streets of various geographic regions of Spain.  Its storefronts house local artisans, craftspeople, and a very fun-to-watch glass blowing workshop. 
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Jose-Luis Pascual
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Totem, by Jose-Luis Pascual
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Glass Blowing Artisans at Poble Espanyol

​Museums Further Afield from Barcelona:
In the town of Girona, I visited the Museum of Jewish History.  The goal of the Museum is to preserve the history of the Jewish communities of Catalunya.  Art at this museum included various Jewish ritual objects.  Be sure to visit if you are in Girona, which is not far from Figueres, where the Dali Museum is located.
 Teatre-Museu Dali:  Salvadore Dali Museum
Figueres is situated in the north of Catalunya and its history is closely linked to Salvadore Dali.  Salvador Dali was born in Figueres in 1904.  The Teatre-Museu Dali (Theater Museum) is simply amazing!  The Museum itself  is the largest surrealistic object in the world.

The Teatre-Museu Dali is home to a considerable amount of the artist's work including impressionism, futurism, cubism, and surrealism.  His artwork and the building itself are almost combined together.  In an annex of the Teatre-Museu Dali is the Dali Joies exhibition, displaying a collection of jewelry made from gold and precious gems designed by Salvadore Dali between 1941 and 1970.  Each piece is unique and characterizes the artist;s entire work:  hearts, eyes, lips, animal and plant forms, religious symbols, etc.  Below is a photo of one of his jewels of an eye.

Driving about a half hour away from Figueres to the beach village of Cadaques, you can visit Dali's summer home, Casa-Museu Salvador Dali.

For more information, please visit www.salvador-dali.org.
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On of my favorite pieces was this one below entitled, "Gala Contemplating the Mediterranean Sea which at a distance of 20 meters is transformed into the portrait of Abraham Lincoln (Homage to Rothko).”  Gala was his wife and muse for many years.
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The exterior of the museum is a work of art as well. Statues with loaves of bread on their heads.   Inside the museum in the open air courtyard is a spectacular and wild work of art called, "Rainy Taxi". If you put a Euro in the slot located at the base of the artwork, it will rain inside the taxi, and an umbrella will open up on top of the artwork!
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Montserrat Museum
If you travel to the town of Montserrat, be sure to visit the Montserrat Museum (Museu de Montserrat).  The museum is located in the square in front of the monastery.  The museum has a permanent collection of over 1,300 works of art.  I was really impressed with the diversity of their collection, including modern paintings and sculptures (Picasso, Dali, Monet, Rusinol, Mir, etc.), antique oil paintings (Caravaggio, El Greco, etc.), archeological antiquities from Egypt and the Middle East, and so much more!
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The museum includes paintings by Old Masters with works from the 13th Century to the 18th Century.  The largest section of the museum is devoted to works from the 19th and 20th Centuries and includes a wonderful selection of Catalan painting and sculpture of the Modern period.  I was very impressed with their collection of paintings by the great masters of French and international impressionism (Degas, Sisley, Monet, Pisarro, Sargent, etc.).  Picasso and Dali, avant-garde artists are also well represented!  
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Santiago Rusinol
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Joaquim Mir
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Miquel Villa
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Salvadore Dali, Composition With Three Figures, Neocubist Academy, 1926
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Sean Scully

