I love Public Art because it's Art for Everyone. It's art that you often didn't plan to see or experience. It just happens. You're walking along the street and all of a sudden you see something that makes you smile, perhaps take a photo of it, or even a selfie with a post to Instagram.
My latest Public Art Project, The Greenway PaintBox At Atlantic Avenue & State Street was completed in September 2020 and is located along the Rose Kennedy Greenway, just steps away from Boston's New England Aquarium at the corner of Atlantic Avenue & State Street. Here are some photos of the final design...
I painted this box during an interesting and unusual time in history, during the Covid-19 Pandemic. At the time I started painting at the end of August, restaurants had re-opened with mostly outdoor seating. The electrical box was situated in front of the restaurant Provisions, so there were a lot of people enjoying the summer weather eating outside, while they watched me paint. Many people stopped to ask what I was painting, or to tell me "good job!" Some people asked to take photos with me and the in-progress box! Boston Ducktours even posted about it on their twitter and other social media accounts.
Commissioned by the City of Boston and the Boston Art Commission, the public artwork features images of the spectacular and unique architecture of the New England Aquarium, the MBTA Aquarium Train Station Entrance, and one of the famous Boston Duckboats.
The artwork highlights my signature style of bright colors, bold lines, and the illusion of mosaic tile, with the goal of making people happy when they see it as they walk through Boston. The painted electrical box took over 65 Hours to paint from start to finish from August 30th through September 12th, 2020.
To see more photos of this project and read more about it, CLICK HERE.
A video highlighting the making of the PaintBox is available and posted below in this Blog post as well as on Eddie Bruckner's YouTube Channel. You should subscribe to the Eddie Bruckner Fine Art YouTube Channel and follow Eddie on Facebook and Instagram to stay up to date!
In 2017, I was commissioned by the City of Boston’s Public Art Commission to paint an electrical box near Fenway Park. I’ve also completed a second electrical box with a Boston Marathon Theme along the Marathon route in Natick, MA. "Music, Love & Rock 'N' Roll" for the GuitARTS! Public Art Project was commissioned by Music Drives Us and The Boch Family Foundation. #JumpNatick was commissioned by the Town of Natick, Natick Center Associates the the Natick Center Cultural District with support from the American Planning Association (APA), Americans for the Arts (AFTA), and the National Endowment for the Arts (NEA).
You can check out all my Public Art Projects by CLICKING HERE.
Here is Willem de Kooning's 1937-1938 Oil on Masonite painting titled, "Untitled (The Cow Jumps Over The Moon). I learned that de Kooning was trained as a commercial artist and his artistic styles move back and forth between abstract and figurative methods. This painting below is one of his earlier works, which reminds me of Joan Miro's work to some degree. His later artwork, for which he is more well-known, is more gestural and epitomizes the abstract expressionism movement.
I stared at this painting below "Grazing Horses IV (The Red Horses), painted in 1911 by Franz Marc for quite a long time. Not because I love horses, but rather it struck me as fascinating. Franz Marc painted horses a lot, and was known for his preoccupation with animals. I learned that this particular painting was actually his first work of art to enter a museum's collection, the same year it was made. What struck me was his use of unnatural colors in a very natural scene. It's hard to see in the photo, but I was intrigued with the use of bright red in only one or two spots on the horses.
Below is Jasper johns' "The Dutch Wives", encaustic on canvas, created in 1975. If you haven't read my blog article on the Jasper johns retrospective exhibition at The Broad Museum in Los Angeles, you can find it HERE.
Below is a wonderful painting from a German artist that I was unfamiliar with named Corinne Wasmuht. It is titled, "50 U Heinrich-Heine-Str." oil on wood and created in 2009. The painting is a portrayal of Berlin's Heinrich Heine Street subway station and its surrounding neighborhood. It's hard to tell scale from photographs, but this is a huge painting and it's scale immerses the viewer, but the paintings various perspective points and different scales of objects also disorient the viewer. It's really a magnificent painting and I can see why it was gifted to Harvard's Busch-Reisinger Museum.
Below are some fascinating samples taken from the Forbes Pigment Collection. Edward Forbes was the director of the Harvard Art Museums from 1909 to 1944. During his tenure, he traveled the world, collecting a large number of pigments for the library. Today, the Pigment Collection contains more than 2,500 samples that are beautifully displayed in cabinets on the 4th floor and are used to this day to help identify pigments used in historical artworks.
