The Harvard Art Museums
Here is Willem de Kooning's 1937-1938 Oil on Masonite painting titled, "Untitled (The Cow Jumps Over The Moon). I learned that de Kooning was trained as a commercial artist and his artistic styles move back and forth between abstract and figurative methods. This painting below is one of his earlier works, which reminds me of Joan Miro's work to some degree. His later artwork, for which he is more well-known, is more gestural and epitomizes the abstract expressionism movement.
I stared at this painting below "Grazing Horses IV (The Red Horses), painted in 1911 by Franz Marc for quite a long time. Not because I love horses, but rather it struck me as fascinating. Franz Marc painted horses a lot, and was known for his preoccupation with animals. I learned that this particular painting was actually his first work of art to enter a museum's collection, the same year it was made. What struck me was his use of unnatural colors in a very natural scene. It's hard to see in the photo, but I was intrigued with the use of bright red in only one or two spots on the horses.
Below is Jasper johns' "The Dutch Wives", encaustic on canvas, created in 1975. If you haven't read my blog article on the Jasper johns retrospective exhibition at The Broad Museum in Los Angeles, you can find it HERE.
Below is a wonderful painting from a German artist that I was unfamiliar with named Corinne Wasmuht. It is titled, "50 U Heinrich-Heine-Str." oil on wood and created in 2009. The painting is a portrayal of Berlin's Heinrich Heine Street subway station and its surrounding neighborhood. It's hard to tell scale from photographs, but this is a huge painting and it's scale immerses the viewer, but the paintings various perspective points and different scales of objects also disorient the viewer. It's really a magnificent painting and I can see why it was gifted to Harvard's Busch-Reisinger Museum.
Below are some fascinating samples taken from the Forbes Pigment Collection. Edward Forbes was the director of the Harvard Art Museums from 1909 to 1944. During his tenure, he traveled the world, collecting a large number of pigments for the library. Today, the Pigment Collection contains more than 2,500 samples that are beautifully displayed in cabinets on the 4th floor and are used to this day to help identify pigments used in historical artworks.
I came across this wonderful, short video on the Forbes Pigment Collection that was created about 2 years ago. Check it out!
For more information about The Harvard Art Museums, please visit their website: www.harvardartmuseums.org. I definitely recommend visiting the Museum as you're in for a wonderful experience!
In addition to creating my own personal artwork and exhibiting in galleries and shows, I also take great pride in providing art instruction.
My love and enthusiasm for painting have drawn me into educating those who want to paint and draw for themselves. I am dedicated to helping both beginners and experienced artists explore their creative potential. I love to inspire others to discover their innate artistic ability. With my unique hands-on style, I encourage my students to reach their own personal artistic goals, inspiring and encouraging students of all ages in a fun and informative approach.
In addition to private art lessons, I also give presentations on the public art projects I've created over the years, as well as discussing my artwork and all aspects of being a professional artist. Feel free to reach out to me if you'd like more information about art instruction or speaking engagements.
One of my adult acrylic painting students gave me this wonderful video testimonial, so I wanted to share it here on my blog. She's very talented, a lot of fun, and a pleasure to teach acrylic painting! For more information about private art instruction for children and adults, please visit: http://www.eddiebruckner.com/art-instruction.html
The wall-sized mural/drawing depicts the word “plunder” in giant, curving strokes of Gregg shorthand, the stenographers’ tool that translates sounds into curving and bisecting lines. It is an abstract image for the many people who cannot read shorthand, yet is also a precise rendering of the word, “Plunder.” Lewis's work of art, called "Plunder" continues his ongoing investigations of the relationships between drawing, abstraction, and language. In a number of his previous artworks, he would feature sayings (in English lettering) from the book, "Life's Little Instruction Book."
If you take a close-up look at the wall drawing, you'll see his use of screws and graphite-dipped rubber bands to generate the large line drawing.
There are 19,000 rubber bands, each dipped in graphite, the same mark-making material found in pencils, and each fastened by screws drilled into the wall. Lewis created “Plunder” over five days in October with the help of nine Brandeis undergraduate students.
It's on view at the Rose Art Museum through June 10, 2018. for more information, please visit: www.brandeis.edu/rose
The Art Connection
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