Part 3:  Barcelona's Public Art
The streets of Barcelona are filled with art by world renowned artists.  Below are just a few of these that I came across on my artistic journey.
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The sculpture "Barcino." Barcino is the Roman name of Barcelona. The sculpture is by Joan Brossa, located in the Plaza Nova de Barcelona, opposite the Palau Episcopal.
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A mural by Picasso located in the Plaza Nova de Barcelona.
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Beautiful sculpture located right on the beach in Barceloneta
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Roy Lichtenstein's Head of Barcelona, (El Cap de Barcelona), 1991–1992
This mosaic, "Mosaic del Pla de l'Os" (1976) is an incredible piece of public art located on La Rambla at the Mercat de la Boqueria.  The artist intended it to welcome travelers arriving by sea.  Another piece of his public art is located at the Barcelona airport, intended to welcome people arriving to the city by air. I love Miro's use of abstract shapes and primary colors.
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In Parc de Joan Miro, you can find the incredible, monumental sculpture "Dona i Ocell" (Woman and Bird) that is over 70 feet high in concrete and mosaic.  This was the artist's last public work created between 1981-1983. This was intended to welcome people to Barcelona traveling by land.  The photo shown here was taken at night.  At the time of my visit, the entire park was under construction and the sculpture was obscured by construction vehicles and fencing.
PS: If you liked this article, you might like these other articles on my artistic travels:
Los Angeles, California
New York City
New York City Street Art
Napa Valley, California
Park City, Utah
Caribbean Art
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The Brooklyn Museum

2/16/2017

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In late December, I visited the Brooklyn Museum for the first time.  I was very impressed with their collection and so much more!  

The Brooklyn Museum is located at 200 Eastern Parkway in Brooklyn, NY. Check out www.brooklynmuseum.org for current exhibit information. 

During my visit, I had the chance to explore some great exhibits that I'll write about below.
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If your favorite color is blue, like it is mine, then you'll enjoy the exhibit at the Brooklyn Museum called, "Infinite Blue."  The exhibition's title hints at the connection between the color blue and the idea of spirituality as written by Russian artist Vasily Kandinsky, "On the Spiritual in Art."  Blue is often associated with the heavens and the spiritual because blue is the color of the sky.

The artwork featured in "Infinite Blue" feature every variety of the color blue from ancient times to the present.  The exhibit includes a wide range of artwork from the museum's permanent collection of Asian, African, Egyptian, American, Native American, and European art:  paintings, sculpture, prints, drawings, etc. My understanding is that this exhibit will expand to other areas of the first floor of the museum over time.  

My favorite blue is Cobalt Blue.  On display were a variety of blue and white ceramics from the Middle East.  The use of Cobalt in the Middle East likely inspired the Chinese to use the pigment.  

In the artwork below and the detailed close-up, artist Arlene Schechet has created handmade papers from abaca, a plant native to the Phillippines.  The Flow Blue series, from which this work derives, is named after a British transfer pottery from the early 19th century.  For more more information on the exhibit, use the hashtag #infinitebluebkm.