I came across this wonderful, short video on the Forbes Pigment Collection that was created about 2 years ago. Check it out!
For more information about The Harvard Art Museums, please visit their website: www.harvardartmuseums.org. I definitely recommend visiting the Museum as you're in for a wonderful experience!
This past week I learned that I was being featured in Boston Voyager Magazine in their article titled, "Flashes & Strokes: A Tale of Two Mediums." The article celebrates artists working in both traditional and digital mediums. You can view the article HERE!
This weekend, I participated in a wonderful juried art festival in Needham, Massachusetts. The 2017 Needham Winter Arts Festival was held at Town Hall and featured over 30 local artists exhibiting their work. It was wonderful to be a part of this event which attracted hundreds of people (despite the first snowfall of the season) and featured musicians and singers performing holiday tunes onstage. The event was made possible through support from the Town of Needham and the Massachusetts Cultural Council Festival Grant Program.
I decided to post this blog article because two paintings of mine found a new home! The paintings, shown here, "Honey, I'm Home" and "Love Shines #2" were both sold and is now part of a private collection, bringing smiles to people residing in Wellesley, Massachusetts. The "Honey, I'm Home!" painting is acrylic paint on canvas and is 18" x 24". I was inspired to paint the house upon being invited to exhibit in a group show with the theme, "House." Before being sold, the "Honey, I'm Home!" painting was exhibited at the Morse Public Library, in Natick, MA in October 2016. It was also exhibited at the Attleboro Arts Museum December 9, 2016-February 2, 2017. I love this painting because of all the mosaic illusion elements, the representation of bushes, and how I used a broken line to indicate the front doorway.
The second painting sold, "Love Shines #2" is a 10" x 10" acrylic on board painting with resin and ground glass. "Love Shines #2" was one of my most recent paintings completed within the past month! This was one of my first few paintings that features my use of acrylic paint and ground glass with multiple layers of resin. I love using hearts in my artwork to convey the emotion of love, passion, romance, and fun! I really do feel that love does shine, and in the case of my artwork, it does too through the use of ground glass that reflects the sparkling light!
The accompanying painting, "Love Shines #1" is still available, and I'm glad that it received a lot of positive praise at the Arts Festival. I'm currently working on another series of 10 paintings, all 10" x 10" with acrylic paint, ground glass, and resin. So stay tuned for more information on those paintings once I'm done with them in my studio. They are going to be awesome and a LOT of FUN! OMG!
I also sold out all my puzzles and blankets featuring my artwork as well as sold a lot of greeting cards, coasters, candles, limited edition prints, and notepads too! The 2017 Needham Winter Arts Festival was a great and successful event! I'm looking forward to participating in it again next year!
I'm thrilled that these paintings sold to folks who absolutely loved them and I hope that they will enjoy their original paintings for many years to come!
To see the painting sold last weekend and read the blog article: CLICK HERE!
This past weekend, I was a visiting artist exhibiting my artwork at Gorse Mill Open Studios. Gorse Mill Studios is located in a historic old mill building in Needham, MA, a suburb of Boston. The building houses dozens of artists who create all types of artwork; from paintings to pottery, stained glass to mosaics, ceramics, jewelry, photography, illustration, encaustic, glass, performing arts, graphic design, and more! Gorse Mill Studios hosts openings, gallery shows, and art education programs throughout the year. It was wonderful to be a part of their event.
I decided to post this blog article because one of my favorite paintings found a new home! The painting, shown here, "Woof Woof! Gotta Get My Bone" was sold and is now bringing smiles to a new family! The painting is acrylic paint on canvas and is 10" x 20". I love this painting because of it's unusual size, the movement portrayed by the vertical lines of varying width, and how I incorporated mini-dog bones within the mosaic illusion part of the painting. It always makes me laugh!
Before being sold, this painting was exhibited at the Wellesley Community Center for the Wellesley Society of Artists Fall Show from September 2016-April 2017. This is the painting that I used for the cover of my new 2018 Calendar that features the birthdays of dozens of famous artists. I also created a coffee mug of this painting too! I'm thrilled that this painting sold to someone who shared with me how much he loved it and I know he and his family will enjoy it for many years to come!