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The museum also had a number of wonderful pieces from Alex Katz, Georgia O'Keeffe, Diego Rivera, Claude Monet, Henri Matisse, Edgar Degas, and Auguste Rodin. Here are a few paintings on exhibit.  Having walked from Manhattan to Brooklyn over the Brookyn Bridge earlier that day, I really appreciated Georgia O'Keefe's painting of the Brooklyn Bridge.  I had always thought that most of her artwork was in the same genre of the Ram's Head painting below.  Georgia O'Keefe's painting of the Brooklyn Bridge emphasizes the abstract elements of the composition. This painting was one of her last works of art painted in New York before relocating to New Mexico in 1949.
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Georgia O'Keeffe, "Ram's Head, White Hollyhock--Hills" Oil on Canvas, 1935
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Alex Katz, "Ann" Oil on Masonite, 1956
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Auguste Rodin "Eustache de Saint-Pierre" Bronze, circa 1886-87
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Georgia O'Keefe, "Brooklyn Bridge" Oil on Masonite, 1949
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Diego Rivera "Copalli" Oil on Canvas, 1937
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Claude Monet "House of Parliament, Sunlight Effect" Oil on Canvas, 1903
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Luce Center for American Art: Visible Storage Study Center:
One of the many wonderful surprises at the Brooklyn Museum was discovering the Visible Storage Study Center.  The beautiful display gives you an inside look at how museums work and provides you with a glimpse of the breadth and scope of the Brooklyn Museum's collections.  The Visible Storage Study Center contains artwork organized and identified by the accession number assigned by the museum's registrar.  Visitors can learn more information about the object by entering an item's identification number on a special web site at computers located throughout the space.
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I had the opportunity to see the Marilyn Minter "Pretty/Dirty" exhibit that was on display at the Brooklyn Museum from November 4, 2016 to April 2, 2017.  The exhibit featured many over-sized paintings showing seductive and sexual visual statements.  The artwork included paintings and videos mostly sexual in nature.  The photographs, paints, and videos in one gallery focus on licking, dripping, and devouring mouths.  I believe it is a commentary on American culture's inexhaustible appetite for glamour and stimulation.  I've included a few photos from the exhibit below.
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Marilyn Minter "Pop Rocks" Enamel on Metal, 2009
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Marilyn Minter "Drizzle (Wangechi Mutu)" Enamel on Metal, 2010
The Dinner Party by Judy Chicago is the most significant icon of 1970s American feminist art.  It took Judy Chicago 5 years to complete the project from 1974 to 1979 with the help of hundreds of collaborators.  The Dinner Party represents  1,038 important mythical and historical women, most of whom had been neglected by history.  The Dinner Party consists of a series of Entry Banners, Heritage Panels, a Heritage Floor, and a huge ceremonial triangular banquet table measuring 48 feet on each side with a total of 39 place settings.  The Dinner Party is housed a the Brooklyn Museum as the central installation of the Elizabeth A. Sackler Center for Feminist Art.  

The Table is in the shape of an open equilateral triangle, a symbol of equality.  Each place setting represents a woman of great historical significance, either real of mythical.  The Heritage Floor beneath the table is comprised of 2,300 porcelain tiles.
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The Brooklyn Museum was a fascinating experience.  Check out the Museum in you are in the vicinity.  You won't be disappointed!
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Museum of Modern Art, New York

2/15/2017

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Every time I visit New York City, I always try to make it to the Museum of Modern Art.  Each visit exposes me to exciting new exhibits, while at the same time, I really enjoy seeing art that is regularly on view like Van Gogh's Starry Night and Picasso's guitar sculpture (among many others).  Seeing these familiar works of art is almost like being reunited with an old friend.  So for this blog post, I'll focus on the new as well as the old (at least to me) when I visited the Museum of Modern Art this past December.
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I love this Sol LeWitt "Wall Drawing #1144 Broken Bands of Color in Four Directions." Synthetic polymer paint on wall.
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I was excited to see the Francis Picabia exhibition, "Francis Picabia: Our Heads Are Round So Our Thoughts Can Change Direction," which runs through March 19, 2017.  Picabia lived from 1889 to 1953.  
Just recently, on February 14th, I came across an editorial article on Artsy.net by Isaac Kaplan entitled, "Do Francis Picabia's Anti-Semitic Remarks Tarnish his MoMA Retrospective?" After reading the article I learned about Picabia's anti-Jewish feelings (and womanizing behaviors).  MoMA's exhibit apparently does address this part of Picabia's character; however, I must have missed this as I walked through the gallery.  To answer Kaplan's question personally.  I think it does, in fact, tarnish his reputation.  I really enjoyed his artwork during my visit to the MoMA.  But after learning more about the artist, I can't say that I can admire him.  Famous artists are people that I want to look up to and admire.  They are people that I want the next generation of artists to look up to.  And so, while I can appreciate his artwork at face value and his artistic technique, learning about his anti-Semitic behavior does take him down several notches in my book.  Similarly, just like we want our kids to admire our professional sports players, it's hard to have our kids look up to them if they do drugs, treat women badly, are anti-gay, or are anti-Jewish, or discriminate in any way.  So, I'm kind of let down after my great experience viewing his work in the gallery.  But for this blog article, I will continue to proceed sharing my thoughts on the exhibit as if I hadn't learned of his anti-Semitic feelings and behavior.  

​Here is the link to the article for your information:  
https://www.artsy.net/article/artsy-editorial-francis-picabias-anti-semitic-remarks-tarnish-moma-retrospective
As I walked though the gallery rooms, the one thing that struck me the most was how his artistic style changed throughout his lifetime.  Picabia was an artist of many genres, and his body of work lacks consistency and categorization. He shifted styles over time.  The exhibit highlights his impressionist landscapes, abstract works, paintings, photo-based nudes, etc. 

​Here are some photos from the exhibit.
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These two Picabia paintings shown below reminded me of one of my own paintings that I painted earlier this past year, "Woof Woof! Gotta Get My Bone."  All three works utilize black lines in a similar fashion. I should note that my painting was created without ever seeing Picabia's work; I am just noting the coincidence in how we both used these lines in the same fashion.
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Woof Woof! Gotta Get My Bone, 10" x 20", Acrylic on Canvas by Eddie Bruckner
"Revolutionary Impulse: the Rise of the Russian Avant-Garde" was another wonderful temporary exhibit at the Museum of Modern Art that runs through March 12, 2017.  The fact that all the artwork on display comes directly from MOMA's permanent collection, demonstrates how wonderful MOMA is and how impressive their permanent collection is.  Of all the artwork on view, there were two artists whose work caught my eye.  

The two photos below are from the Russian artist Alexandra Exter. The oil on canvas painting on the left, called "Theatrical Composition" was very intriguing to me.  I loved the colors, shapes, and overall composition of the painting.  The other smaller works, pictured to the right are six designs from various stage sets like The Merchant of Venice, Othello, and others.
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The second artist, whose work I found very unique was the Russian artist, El Lissitzky. the painting shown below (along with a detailed close-up photo) is of the painting "Proun 19D"  It is painted on plywood and uses a variety of media such as gesso, oil, varnish, crayon, colored papers, graph paper, sandpaper, cardboard, metallic paint, and metal foil.
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To photograph all the well-know paintings from all the famous artists would be a huge undertaking.  So I'm including a small selection of some of my favorite pieces along with some detailed close-up photos from the following artists:  Georges Seurat, Vincent van Gogh, Pablo Picasso, Jasper Johns, Henri Matisse, Fernand Leger, Jim Dine, Andy Warhol, Edward Ruscha, Josef Albers, James Rosenquist, Robert Rauschenberg, and Sol LeWitt.  I have the close-up photos to show the brushstrokes, the detailed use of color, and a glimpse into what the artist was focused on while painting their masterpiece.  
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Georges Seurat
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Vincent van Gogh's "The Starry Night"
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Jasper Johns' "Flag"
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Robert Rauschenberg's "Sky Garden" from "Stoned Moon Series"
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Pablo Picasso's Guitar Sculpture (3 views), and below, "Vase of Flowers" & "Les Demoiselles d'Avignon
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Henri Matisse "The Piano Lesson"
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Fernand Leger, "The Mirror"
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Jim Dine
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Edward Ruscha, "OOF"
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Josef Albers, "Day and Night: Homage to the Square"
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Andy Warhol, "Water Heater"
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James Rosenquist, "F-111" Oil on Canvas with aluminum, 23 Sections on 4 walls.
I highly recommend visiting the Museum of Modern Art in New York City.  More information about the museum can be found on their website:  www.moma.org.
PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City Street Art
Napa Valley, California
Park City, Utah
Barcelona, Spain
Caribbean Art
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The Jewish Museum in New York City

2/14/2017

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New York City's Jewish Museum is one of the world’s finest institutions dedicated to exploring art, Jewish life, and Jewish culture, from ancient times to the present.  The Jewish Museum was founded in 1904 in the library of The Jewish Theological Seminary.  The Museum is housed in a historic mansion, located at 1109 5th Avenue at 92nd St. on the Upper East Side of New York City. 