What I loved about painting the Marathon-Themed Box in Natick was that painting it on-site allowed me to interact with people walking by, take photos together, and share my artistic process with them.
As I began to think about the project, I created several sketches that included a lot of ideas related to the town of Natick, the Boston Marathon, as well as how best to integrate my artistic style to create something visually appealing. I wanted to make it uniquely “Natick” by incorporating things like the Gazebo, the church, Natick’s zip code, etc. I like to include the American flag because Natick, I feel, is really an all-American type of town. Diverse, patriotic, down-to-earth, democratic, and inclusive.
And as I began to think about the Marathon component, I wanted to include visuals like the beautiful Boston Marathon Medal, the Marathon Runner Number, the Trophy, and the amazing runners racing toward the finish line. I also wanted to demonstrate the inclusive nature of the Natick community and the marathon itself by including a competitor in a wheelchair. I also gave a lot of thought to how the colors of the Boston Marathon (Blue and Yellow) would integrate into my overall design. And while most people won't be able to see the top of the box, I’ve painted “Boston Strong” on the top of the box.
Many of my paintings all use a similar color palette of primary colors, white, black, and neutral greys.
All my work focuses on lines, shapes, vibrant colors, and the integration of an illusion of mosaic tile.
This illusion of mosaic tile provides cohesion to my body of work and serves to provide balance, repetition, movement, and other elements of strong artistic design and composition.
I often think about the mosaic element as confetti, to further my goal of conveying fun, exhilaration, and happiness; the mosaic patterns add life and positive energy into my work.
I’m excited about the actual process of creating public art and/or installing the artwork on location with observers and participants.
There were a few funny stories of things that happened while I was on-site painting. It was the first day on-site at the electrical box. One of the first things I needed to do was make sure the box was clean of dirt, bugs, cobwebs, etc. before I could start painting. So imagine people walking by seeing a guy on a stepstool washing by hand an electrical utility box!
As people walked by, I could tell people were a bit confused or thought I was out of my mind.
As you saw in the video, I began by painting a solid black color on the entire box, and then place lines of tape, to be uncovered later. When I started with the spray paint, painting it all black, again, some people were trying to figure out what was going on, if I was vandalizing the box, or why it was all black. Maybe they preferred it grey?
But as I continued with my painting, people began to stop, ask what I was doing, ask me what it was going to look like, etc. It was a great opportunity to share with people the great things the Natick Center Cultural District has done around town to enhance life for everyone in Natick.
I painted the box over 2 weeks, almost every day, so I got to see a few people on a number of occasions on their daily walk, and it was great to stop and chat with them and hear their reactions as they saw the progress over time.
In Boston, the box I painted is on Boylston Street, a very busy city street so most of my interactions were with pedestrians on their lunch break or people heading to a Red Sox game. But in Natick, I can’t tell you how many people honked their horns and smiled at me while I painted.
People even rolled down their windows and shouted things like “Great Job!, I love that! & That’s so cool!”
I’m so pleased that in all my interactions on site, people were really happy to see my artwork.
One woman said to me, “That’s the coolest thing I’ve ever seen in Natick. And that;s very cool.”
And it was great to see all the wonderful comments on all the Facebook and Instagram posts!
I love watching the first time a passerby sees my artwork on their evening jog, their walk home from work, or pushing a baby stroller on their way to Dunkin Donuts.
These are all inspiring reminders of the transformative impact a piece of public art can have on the overall look of physical space and the pleasure it gives people.
The Dedication on Sunday, October 22nd was a wonderful event. It was a beautiful, sunny and warm day. I'd like to thank everyone who came out to the Ribbon Cutting, especially my wife, kids, my in-laws, and cousins! It really meant to much to celebrate this special community event with family and friends. I've posted a video to YouTube, which you can watch here below of the Ribbon Cutting Ceremony.
I'd like to also take this opportunity to thank the Natick Center Cultural District and the Public Arts Committee for the opportunity to participate in this wonderful public art project.
I hope everyone in the area will join me to watch the Boston Marathon at the site of the electrical box on Patriots’ Day 2018.
Here are some photos from the Ribbon Cutting Ceremony:
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