The Museum has a fascinating permanent collection of nearly 30,000 works of fine art, Judaica, antiquities, and broadcast media which reflect over 5,000 years of Jewish history. The Jewish Museum also has a wide array of educational programming ranging from talks and lectures to performances and hands-on art making for families, students, educators, and art lovers.


My visit to the Jewish Museum and the exhibits I am blogging about was at the end of December 2016.  I encourage you to check out the Jewish Museum's website for current exhibitions.  TheJewishMuseum.org
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Part of the Museum's focus is dedicated to the subject of the Jewish Journey, Jewish culture, and Jewish continuity.  The main exhibition is about the Jewish experience as it has evolved from ancient times to the present day.  The exhibit highlights the question of how Judaism has been able to thrive for thousands of years across the globe, even in challenging times, through Jewish texts and objects.
Jewish texts have been the central factor in the survival and evolution of Jewish continuity.  The objects on exhibit such as Torah scrolls, other religious scrolls, and Jewish ritual objects, all reflect the different ways Jews have expressed their sense of what it means to be Jewish throughout history, in various countries, cultures, and religious contexts. The Culture and Continuity exhibit is located on two floors of the museum.  There is so much to say about the exhibit, but most of what I will blog about will focus on the visual arts.  

After the destruction of the Second Temple, and beginning in the 3rd Century CE, synagogues were often decorated with beautiful mosaic floors and wall frescoes.  Jewish symbols included biblical figures, Hebrew writing, the menorah, and the shofar.  Below are some photos of one of these mosaic floors, including a detailed/close-up photo. These mosaics reminded me of my signature style of my personal artwork, creating the illusion of mosaic tile using acrylic paint for my paintings.
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I was particularly interested in the paintings at the museum, many of which I will highlight in this blog article.  Max Weber, who lived from 1881 to 1961, is perhaps one of the most notable artists who portrayed Jewish life in his artwork.  Max Weber was born in Russia and emigrated to the the US.  Below on the left is a photo of Weber's famous oil on canvas painting, "The Talmudists," painted in New York in 1934.  In his early years, he was a great admirer of the artist, Paul Cezanne, and studied art in Paris from 1905-1908. Cezanne's influence can be seen in his earlier works, including the painting, "Still Life with Challah" exhibited at the Jewish Museum.   Most of his early works were still lifes and focused on Jewish ritual objects for Shabbat.  By 1919, Weber abandoned formal experimentation and turned to Jewish subjects in pursuit of the spiritual.  
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​Marc Chagall was another famous Jewish artist who had work displayed at the Jewish Museum.  Chagall had a lifelong fascination with the Bible and much of his artwork expresses his passion for using his artistic expression to convey the imagery of the Bible. ​A lithograph on paper, "Moses Displays the Ten Commandments" from "The Story of the Exodus", 1966, is shown to the right.  

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Works from Piet Mondrian, Fernand Leger, and other well-known artists adorned the walls of the Jewish Museum.
Shown below, this 1986 large acrylic on canvas painting by David Reeb, an Israeli artist, titled "Map of Israel" is one of a series of paintings that incorporated the pre-1967 Israeli border, known as the "Green Line."  Reeb was one of the most outspoken Israeli artists of his generation and was preoccupied with the political implications of the map of Israel.  The ongoing conflict between Israel and her neighbors and the conflict around national borders is the major theme in his series of paintings.   In this painting, Reeb portrays the outline of the realistic map as the main motif on an abstract patterned surface. In the photos below, I've included 3 photos showing some of the incredible detail of this fascinating painting.
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​The Bezalel School of Arts and Crafts was established in Jerusalem in 1906 by Boris Schatz, a Lithuanian-born artist and passionate Zionist.  The school was named for the biblical artisan, Bezalel, and sought to create a genuine "Hebrew Style" and to provide Jews living in Palestine with income through the production and sale of crafts that expressed a national identity.
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Also on exhibit were a series of paintings from John Singer Sargent from the late 1800s, that highlighted the lifestyle of privileged Jewish family in late Victorian England.  John Singer Sargent was well known for his daring portraits, with unexpected poses, fancy textures and bold color palette.  Shown here is Sargent's group portrait of "Mrs. Carl Meyer and Her Children" painted in 1896.  
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​This untitled oil on canvas painting by Eva Hesse was painted between 1963 and 1964.  Hesse was born in Hamburg, Germany and fled Nazi Germany with her Orthodox Jewish family at the age of two.  Although her mother committed suicide  when Eva was a little girl, her artwork is filled with humor and playfulness.  Hesse pushed the boundaries of Abstract Expressionism and Minimalism, pioneering a blended approach, often called Eccentric Abstraction.  
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Another fascinating exhibit called "You Don't Have to Be Jewish" featured a compilation of television commercials and clips from the museum's National Jewish Archive of Broadcasting, paired with print advertising campaigns, works of art, and more.  The exhibit explores material produced for Jewish audiences or with Jewish content and the way religion, ethnicity, and identity play out on American television. The exhibition closed in early February.

Also on exhibit from November 4, 2016 to March 26, 2017 was "Pierre Chareau: Modern Architecture and Design." Pierre Chareau was a celebrated French furniture designer, architect, and art collector.  
The exhibit showcases rare furniture, lighting fixtures, and interiors, and even featured virtual reality glasses to immerse the viewer in the architectural renderings.
This Chanukah Menorah was created by artist, Peter Shire.  "Menorah #7" was created in 1986 with anodized aluminum, painted steel, and chromium. He was part of the Memphis design group that created unusual art objects in the form of home decorations, furniture, textiles, and lighting in the 1980s.  Shire chooses everyday objects we are already familiar with, precisely because that familiarity allows a freedom to re-imagine materials, shape and surface. And while these basic elements are unusual, the primary function and meaning of the object remains intact.  This work of art was part of an exhibition that closed in early February.
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One of the most fascinating exhibits that I've seen this past year was "Take Me (I'm Yours)." The exhibit is based on a 1995 exhibit at the Serpentine Gallery in London, curated by Hans Ulrich Obrist and the artist Christian Boltanski.

​In a conventional museum experience, it is the visitor that consumes art by looking at the paintings, sculptures, or photographs on exhibit.  Typically, one is not allowed to touch the art, and certainly not allowed to take them home!  Take Me (I'm Yours) defies this well-established standard by featuring works by more than 40 artists from different generations and from all over the globe:  The goal of the exhibit is to encourage you to not only touch the artwork, but also to take them away with you and keep them for yourself.  Some of the things I walked away with were a can of lemon-flavored sparking water, photographs of glamorous women from the 1950s, stencils, temporary tattoos, pins, hard candies, pill capsules, fabric patches, and more!

The exhibition ended in February.  I've posted a few photos below.  Photos of visitor experiences can be found online using the hashtag: #TakeMeImYoursNYC.  
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PictureI love this work of art by Alex Israel, "Self-Portrait (Mom)", 2016. On view November 4, 2016 - April 23, 2017.

During my visit, I saw a drop-in art workshop underway, where families were creating works of art together inspired by exhibitions currently on view at the Museum.  On Sundays, families can participate in studio art sessions, experience a simulated archaeological dig, or experience the museum's exhibitions with a printed Kids Gallery Guide.  The Museum hosts family concerts, workshops and vacation week programming, and workshops for kids with disabilities.  For more information, visit:  TheJewishMuseum.org/Families.
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Visit to the New Museum in New York City

1/3/2017

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I ended the year 2016 with a visit to New York City and decided to explore a few museums.  This was my first visit to the New Museum, which is located at 235 Bowery (on the Lower East Side).  If you're in SoHo or Little Italy, it's a short walk to the Museum.  It's great to note that kids under 18 are always admitted free of charge.  I'll write about some other great art museum visits in the coming days!

The New Museum is New York City's only Contemporary Art Museum.  I learned that the New Museum building was designed by Tokyo-based architects Kazuyo Sejima and Ryue Nishizawa/SANAA.  For more information about the building and the wonderful architetural design, visit: http://www.newmuseum.org/building
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The main exhibit during my visit was entitled "Pixel Forest," which is the first New York survey of the Swiss artist, Pipilotti Rist.  The exhibit opened in October 2016 and is only on view through January 15, 2017.  Pipilotti Rist is a pioneer of video art installations that blend visual displays with sound and immerse the viewer in a completely new environment from the moment the museum's elevator doors open!  The exhibit takes up almost the entire museum's exhibition space on the 2nd, 3rd, and 4th Floors of the museum and includes work from the artist’s entire career.  ​

​I really enjoyed walking though "Administrating Eternity" which featured video projections on numbers sheets of transparent fabric suspended from the ceiling.  Walking through the exhibit, you feel immersed and even part of the experience.  You see other people, their shadows, seeing parts of the video and missing segments of others, fabric moving with the breeze as you walk by, etc.  

One of her pieces included a chandelier made from undergarments.  
Another unique and very cool installation was "Pixelwald" and comprises 3,000 LED lights that are suspended from the ceiling and change colors over time.  I loved the whole experience walking through, hearing the sounds the artist chose, looking at the uniquely-designed shapes of the lights.  Every one was different and beautiful.  For all of Pipilotti Rist’s pieces, the sounds of heartbeats, forest sounds, and oceansounds almost put you in a trance.  If you visit the exhibit, take some time to sit, and experience some of the videos, which are quite fascinating and visually esoteric.  Some of the footage was even filmed underwater.  I've included some photos of the exhibit below.

​I should also mention Chris Burden's "Ghost Ship" that was part of his exhibit at the Museum in 2013.  The ship was conceived to sail autonomously and unmanned off the coast of Scotland.  In 2005, the "Ghost Ship" did, in fact, sail 400 miles!  It remains on the facade of the museum's exterior as a tribute to his legacy.  You can see a photo of the ship in the photo at the start of the blog article.   It's quite something to see and represents some of his work other than the permanent installation at Brandeis University in front of the Rose Art Museum and at LACMA.  


For more information about the New Museum, check out their website:  www.newmuseum.org.
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PS: If you liked this article, you might like these other articles on my artistic travels:
Kennebunkport, Maine
Los Angeles, California
New York City
New York City Street Art
Napa Valley, California
Park City, Utah
Barcelona, Spain
Caribbean Art
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Attleboro Arts Museum Members' Exhibition 2016-2017

12/30/2016

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The current exhibition at the Attleboro Arts Museum is really a special experience to see. The exhibit, which I am part of, shows a huge array of art, ranging from traditional representational painting to complete abstraction, bold installations, sculpture, fiber art, and even artwork that includes neon lights.

The diversity of styles, and the sheer number of pieces of artwork, is what makes this exhibit really fascinating.  And coincidentally, I happened to choose 3 pieces of my own that are as equally diverse for this exhibit. My painting, "Honey, I'm Home!" is on exhibit, and so is another painting of mine, "Mosaic Color Grid: The Dance, Structure & Movement".  I also chose to include a sculpture of mine "One Heart" just for fun. 
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The exhibit's juror is Judith Klein of Judith Klein Art Gallery, New Bedford, MA.  I highly recommend checking out this exhibit before it closes on February 2, 2017.  

​Upcoming exhibits at the Attleboro Arts Museum look amazing as well, so if you're in the Boston Area or Providence, RI, be sure to check out the small but wonderful Attleboro Arts Museum.

For more information about the exhibit:

http://attleboroartsmuseum.org/members-exhibition-2016/

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